Publishers Weekly
- Publisher's Weekly
Sure to wring yet more tears from willing readers' eyes, the latest novel by the bestselling Sparks is a forced coming-of-age story concerning a pair of unlikely young lovers. In a corny flashback device that mimics The Notebook, 57-year-old Landon Carter spirits himself back to his fateful senior year in high school in Beaufort, N.C., when he was an archetypal troublemaking teenager of the 1950s, changed forever by an unexpected first love. Jamie Sullivan, the Bible-toting minister's daughter, with her drab brown sweaters, spinster hairstyle and sincere, beatific advice, is the obvious target of high school ridicule. Despite conspiring in Jamie's derision, class president Landon, desperate for a date for the homecoming dance, finds himself asking Jamie. Afterwards, Jamie asks him to participate with her in the metaphor-laden school Christmas play (Jamie plays the angel). Landon endures the taunting of his friends and forms an uneasy friendship with Jamie, which is carefully supervised by her father. The teens visit needy orphans, give Oscar-worthy performances in the school play and share dreams watching the sunset. Landon realizes he's in love with Jamie, but, of course, she is hiding a devastating secret that could wring her from Landon's arms forever. Now tortured by his knowledge of what will be her terrible fate, he must make the ultimate decision that catapults him into adulthood. Readers may be frustrated with the invariable formula that Sparks seems to regurgitate with regularity. Although the narrator declares, "My story can't be summed up in two or three sentences; it can't be packaged into something neat and simple that people would immediately understand," this is the author's most simple, formulaic, and blatantly melodramatic package to date. (Oct.) Copyright 1999 Cahners Business Information.
Library Journal
In Sparks's latest sentimental tale, a 17-year-old boy in 1950s North Carolina finds all his expectations overthrown by the Baptist minister's daughter. Film rights were purchased by the producer of Message in a Bottle. Copyright 1999 Cahners Business Information.
Kirkus Reviews
Sparks (The Notebook, 1996; Message in a Bottle, 1998) carries on in his determined effort to make people cry, this time with an old premise, slow windup, and wobbly pitch. In 1958, high-school senior Landon Carter is 17. Even though his father is a US Congressman, Landon's best friends are on the taunting, swaggering side—football players and such, who hang around at the local drive-in and flaunt their disrespect. So it's strange indeed when Landon gets involved with the nicest girl in town—classmate Jamie Sullivan, who carries a Bible everywhere she goes, does endless good deeds, and is the only child of the widowed Rev. Hegbert Sullivan, the churchman whom Landon and gang love to throw taunts after from hiding places behind trees. But Landon has enrolled in a drama class (for the easy A), and that class is responsible for putting on the annual Christmas play, written by Hegbert, which will be special this year because the author's beloved daughter will have the female lead—she's an angel who ministers to a sorrow-filled widower. When Jamie asks Landon if he won't please be the male lead, what can he say? And what can he do, as rehearsals go on, when he starts not only respecting Jamie, but liking her? Embarrassing as it is before his friends, Landon starts helping her do good deeds, and, on performance night, seeing her true beauty for the first time, falls in love with her. Oh, say it isn't so—since great, deep sorrow lies ahead. For Jamie has a secret that, when she tells it to her loving Landon, explains everything—the Bible she carries, new meanings in the Christmas play, even Jamie's reasons for finding it really special this year. Sparkspulls out all the stops as Landon, from a vantage of 40 years later, tells the story out to its teary end. Weepy wisdom aimed at the holiday trade.