Anthem

The year 2005 marks Ayn Rand’s Centennial Year. Ayn Rand’s classic tale of a future dark age of the great “We”—a world that deprives individuals of name, independence, and values—anticipates her later masterpieces, The Fountainhead and Atlas Shrugged.

Library Journal

The difference between this long-forgotten exercise in paranoia and other futuristic visions of a world controlled by the state, such as Aldous Huxley's or George Orwell's, is the extremist tone of Rand's story. The author lived in a black-and-white world in which things social or communal are evil and things individual and selfish are exalted. This "anthem" culminates in a hymn to the concepts of "I" and "ego," where the rebels are those who resist group action; the oppressors are government officials and others who attempt to provide a safety net for the less fortunate. The production is not improved by the theatricality of narrator Paul Meier, which is reminiscent of a ham Victorian actor intoning an overwrought melodrama. Not recommended.-Mark Pumphrey, Polk Cty. P.L., Columbus, NC

Ayn Rand is one of the rare writers who not only drew in readers with her novels, but created a philosophical movement with them. Her seminal Atlas Shrugged and The Fountainhead, cornerstones of her individualistic Objectivist world view, can be viewed as literature, self-empowerment texts, or both.