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French Drama - Literary Criticism, French Literary Biography, Theater Biography - Playwrights
Beaumarchais by Maurice Lever — book cover

Beaumarchais

by Maurice Lever, Jean-Pierre Thomas (Editor), Susan Emanuel
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Overview

Playwright, politician, publisher, entrepreneur, spy, and rebel: few men of eighteenth-century letters led a more varied or controversial life than Pierre-Augustin Caron de Beaumarchais. From humble beginnings as a watchmaker to exalted fame as the author of The Marriage of Figaro, Beaumarchais was a self-made man in a time when self-fashioning was close to impossible, a revolutionary in both his life and his art.

From these pages emerges the portrait of a man whose talents and activities extended far beyond the comedies that made him famous. We meet a political visionary who openly supported the American revolutionaries on the eve of his country’s own political upheaval; a reckless but brilliant entrepreneur; and an early champion of the rights of artists and intellectual property. Most of all, we meet a writer whose wit and social acumen was matched only by his determination to publish on his own terms—even at the risk of political exile.

In a narrative that reaches from the courts of Paris to secretive rendezvous in London and Germany, from Europe to America, and from the theater of war to the performances of the famed Comédie-Français, Maurice Lever re-creates the exciting and often perilous times in which Beaumarchais lived. Incorporating countless letters and firsthand accounts, Beaumarchais is an irresistibly lively and engaging account of an extraordinary life.

Synopsis

Playwright, politician, publisher, entrepreneur, spy, and rebel: few men of eighteenth-century letters led a more varied or controversial life than Pierre-Augustin Caron de Beaumarchais. From humble beginnings as a watchmaker to exalted fame as the author of The Marriage of Figaro, Beaumarchais was a self-made man in a time when self-fashioning was close to impossible, a revolutionary in both his life and his art.

From these pages emerges the portrait of a man whose talents and activities extended far beyond the comedies that made him famous. We meet a political visionary who openly supported the American revolutionaries on the eve of his country’s own political upheaval; a reckless but brilliant entrepreneur; and an early champion of the rights of artists and intellectual property. Most of all, we meet a writer whose wit and social acumen was matched only by his determination to publish on his own terms—even at the risk of political exile.

In a narrative that reaches from the courts of Paris to secretive rendezvous in London and Germany, from Europe to America, and from the theater of war to the performances of the famed Comédie-Français, Maurice Lever re-creates the exciting and often perilous times in which Beaumarchais lived. Incorporating countless letters and firsthand accounts, Beaumarchais is an irresistibly lively and engaging account of an extraordinary life.

Publishers Weekly

In The Barber of Seville, Figaro admits, "Where there's a call for my services, I am a man of initiative who goes to work with a will." So, too, Figaro's creator, the irrepressible and optimistic libertine Beaumarchais (1732-1799) gained support for his infamous Figaro plays, helped fellow authors procure copyrights and went into exile during the French Revolution. Rather than presenting a strictly chronological account, Lever (Sade: A Biography), who died in 2006, examines one great episode at a time, allowing for full immersion in each of the playwright's self-made difficulties. He lost considerable sums of his own while funneling French funds to support the American Revolution, asserting that the "cause of America is... the cause of humanity." But Beaumarchais experienced the terrors of a revolution done badly in his own country and was nearly executed for his efforts. Never apologetic for his appetites and fondness for controversy, Beaumarchais slyly asked, "When one has got a bad reputation, what remains but to enjoy it?" This edition is packed with adventures, leaving one to wonder what other entertaining anecdotes are in the three-volume French version. 8 pages of b&w illus. (May 5)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author, Maurice Lever

One of the most respected scholars of 17th and 18th century French literature, Maurice Lever (1935-2006) was the author of over a dozen books, including biographies of Louis XV, Isadora Duncan, and the Marquis de Sade. FSG published Sade: A Biography in 1993.

Susan Emanuel has worked as a translator for fifteen years and has translated many articles and books in history, theology, and social sciences. She lives in Burgundy and outside Boston with her husband, a scientist, and their son.

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Editorials

Publishers Weekly

In The Barber of Seville, Figaro admits, "Where there's a call for my services, I am a man of initiative who goes to work with a will." So, too, Figaro's creator, the irrepressible and optimistic libertine Beaumarchais (1732-1799) gained support for his infamous Figaro plays, helped fellow authors procure copyrights and went into exile during the French Revolution. Rather than presenting a strictly chronological account, Lever (Sade: A Biography), who died in 2006, examines one great episode at a time, allowing for full immersion in each of the playwright's self-made difficulties. He lost considerable sums of his own while funneling French funds to support the American Revolution, asserting that the "cause of America is... the cause of humanity." But Beaumarchais experienced the terrors of a revolution done badly in his own country and was nearly executed for his efforts. Never apologetic for his appetites and fondness for controversy, Beaumarchais slyly asked, "When one has got a bad reputation, what remains but to enjoy it?" This edition is packed with adventures, leaving one to wonder what other entertaining anecdotes are in the three-volume French version. 8 pages of b&w illus. (May 5)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Library Journal

Finally, a book that acknowledges the great debt the United States owes to Pierre-Augustin Caron de Beaumarchais for his service in obtaining American independence from the British during the Revolutionary War. Beaumarchais, always the revolutionary, wanted to champion the great cause: freedom for America, a new nation in the New World founded on the ideas of the Age of Enlightenment. When he died in 1799, the United States had still not satisfied its financial debt to Beaumarchais for arms shipments. Lever, a prolific French author and scholar of 17th- and 18th-century French literature, reveals Beaumarchais to be a man of many talents-playwright, politician, publisher, entrepreneur, spy, and rebel. Today, French professors in the United States may sardonically mention to their students his play, The Marriage of Figaro, without giving Beaumarchais credit for his aid in the Revolutionary War. He lived through the bloody French Revolution and the Reign of Terror and had to resort to many ruses to survive. Lever's revealing biography is recommended for all public and academic libraries.
—Bob T. Ivey

Kirkus Reviews

The astonishingly productive, creative, dangerous, revolutionary, mercenary, libertine life of Pierre-Augustin Caron de Beaumarchais (1732–1799), author of The Barber of Seville and financier for the American Revolution..Condensed from the original three volumes published in France between 1999 and 2004, this edition presumably picks the juiciest fruit from a loaded tree. Born the son of a watchmaker, a trade he later followed and mastered, Beaumarchais ended his life in a fierce struggle with the leaders of the French Revolution, who several times nearly condemned him to the tireless national razor. With vast personal resources of energy and eclectic talents, he led a peripatetic life, rendering quite difficult, acknowledges Lever (Sade, 1993, etc.), the task of weaving its many strands into a single linear thread. But the author artfully succeeds from start to finish. During his early years as a watchmaker, Beaumarchais' created a design that greatly improved the accuracy of timepieces. As a playwright, he composed two classic theater pieces later transformed by others into classic operas: The Barber and The Marriage of Figaro. (His third play about Figaro, the sentimental A Mother's Guilt, earns only disdain from Lever.) As a businessman and investor, Beaumarchais amassed a great fortune, then saw most of it vanish during the Terror. As a politician, he finessed royalty and revolutionaries alike, miraculously escaping death after a number of official denunciations. He married several times but also maintained some quite athletic extramarital activities. Lever quotes a letter in which Beaumarchais recalls to one mistress, with pure locker-room candor, some of their more adventuroussexual escapades. He helped fund the American Revolution (though his heirs spent many years applying for reimbursement); he was fascinated with the Panama Canal plans; and he tried to sell his mansion to young Napoleon Bonaparte. He seems in all ways a more gifted and assiduous Zelig..Superbly rendered biography of a most significant man.

Book Details

Published
April 1, 2009
Publisher
Farrar, Straus and Giroux
Pages
432
Format
Hardcover
ISBN
9780374113285

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