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Modern Philosophy - 20th Century, Modern Aesthetics, Art & Literature, Psychology & Literature
Beckett and Aesthetics by Daniel Albright β€” book cover

Beckett and Aesthetics

by Daniel Albright
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Overview

As a young man, Samuel Beckett (1906-89) hoped that writing could provide psychic authenticity and true representation of the physical world. Instead, he found himself immersed in artificialities and self-enclosed word games. Daniel Albright argues that Beckett sought escape through allegories of artistic frustration and the art of non-representation and estrangement. Albright depicts Beckett experimenting with the concept that an artistic medium might be made to speak. Engaging with radio, film, television, prose and drama, Albright's Beckett becomes a sophisticated theorist of the very notion of the aesthetic.

Synopsis

Engages with radio, film, television, prose and drama; shows Beckett as a sophisticated theorist of aesthetics.

About the Author, Daniel Albright

Daniel Albright is Professor of English and American Literature at Harvard University. He is the author of many books on music and modernist literature, including Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism (Cambridge 1997), Untwisting the Serpent: Modernism in Music, Literature, and the Visual Arts (2000) and Modernism and Music: An Anthology of Source Materials (2003).

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Editorials

From the Publisher

"...an intellectual tour de force that offers a profound and lucid analysis of Beckett's artistic practice. Albright is at ease with the numerous discourses he uses and writes poetically and provocatively. For its elegance, rigour, and insights, Beckett and Aesthetics ought to be required reading for anyone interested in Beckett's drama and performance work." Modern Drama

Book Details

Published
March 1, 2004
Publisher
Cambridge University Press
Pages
179
Format
Hardcover
ISBN
9780521829083

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