Overview
The author demonstrates in Creative Color his exciting thesis: A knowledge of perception is the springboard to a far more inventive use of color in art today. By following Creative Color and performing the interesting experiments at the end of every chapter, you learn how to produce—consistently—effects that artists have rarely achieved, and then only by intuition, accident or painful trial-and-error. The illustrations are not meant to be art. They are experiments in producing color effects according to known principles of perception. If such striking effects can be achieved without the slightest attempt of art, think how much more the artist can do with the same knowledge! The author has usefully included a list of Numsell-coded palettes by which his extraordinary color effects may be precisely duplicated.Synopsis
The author demonstrates in Creative Color his exciting thesis: A knowledge of perception is the springboard to a far more inventive use of color in art today. By following Creative Color and performing the interesting experiments at the end of every chapter, you learn how to produce—consistently—effects that artists have rarely achieved, and then only by intuition, accident or painful trial-and-error. The illustrations are not meant to be art. They are experiments in producing color effects according to known principles of perception. If such striking effects can be achieved without the slightest attempt of art, think how much more the artist can do with the same knowledge! The author has usefully included a list of Numsell-coded palettes by which his extraordinary color effects may be precisely duplicated.