Log in to track your reading progress.
Overview
The Third Edition of Directing the Documentary, like the previous two, guides the reader through the process of making a work for the screen. This includes the real problems of researching and focusing a documentary film or video idea, of developing a crew, of directing the crew and participants, and of maintaining control during shooting. It guides the reader through the complex evolutionary process of post-production, when the film's true characteristics can really begin to emerge and assert themselves.Up-to-date with examples of significant new films and new projects, it is written in conversational, non-technical language, treating the reader as a colleague in search of clearly explained knowledge. The author, a veteran filmmaker and teacher shares anecdotes from his own professional experience where they usefully illustrate ideas, principles, or pitfalls.
*A Focal classic
*Includes examples from well-known films and projects
*Features projects that guide the reader through all phases of creating a professional-quality documentary
Editorials
Booknews
Takes a hands-on, project-oriented approach to using the screen as a tool of inquiry and self-expression. Covers the entire filming process, from conception through postproduction, and discusses such topics as cin<'e>ma v<'e>rit<'e> techniques, handheld and tripod modes, current issues in documentary and editing theory, and authorial identity. Includes numerous line drawings, diagrams, and black-and- white photographs, as well as a list of international film schools. Appropriate for both beginners and professionals. Annotation c. by Book News, Inc., Portland, Or.Book Details
Published
February 7, 1992
Publisher
Focal Press
Pages
382
Format
Paperback
ISBN
9780240801261