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Fiction, World Literature, Fiction Subjects
Gorgeous Lies by Martha McPhee β€” book cover

Gorgeous Lies

by Martha McPhee, McPhee
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Overview

In a sprawling house on a hill, floating in a sea of green fields, charismatic therapist Anton Furey is dying. The tribe he heads - his five children, his wife's three girls, and their uniting child Alice - has gathered in a vigil at Chardin, the farm where they grew up and Anton played out his visions of communal living. In the 1970s they had been famous for being the new American blended family, their utopian lifestyle chronicled by film crews and reporters. But as Anton grows weaker, the hurts, allegiances, and betrayals of those years boil to the surface; and the children find themselves forced to confront the knotty intimacies of the past along with the misunderstandings of the present as they struggle to make their peace with Anton - and Anton struggles to make peace with himself.

Finalist for the 2002 National Book Award, Fiction.

Synopsis

Acclaimed by critics, Martha McPhee's debut Bright Angel Time established her as a dazzling new talent in American fiction; she fulfills her promise and breaks ambitious new ground with Gorgeous Lies. Charismatic therapist Anton Furey is dying, and the tribe he heads-his five children, his wife's three, and their uniting child, Alice-has returned to Chardin, the farm where they grew up and played out Anton's vision of communal living. They had been famous for being the new American blended family, their utopian lifestyle chronicled by film crews and reporters. But as Anton grows weaker, the hurts and betrayals of those years boil to the surface, and the children find themselves reliving the knotty intimacies they share as they struggle to make their peace with Anton. With shimmering prose and an acutely observant eye, McPhee has created a portrait of an era and a family that explores the limits, and obligations, of love.

Publishers Weekly

An offbeat writing style and poetic metaphors distinguish this crowded tale of a patriarch, his harem of lovers and the litters of offspring they produce, the follow-up to McPhee's well-received novel Bright Angel Time. Gestalt therapist Anton Furey is dying of pancreatic cancer, and the people closest to him gather at the New Jersey family estate, Chardin, and recall the emotional ups and downs of life with a womanizing dreamer and charismatic charmer. His children with ex-wife Agnes insecure Nicholas, gentle Caroline, money-hungry Sofia, barely there Timothy and adopted Finny (son of Anton and an Italian maid) are not fully sketched: some are given vivid cameos, while others fade into the background. The children of Anton's wife Eve from a previous marriage cynical, headstrong Jane, model-perfect Julia and homely Kate are better drawn and as flighty in their loyalty to their stepfather as he is in his choice of lovers. Youngest daughter Alice, the only child of Anton and Eve, is Anton's favorite for her mix of joie de vivre and sweet gravity. Like an anti-Brady Bunch, the members of the sprawling double family fluctuate in their alliances and affections over the 25 years of Eve and Anton's marriage. Their one common trait is their hunger for Anton's attention and approval. As the novel unfolds, Anton's unlikely past is revealed: his Texas childhood, his early stint in a Jesuit seminary and his grand passion for the communal haven of Chardin. His insatiable need for connection particularly with women can be repellant (as when he pursues one of his stepdaughters), but it is his infectious zest for life that drives this invigorating if convoluted novel. (Sept.) Copyright 2002 Cahners Business Information.

About the Author, Martha McPhee

Martha McPhee first introduced readers to the charismatic Furey clan in 1997 with her debut novel Bright Angel Time, for which she received a National Endowment for the Arts grant to complete. The NEA s money was well spent -- McPhee s follow-up novel, Gorgeous Lies, garnered a 2002 National Book Award nomination.

Reviews

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Editorials

Publishers Weekly

An offbeat writing style and poetic metaphors distinguish this crowded tale of a patriarch, his harem of lovers and the litters of offspring they produce, the follow-up to McPhee's well-received novel Bright Angel Time. Gestalt therapist Anton Furey is dying of pancreatic cancer, and the people closest to him gather at the New Jersey family estate, Chardin, and recall the emotional ups and downs of life with a womanizing dreamer and charismatic charmer. His children with ex-wife Agnes insecure Nicholas, gentle Caroline, money-hungry Sofia, barely there Timothy and adopted Finny (son of Anton and an Italian maid) are not fully sketched: some are given vivid cameos, while others fade into the background. The children of Anton's wife Eve from a previous marriage cynical, headstrong Jane, model-perfect Julia and homely Kate are better drawn and as flighty in their loyalty to their stepfather as he is in his choice of lovers. Youngest daughter Alice, the only child of Anton and Eve, is Anton's favorite for her mix of joie de vivre and sweet gravity. Like an anti-Brady Bunch, the members of the sprawling double family fluctuate in their alliances and affections over the 25 years of Eve and Anton's marriage. Their one common trait is their hunger for Anton's attention and approval. As the novel unfolds, Anton's unlikely past is revealed: his Texas childhood, his early stint in a Jesuit seminary and his grand passion for the communal haven of Chardin. His insatiable need for connection particularly with women can be repellant (as when he pursues one of his stepdaughters), but it is his infectious zest for life that drives this invigorating if convoluted novel. (Sept.) Copyright 2002 Cahners Business Information.

Kirkus

"Fine work: A moving portrait of a foolish, foul-hearted, but impossibly innocent man." β€”starred review

Library Journal

McPhee returns here to the characters and themes of her much-praised first novel, Bright Angel Time. In 20 years, many things have changed in the lives of the large Furey-Cooper clan. Once the members were widely known as exemplars of a new kind of blended family, living out the utopian visions of patriarch Anton. Now Anton lies virtually helpless, dying slowly with many dreams unrealized and his magnum opus on human sexuality unwritten. The siblings gather at the family farm, linked painfully not only by grief but also by longtime resentments, disappointments, and misunderstandings that fester as Anton's end approaches. Most heavily burdened is youngest daughter Alice, the biological and symbolic link between the Fureys and Coopers, who is obsessed with somehow ending her father's suffering. More somber than the earlier book, but its equal in subtlety and clever writing, this novel chronicles the fate of Sixties and Seventies ideals colliding with the harsher realities of the Nineties. Recommended for most fiction collections. [Previewed in Prepub Alert, LJ 6/1/02.] Starr E. Smith, Fairfax Cty. P.L., VA Copyright 2002 Cahners Business Information.

Kirkus Reviews

In a continuation of McPhee's Bright Angel Time (1997), the strange and lovely life of a man is recalled by all of the wives, children, and assorted others who have gathered around his deathbed. Previously, Anton came across mainly as a hippie: a 1970s Esalen gestalt therapist who preached free love and practiced what he preached-with a vengeance. Here, his life is looked at from farther back, this in light of his just having been diagnosed with inoperable cancer. From Texas, Anton was raised in a devout Catholic family, entered the Jesuit order in the late 1940s, and spent several years training to be a priest. While studying at Notre Dame, he fell in love with Agnes, an oil heiress, and in 1954 left the order to marry her. The sexual obsessions that had plagued him in religious life weren't conquered by the Sacrament of Matrimony, however, and his philandering gradually led to much unhappiness, an illegitimate son, and a Haitian divorce of dubious legality. After leaving Agnes (who won custody of their five children and agreed to pay him alimony), Anton takes up with the newly divorced Eve Cooper, who comes to him for psychotherapy. Later, Anton and Eve start a communal farm in New Jersey called Chardin (as in Teilhard), where they live in domestic confusion with Eve's three daughters, some of Anton's children, and their own daughter Alice (who was nearly aborted but saved by a family vote). Chardin becomes mildly famous, written up in People and Look and shown on TV documentaries, but the children and Eve eventually leave Anton and go their separate ways. They all return once they learn that he's dying, however, and collectively argue over how they can or should remember him once hehas gone. Somewhat rambling, but fine work nevertheless: a moving portrait of a foolish, foul-hearted, but impossibly innocent man.

Los Angeles Time Book Review

"[McPhee]'s prose captures the Chardin mood: Elegant and airy, it seems to levitate even the grubbiest details."

O Magazine

"An unusually strong novel [that] explores the wild frontier of domestic life."

Elle

"McPhee is a sensuous stylist."

Washington Post Book World

"It's easy to see why the charismatic figures from BRIGHT ANGEL TIME would not loosen their grip on this author."

Larry McMurtry

"Gorgeous Lies is a lovely meditation on mortality . . . Brilliantly and convincingly done."

Santa Fe New Mexican

"When McPhee strikes the right rhythm, you don't so much read her prose as live inside it."

Albany Times-Union

"McPhee brings sensitivity and insight to her account.... She is an immensely gifted novelist."

Dallas Morning News

"Deftly depicts individuals dealing with old memories and new problems."

author of THE THINGS THEY CARRIED - Tim O'Brien

"I loved this book. Martha McPhee plainly ranks as one of our country's best young writers."

Book Details

Published
September 1, 2002
Publisher
Houghton Mifflin Harcourt
Pages
336
Format
Hardcover
ISBN
9780151006137

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