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High Fidelity

Name: High Fidelity
Author: Nick Hornby
ISBN: 9781573225519

by Nick Hornby

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Overview

Now a major motion picture from Touchstone Pictures.

Rob is a pop music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a bad record collection? Rob seeks refuge in the company of the offbeat clerks at his store, who endlessly review their top five films (Reservoir Dogs...); top five Elvis Costello songs ("Alison"...); top five episodes of Cheers (the one where Woody sang his stupid song to Kelly...). Rob tries dating a singer whose rendition of "Baby, I Love Your Way" makes him cry. But maybe it's just that he's always wanted to sleep with someone who has a record contract. Then he sees Laura again. And Rob begins to think (awful as it sounds) that life as an episode of thirtysomething, with all the kids and marriages and barbecues and k.d. lang CD's that this implies, might not be so bad.

Synopsis

High Fidelity is the story of Rob, a pop music junkie who runs his own semi-failing record store. His girlfriend Laura has just left him for Ian from the flat upstairs. Rob is both miserable and relieved. After all, could he have spent his life with someone who has a bad record collection? This narrowly misses his list of all-time top five most memorable split-ups. Rob seeks refuge in the company of Barry and Dick, the offbeat clerks at his store. They speak the masculine language of lists, endlessly reviewing their top five films (Reservoir Dogs...); top five Elvis Costello songs ("Alison"...); top five episodes of Cheers (the one where Woody sang his stupid song to Kelly...). Rob tries dating a singer called Marie (a post-Partridge Family, pre-L.A. Law Susan Dey), who once sold a song to Nanci Griffith. Her rendition of "Baby, I Love Your Way" makes him cry. But maybe it's just that he's always wanted to sleep with someone who has a record contract. Then he sees Laura again. And Rob begins to think (as awful as it sounds) that life as an episode of thirtysomething, with all the kids and marriages and jobs and barbecues and k.d. lang CDs that this implies, might not be so bad.

BUST Magazine

Reading this book is like reading an owner's manual for men....It's a quick, snicker-out-loud-then-nod-knowingly read. Then leave it around so your boyfriend picks it up. Tell him it's about music.

About the Author, Nick Hornby

Journalist and bestselling novelist Nick Hornby is best known for his portraits of dysfunctional Peter Pans -- clueless postmodern males in various stages of arrested development who discover, often to their chagrin, that growing up is a process involving far more than the passage of time.

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Editorials

BUST Magazine

Reading this book is like reading an owner's manual for men....It's a quick, snicker-out-loud-then-nod-knowingly read. Then leave it around so your boyfriend picks it up. Tell him it's about music.

Mark Jolly

With only a slim memoir and a novel to his name, Nick Hornby seems to have surveyed the panorama of painful verities attached to growing up with love, soccer and pop music in one's heart. High Fidelity fills you with the same sensation you get from hearing a debut record album that has more charm and verve and depth than anything you can recall. The goods have been delivered and already you begin to wonder about that "difficult" second album.
— New York Times

Publishers Weekly - Publisher's Weekly

British journalist Hornby has fashioned a disarming, rueful and sometimes quite funny first novel that is not quite as hip as it wishes to be. The book dramatizes the romantic struggle of Rob Fleming, owner of a vintage record store in London. After his girlfriend, Laura, leaves him for another man, he realizes that he pines not for sexual ecstasy epitomized by a "bonkus mirabilis'' in his past but for the monogamy this cynic has come to think of as a crime. He takes comfort in the company of the clerks at the store, whose bantering compilations of top-five lists e.g., top five Elvis Costello songs; top-five films typify the novel's ingratiating saturation in pop culture. Sometimes this can pall: readers may find that Rob's ruminations about listening to the Smiths and the Lemonheads-pop music helps him fall in love, he tells us-are more interesting than his list of five favorite episodes of Cheers. Rob takes comfort as well in the company of a touring singer, Marie La Salle, who is unpretentious and "pretty in that nearly cross-eyed American way''-but life becomes more complicated when he encounters Laura again.

Library Journal

Rob Fleming is the kind of person whose mindset is clearly shown by his top two career choices: journalist for the New Musical Express, 1976-79, and producer for Atlantic Records, circa 1964-71. Owner of a small London record shop and musical snob of a high degree, Rob finds his life thrown into turmoil when live-in girlfriend Laura suddenly leaves. He embarks on a journey through the past, tracking down old lovers while finding solace with Marie, an American folk/country singer living in London, even as he yearns for Laura's return. Told in an engaging first-person voice that blends sarcasm with self-deprecating humor, High Fidelity presents a painfully funny take on love, music, and growing up. -Lawrence Rungren, Bedford Free P.L., Mass.