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Synopsis
"Americans have a tough time admitting two things about themselves: Race matters. Class matters. Dalton Conley's journey back and forth across the dividing lines invisibly etched on the map of Manhattan does with good story-telling what good sociology can't. He closes the sale. Through the eyes of a growing child he shows the difficulty of navigating without a map, the hard-won mastery of the unwritten rules. Young Dalton is bewildered by what most of us peers can't even perceive, the easy acceptance of white privilege. But instead of making a whiny tirade out of it, he makes us smell the street. It's a much more effective choice, if you ask me."—Ray Suarez, author of The Old Neighborhood: What We Lost in the Great Suburban Migration, and senior correspondent, The NewsHour with Jim Lehrer
"Honky is dope. For all you white kids that grew up in Hip-Hop dominated America, this book is for you. It's a hard honest look at why, no matter how poor and ghetto you are or want to be, as long as you're white, you've still got an advantage in this country. . .very brave."—Danny Hoch, producer and star of Jails, Hospitals and Hip-Hop
"An eye-opening account of what it is like to grow up white in a black inner-city social environment. It is marvelously rich with insights—and a good read, too."—Elijah Anderson, author of Code of the Street: Decency, Violence, and the Moral Life of the
Inner City.
"I love Honky — Dalton Conley is a very clever fellow to have strip-mined material so close to home and come up with pure gold. Told within the narrative framework of a white boy's friendships in the minority projects where his liberal, artistic parents raised their family in conditions that came to resemble a fortress, this ruefully comic memoir of growing up fast in the city easily outdistances a dozen sociological treatises on the deep social clashes and warring values of our time."—Susan Brownmiller, author of Against Our Will: Men, Women and Rape
Jerusalem Post
A quick and easy read, even for those unfamiliar with the setting, the writing is beautiful and the subject matter forever haunting.