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Husband by Dean Koontz — book cover

Husband

by Dean Koontz
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Overview

With each and every new novel, Dean Koontz raises the stakes -- and the pulse rate -- higher than any other author. Now, in what may be his most suspenseful and heartfelt novel ever, he brings us the story of an ordinary man whose extraordinary commitment to his wife will take him on a harrowing journey of adventure, sacrifice, and redemption to the mystery of love itself -- and to a showdown with the darkness that would destroy it forever.

What would you do for love? Would you die? Would you kill?

We have your wife. You can get her back for two million cash. Landscaper Mitchell Rafferty thinks it must be some kind of joke. He was in the middle of planting impatiens in the yard of one of his clients when his cell phone rang. Now he’s standing in a normal suburban neighborhood on a bright summer day, having a phone conversation out of his darkest nightmare.

Whoever is on the other end of the line is dead serious. He has Mitch’s wife and he’s named the price for her safe return. The caller doesn’t care that Mitch runs a small two-man landscaping operation and has no way of raising such a vast sum. He’s confident that Mitch will find a way.

If he loves his wife enough. . . Mitch does love her enough. He loves her more than life itself. He’s got seventy-two hours to prove it. He has to find the two million by then. But he’ll pay a lot more. He’ll pay anything.

From its tense opening to its shattering climax, The Husband is a thriller that will hold you in its relentless grip for every twist, every shock, every revelation…until it lets you go, unmistakably changed. This is a Dean Koontz novel, after all. And there’s no other experience quite like it.

About the Author, Dean Koontz

Dean Koontz, the author of many #1 New York Times bestsellers, lives with his wife, Gerda, and the enduring spirit of their golden retriever, Trixie, in southern California.

Biography

He is one of the most recognized, read, and loved suspense writers of the 20th century. His imagination is a veritable factory of nightmares, conjuring twisted tales of psychological complexity. He even has a fan in Stephen King. For decades, Dean Koontz's name has been synonymous with terror, and his novels never fail to quicken the pulse and set hearts pounding.

Koontz has a lifelong love of writing that led him to spend much of his free time as an adult furiously cultivating his style and voice. However, it was only after his wife Gerda made him an offer he couldn't refuse while he was teaching English at a high school outside of Harrisburg, Pennsylvania, that he had a real opportunity to make a living with his avocation. Gerda agreed to support Dean for five years, during which time he could try to get his writing career off the ground. Little did she know that by the end of that five years she would be leaving her own job to handle the financial end of her husband's massively successful writing career.

Koontz first burst into the literary world with 1970's Beastchild, a science fiction novel that appealed to genre fans with its descriptions of aliens and otherworldly wars but also mined deeper themes of friendship and the breakdown of communication. Although it is not usually ranked among his classics, Beastchild provided the first inkling of Koontz's talent for populating even the most fantastical tale with fully human characters. Even at his goriest or most terrifying, he always allows room for redemption.

This complexity is what makes Koontz's work so popular with readers. He has a true gift for tempering horror with humanity, grotesqueries with lyricism. He also has a knack for genre-hopping, inventing Hitchcockian romantic mysteries, crime dramas, supernatural thrillers, science fiction, and psychological suspense with equal deftness and imagination. Perhaps The Times (London) puts it best: "Dean Koontz is not just a master of our darkest dreams, but also a literary juggler."

Good To Know

Shortly after graduating from college, Koontz took a job with the Appalachian Poverty Program where he would tutor and counsel underprivileged kids. However, after finding out that the last person who held his job had been beaten up and hospitalized by some of these kids, Koontz was more motivated than ever to get his writing career going.

When Koontz was a senior in college, he won the Atlantic Monthly fiction competition.

Koontz and Kevin Anderson's novel Frankenstein: The Prodigal Son was slotted to become a television series produced by Martin Scorsese. However, when the pilot failed to sell, the USA Network aired it as a TV movie in 2004. By that time Koontz had removed his name from the project.

Some fun and fascinating outtakes from our interview with Koontz:

"My wife, Gerda, and I took seven years of private ballroom dancing lessons, twice a week, ninety minutes each time. After we had gotten good at everything from swing to the foxtrot, we not only stopped taking lessons, but also stopped going dancing. Learning had been great fun; but for both of us, going out for an evening of dancing proved far less exhilarating than the learning. We both have a low boredom threshold. Now we dance at a wedding or other celebration perhaps once a year, and we're creaky."

"On my desk is a photograph given to me by my mother after Gerda and I were engaged to be married. It shows 23 children at a birthday party. It is neither my party nor Gerda's. I am three years old, going on four. Gerda is three. In that crowd of kids, we are sitting directly across a table from each other. I'm grinning, as if I already know she's my destiny, and Gerda has a serious expression, as if she's worried that I might be her destiny. We never met again until I was a senior in high school and she was a junior. We've been trying to make up for that lost time ever since.

"Gerda and I worked so much for the first two decades of our marriage that we never took a real vacation until our twentieth wedding anniversary. Then we went on a cruise, booking a first-class suite, sparing no expense. For more than half the cruise, the ship was caught in a hurricane. The open decks were closed because waves would have washed passengers overboard. About 90% of the passengers spent day after day in their cabins, projectile vomiting. We discovered that neither of us gets seasick. We had the showrooms, the casino, and the buffets virtually to ourselves. Because the crew had no one to serve, our service was exemplary. The ship dared not try to put into the scheduled ports; it was safer on the open sea. The big windows of the main bar presented a spectacular view of massive waves and lightning strikes that stabbed the sea by the score. Very romantic. We had a grand time.

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Editorials

From Barnes & Noble

Would you die for love? Would you steal? Would you kill? These are the questions posed in the masterful Dean Koontz's, taut, electrifying thriller about an ordinary man faced with the abduction of his wife. The Husband will exceed the expectations of even the most ardent Koontz fan.

Publishers Weekly

Koontz's latest thriller, slated for fast track silver screen adaptation in a joint venture between Random House and Focus Features, presents a spellbinding Hitchcock-flavored tale of an innocent, unassuming everyman caught in an intricate web of duplicity. While toiling away in the yard of a client, Orange County landscaper Mitch Rafferty casually answers his cellular phone and learns that his wife, Holly, has been taken hostage; the humble man of the soil must raise a $2 million ransom to prevent the unthinkable from happening. Graham, fresh from such recent audiobook triumphs as John Berendt's The City of Falling Angels and Lisa Gardner's Alone, delivers a smooth single-malt scotch of a performance. Graham brings a straight-arrow, earnest 20-something cadence to Mitch's voice. He also skillfully navigates the diverse cast of Southern California characters-young Holly facing danger with both grace and bravery, a seasoned homicide detective, a sadistic kidnapper obsessed with New Age spirituality, and a high-tech entrepreneur hiding a sinister secret-with masterful use of vocal inflection and carefully timed pauses. Simultaneous release with the Bantam hardcover (Reviews, Apr. 25). (Aug.) Copyright 2006 Reed Business Information.

VOYA

It is just a typical hot, boring day at work when landscape gardener Mitch Rafferty receives an unexpected call on his cell phone from his wife, Holly. She does not sound like herself, an impression reinforced when a man's voice interrupts to tell Mitch that Holly has been kidnapped and that he has only sixty hours in which to raise two million dollars to ransom her. He allows no questions, offers no explanations, and most important, demands no police involvement or Holly will die. Just to be sure that Mitch gets the point, the caller directs Mitch's attention to a man walking a dog across the street, and Mitch watches in horror as the dog walker is shot by a sniper. Mitch is now a believer, but where in the world is a gardener supposed to come up with that kind of cash? The story proceeds at a breakneck pace, piling twists upon twists as Koontz shows why Mitch and Holly have been chosen for this extortion, how Mitch's family background and history has influenced the kidnapping, and movingly the growing determination and outrage of a good, ordinary man pushed too far. Fans of Koontz's Odd Thomas (Bantam, 2004/VOYA February 2005) will appreciate the supernatural slant to Mitch and Holly's relationship, and readers of thrillers will find this novel a genuine page-turner.

Library Journal

Many of the elements that denote a Koontz work are here: mystery, suspense, violence, and tropical suburban California. When landscaper Mitch Rafferty receives a call from his wife, Holly, she announces that she's been abducted; her kidnappers demand a $2 million ransom. Mitch, an ordinary working Joe, doesn't have that kind of money, but the kidnappers know how he can get it. Listeners root for Mitch, who wants nothing more than to live with Holly and raise a family in safe seclusion behind their rose-entwined white picket fence. He won't employ the same questionable methods to rear rational-materialist children as his egg-head parents did, methods that employed sensory deprivation, semistarvation, nudity, and severe verbal analysis. Holter Graham is an excellent narrator, with an interesting ability with accents, but he does not develop enough distinction between his male and female voices. Recommended only for libraries that have either a large budget or a very small audio collection of Koontz titles. David Faucheux, Louisiana Audio Information & Reading Svc., Lafayette Copyright 2006 Reed Business Information.

Book Details

Published
June 26, 2012
Publisher
Random House Publishing Group
Pages
432
Format
Mass Market Paperback
ISBN
9780345533333

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