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I Ask the Impossible: Poems by Ana Castillo — book cover

I Ask the Impossible: Poems

by Ana Castillo
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Overview

An Anchor Books Original

Cherished for her passionate fiction and exuberant essays, the author hailed by Julia Alvarez as una storyteller de primera,? and by Barbara Kingsolver in The Los Angeles Times as impossible to resist,? returns to her first love-poetry-to reveal an unwavering commitment to social justice, and a fervent embrace of the sensual world.

With the poems in I Ask the Impossible, Castillo celebrates the strength that "is a woman-buried deep in [her] heart." Whether memorializing real-life heroines who have risked their lives for humanity, spinning a lighthearted tale for her young son, or penning odes to mortals, gods, goddesses, Castillo's poems are eloquent and rich with insight. She shares over twelve years of poetic inspiration, from her days as a writer who once wrote poems in a basement with no heat," through the tenderness of motherhood and bitterness of loss, to the strength of love itself, which can make the impossible a simple act." Radiant with keen perception, wit, and urgency, sometimes erotic, often funny, this inspiring collection sounds the unmistakable voice of a "woman on fire? / and more worthy than stone."

Synopsis

An Anchor Books Original

Cherished for her passionate fiction and exuberant essays, the author hailed by Julia Alvarez as una storyteller de primera,? and by Barbara Kingsolver in The Los Angeles Times as impossible to resist,? returns to her first love-poetry-to reveal an unwavering commitment to social justice, and a fervent embrace of the sensual world.

With the poems in I Ask the Impossible, Castillo celebrates the strength that "is a woman-buried deep in [her] heart." Whether memorializing real-life heroines who have risked their lives for humanity, spinning a lighthearted tale for her young son, or penning odes to mortals, gods, goddesses, Castillo's poems are eloquent and rich with insight. She shares over twelve years of poetic inspiration, from her days as a writer who once wrote poems in a basement with no heat," through the tenderness of motherhood and bitterness of loss, to the strength of love itself, which can make the impossible a simple act." Radiant with keen perception, wit, and urgency, sometimes erotic, often funny, this inspiring collection sounds the unmistakable voice of a "woman on fire? / and more worthy than stone."

Publishers Weekly

The prolific novelist, poet, essayist and xicanista Castillo checked in most recently with My Daughter, My Son, The Eagle, The Dove: An Aztec Chant, an inspirational gift book, and Peel My Love Like an Onion, a first-person tale of immigration and reimagined selfhood. This fifth poetry collection displays all the energy and political commitment of Castillo's work in other genres, but holds few formal or conceptual surprises. Nevertheless, many readers will be happy to bask in their speaker's experiences and longings or to get angry and motivated by her cries for justice: "Women don't riot,/ not in maquilas in Malaysia, Mexico, or Korea..../ We don't storm through cities,/ take over the press, make a unified statement,/ once and for all: A third millennium call--from this day on no more, not me, not my daughter,/ not her daughter either." Over the course of 60 sometimes multilingual, mostly page-or-less monologues, Castillo's speaker brashly addresses the pope, celebrates Zapatista leader Comandante Ramona, eulogizes friend Dieter Herms, sits alone in a new city ("I have had PMS for three days./ If I drink myself into a stupor, who'll know?"), imagines being seduced by Nastassia Kinski and goes about her business with passion and dignity. The abundant erotic parables and mystical invocations work much less well, often filled with clich s and awkward cadences. But the point here is in the immediacy and the message; this book is worth its weight in a thousand arid ekphrases and aestheticizations. (Mar. 27) Forecast: Nothing much distinguishes these poems from those of many other mestiza feminists speaking out in small presses across the country--except Castillo's relative fame, which adds to her speaker's winning confidence. Fans from her other genres will see Castillo's bright smile on the cover of this book and pick it up. Copyright 2000 Cahners Business Information.

About the Author, Ana Castillo

Ana Castillo is the author of the novels Peel My Love Like an Onioin, So Far from God, The Mixquiahuala Letters, and Sapogonia. She has written a story collection, Loverboys; the crtitical study Massacre of the Dreamers; the poetry collection My Father Was a Toltec and Selected Poems; and the children's book My Daughter, My Son, the Eagle, The Dove. She is the editor of the anthology Goddess of the Americas: Writings on the Virgin of Guadalupe, available from Vintage Espanol (La diosa de las Americas). Castillo has been the recipient of numerous awards, including the American Book Award, a Carl Sandburg Award, a Mountains and Plains Booksellers Award, and two fellowships from the National Endowment for the Arts. She lives in Chicago with her son, Marcel.

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Editorials

From Barnes & Noble

Cherished for her passionate fiction and exuberant essays, the author hailed by Barbara Kingsolver as "impossible to resist" returns to her first love, poetry, with this collection, which reveals an unwavering commitment to social justice and a fervent embrace of the sensual world.

Publishers Weekly - Publisher's Weekly

The prolific novelist, poet, essayist and xicanista Castillo checked in most recently with My Daughter, My Son, The Eagle, The Dove: An Aztec Chant, an inspirational gift book, and Peel My Love Like an Onion, a first-person tale of immigration and reimagined selfhood. This fifth poetry collection displays all the energy and political commitment of Castillo's work in other genres, but holds few formal or conceptual surprises. Nevertheless, many readers will be happy to bask in their speaker's experiences and longings or to get angry and motivated by her cries for justice: "Women don't riot,/ not in maquilas in Malaysia, Mexico, or Korea..../ We don't storm through cities,/ take over the press, make a unified statement,/ once and for all: A third millennium call--from this day on no more, not me, not my daughter,/ not her daughter either." Over the course of 60 sometimes multilingual, mostly page-or-less monologues, Castillo's speaker brashly addresses the pope, celebrates Zapatista leader Comandante Ramona, eulogizes friend Dieter Herms, sits alone in a new city ("I have had PMS for three days./ If I drink myself into a stupor, who'll know?"), imagines being seduced by Nastassia Kinski and goes about her business with passion and dignity. The abundant erotic parables and mystical invocations work much less well, often filled with clich s and awkward cadences. But the point here is in the immediacy and the message; this book is worth its weight in a thousand arid ekphrases and aestheticizations. (Mar. 27) Forecast: Nothing much distinguishes these poems from those of many other mestiza feminists speaking out in small presses across the country--except Castillo's relative fame, which adds to her speaker's winning confidence. Fans from her other genres will see Castillo's bright smile on the cover of this book and pick it up. Copyright 2000 Cahners Business Information.

Library Journal

Castillo enjoys an enviable reputation as a novelist, essayist, and poet, the latter evident in this collection. Although several of these poems have appeared previously in print, including the contemporary classic "El Chicle," this anthology represents the cumulative product of Castillo's poetic muse under one cover. Her commitment to social protest, as seen earlier in My Father Was a Toltec: And Selected Poems, is renewed here in several poems which, as the weakest and most routine of the lot, are less likely to stand the test of time. In their immediacy, however, the poems dealing with death strike a more universal chord; we share Castillo's emotions and inquisitions as she confronts the prospect of death in her family and, ultimately, in herself. Castillo also continues the work she has done in an amorous vein; the titular poem is simple, lyrical, and poignant. In sum, this retrospective provides a delightful and enticing orientation to one of the most outstanding Chicanas writing today.--Lawrence Olszewski, OCLC Lib., Dublin, OH Copyright 2001 Cahners Business Information.

Kirkus Reviews

"I ask the impossible: love me forever," Castillo's second collection begins. This curious mix of ambition and limitation—if one is going to ask for the impossible,"love me forever" seems almost petulant—stalks the book, making its poems seem both weighty and insubstantial, at some times strident and at others safe. Chicagoan Castillo (Peel My Love Like an Onion, 1999, etc.) presents poems written over a 12-year period. Her utterly unsentimental subjects range from autobiography (including a marvelous poem,"Chi-Town Born and Bred, Twentieth-Century Girl Propelled with Flare Into the Third Millennium," whose title is an accurate description of its content) to political activism (as in"Like the people of Guatemala, I want to be free of these memories ... —Sister Dianna Ortíz," which describes in excruciating detail the tragedy of an American nun captured and tortured by the Guatemalan secret police), to poems of heterosexual and lesbian love (the best of which is perhaps"La Wild Woman," a fable about a woman who steals a bride away from her own wedding). A few of the poems are in Spanish, with translations by the poet Rosario Ferré. But although bilingualism is a fact of the book, it never becomes a point of intense exploration in the way it does for a writer like Gloria Andalzúa. The poems tend to stop short of real radicalism either in form, language, or statement, instead exerting a kind of steady pressure on the wrongs of urban life and on the violence directed against the disenfranchised. Ultimately, the love poems tell the most nuanced stories of the book, showing strong women who"make the impossible / a simpleact."Energetic,down-to-earth.Author tour

Book Details

Published
March 1, 2001
Publisher
Knopf Doubleday Publishing Group
Pages
144
Format
Paperback
ISBN
9780385720731

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