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In a Dark Wood by Marcel Moring — book cover

In a Dark Wood

by Marcel Moring, Shaun Whiteside
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Overview

In a rich tapestry of styles, fantasy, and philosophical speculations, Marcel Möring leads us on a voyage through the dark heart of the twentieth century and through a vivid exploration of loss and guilt. Loosely based on Dante's Inferno, this ambitious and enthralling novel—an in-depth study of Europeans' angst and fear after the Holocaust—confirms Möring's place among "the ranks of the most important European writers of his generation" (Die Welt).

1945. Jacob Noah emerges from hiding to discover that his family has perished under the Nazis. Rebuilding his life, Noah becomes a shoemaker in the Dutch town of Assen. Over the years, he patiently expands his business and eventually becomes the city's most influential entrepreneur. Yet success cannot alleviate his loneliness and suffering nor the tragedy of history.

Nearly forty years later, this dispirited, loveless man veers off the road in a tragic accident. But instead of entering death's abyss, Noah finds himself on a journey through his soul. Guided by a peddler, he descends into the town's smoky center, a manmade hell reminiscent of Dante's Inferno. But it is not until he encounters a young man named Marcus Kolpa, a respected intellectual struggling with the implications of his Jewish identity and the shared history of his people, that Noah is able to truly understand the meaning of his own life and the tragedies he has experienced.

Synopsis

In a rich tapestry of styles, fantasy, and philosophical speculations, Marcel Möring leads us on a voyage through the dark heart of the twentieth century and through a vivid exploration of loss and guilt. Loosely based on Dante's Inferno, this ambitious and enthralling novel–an in-depth study of Europeans' angst and fear after the Holocaust–confirms Möring's place among "the ranks of the most important European writers of his generation" (Die Welt).

1945. Jacob Noah emerges from hiding to discover that his family has perished under the Nazis. Rebuilding his life, Noah becomes a shoemaker in the Dutch town of Assen. Over the years, he patiently expands his business and eventually becomes the city's most influential entrepreneur. Yet success cannot alleviate his loneliness and suffering nor the tragedy of history.

Nearly forty years later, this dispirited, loveless man veers off the road in a tragic accident. But instead of entering death's abyss, Noah finds himself on a journey through his soul. Guided by a peddler, he descends into the town's smoky center, a manmade hell reminiscent of Dante's Inferno. But it is not until he encounters a young man named Marcus Kolpa, a respected intellectual struggling with the implications of his Jewish identity and the shared history of his people, that Noah is able to truly understand the meaning of his own life and the tragedies he has experienced.

Publishers Weekly

This flat novel by the esteemed Dutch author Möring (In Babylon) is occasionally interesting but lacks much memorable material. In a sort of riff on A Christmas Carol, Jacob Noah, a Holocaust survivor turned wealthy Dutch businessman, dies in a 1980 car accident near the town of Assen in the Netherlands. On the same night, the town is home to a massive rave, and this breakneck party forms the backdrop for Noah's peregrinations with the ghostly “Jew of Assen,” who takes dead Noah on a tour of the loved ones he lost contact with during his financial rise. On the same night, celibate intellectual Marcus Kopla has one last chance to win back Noah's daughter, Chaja, and though the fates of the two men don't intersect, they are linked by their love for Chaja. The novel is well conceived, and its free-form prose flows, but the characters don't come across, stripping the book of emotional impact and dramatic suspense. Moreover, the sprawling story's potentially intriguing historical and philosophical implications are never worked to their potential. (Mar.)

About the Author, Marcel Moring

Marcel MÖring is the bestselling author of Mendel, The Great Longing, In Babylon, and The Dream Room. Widely considered the Netherlands' leading contemporary writer, he lives in Rotterdam with his wife and children.

Reviews

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Editorials

Die Welt

“With this novel, Moring has finally joined the ranks of the most important European writers of his generation.”

The Seattle Times-Post Intelligencer

“A haunted, erotic tale. . . . A translation of Faulkner’s Southern Gothic into Dutch.”

NRC Handel

“Mysterious, magical and full of suspense, one of the mostsingular and extraordinary reading experiences I have ever had.”

The Boston Globe

“Ingenious storytelling..resonant. . . entertaining. . . . Marcel Moring and his protaganist Nathan are such skillful and prolific storytellers that fact, fiction, and fairy tale blur together, pleasurably . . . a splendidly accomplished novel.”

The Times Literary Supplement

“A moving and convincing testimony to the continuing tension between the desire for assimilation and the awareness of seperateness Marcel Moring is beyond doubt one of the most imaginative and perceptive novelists writing today.

London Times

“[T]here’s poetry, fantasy, grim horror. Demanding and magnificent.”

Publishers Weekly

This flat novel by the esteemed Dutch author Möring (In Babylon) is occasionally interesting but lacks much memorable material. In a sort of riff on A Christmas Carol, Jacob Noah, a Holocaust survivor turned wealthy Dutch businessman, dies in a 1980 car accident near the town of Assen in the Netherlands. On the same night, the town is home to a massive rave, and this breakneck party forms the backdrop for Noah's peregrinations with the ghostly “Jew of Assen,” who takes dead Noah on a tour of the loved ones he lost contact with during his financial rise. On the same night, celibate intellectual Marcus Kopla has one last chance to win back Noah's daughter, Chaja, and though the fates of the two men don't intersect, they are linked by their love for Chaja. The novel is well conceived, and its free-form prose flows, but the characters don't come across, stripping the book of emotional impact and dramatic suspense. Moreover, the sprawling story's potentially intriguing historical and philosophical implications are never worked to their potential. (Mar.)

Library Journal

In this fifth novel by acclaimed Dutch author Möring (The Great Longing), the reminiscences of dying Dutch Jewish businessman Jacob Noah alternate with the yearnings of Jewish intellectual Marcus Kolpa, who loves Noah's youngest daughter, Chaja. The novel takes place in June 1980, on the night before the annual international motorcycling race known as the Dutch TT, held in Assen and accompanied by much partying. Noah, the sole survivor of his family after the Holocaust, looks back on how he, one of the town's only remaining Jews, built a successful department store and raised a family. When his vision for the growth/development of Assen was rejected, Noah exacted revenge and now acknowledges his bitterness and guilt. Meanwhile, the rebellious Kolpa is back in town, eager to reignite a relationship with Chaja. VERDICT While the author has strategically placed his soul-searching central characters on a hellish stage strewn with the relentless drinking and rioting of the reckless biker race attendees, at times the incessant roaming and rambling of these two men can be hard to read and follow. Readers interested in contemporary European literature may find the narrative thought-provoking.—M. Neville, Trenton P.L., NJ

Kirkus Reviews

Dutch novelist Moring (The Dream Room, 2002, etc.) pulls out all the stops in this rich, complex, obscure and polyphonic narrative of a descent into the soul. The pilgrim is Jacob Noah, who hid for the last three years of World War II. When he emerges, he finds his parents and brother gone and little meaning in his life. He returns to his father's shoemaking shop in the village of Assen in the Netherlands, marries a farmer's daughter and starts a family, but he remains haunted by his past and his inability to escape his Jewish identity. He succeeds beyond his expectations in becoming rich, yet feels empty and unfulfilled. After a car accident almost takes Jacob's life, he finds himself in the strange hands of a peddler called "The Jew of Assen," an embodiment of death who becomes a Virgil of sorts. (The book echoes Dante's Inferno, Homer, Greek mythology, Miles Davis and more.) When the peddler takes Jacob into his past and into his soul, it becomes clear that the shoemaker is no shrinking violet. When revisiting a particularly egregious act of anti-Semitism, Jacob puts his guide on the defensive by exclaiming, "So? Where were you? Were you a ghost in the shadows? Were you one of the people who stood laughing and watching along the side of the road?... Where were you?" At the end of the novel Jacob moves toward feeling at home in the here and now: In a cemetery called Beth Olam, Hebrew for "the house of eternity," he remembers that olam also means world and thinks, "House of the world . . . he liked the sound of it." Moring loves to experiment wildly with form, transforming parts of his narrative into cartoons, embracing digressions in enormous parentheses and using graphics to depictfireworks onomatopoetically. Not for the faint of heart.

Book Details

Published
February 1, 2010
Publisher
HarperCollins Publishers
Pages
449
Format
Hardcover
ISBN
9780066212418

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