Synopsis
Written by two of the world's leading Milton scholars, widely praised as "illuminating" (Times Literary Supplement), "seamlessly written (Publishers Weekly), and "a book of permanent value" (Literary Review), and winner of the Milton Society's James Holly Hanford Award, this magnificent biography sheds fresh new light on the writings, the thought, and the life of poet John Milton. A more human Milton appears in these pages, a Milton who is flawed, self-contradictory, self-serving, arrogant, passionate, ruthless, ambitious, and cunning. He is also among the most accomplished writers of the period, the most eloquent polemicist of the mid-century, and the author of the finest and most influential narrative poem in English, Paradise Lost, which the book examines in detail. What Milton achieved in the face of crippling adversity, blindness, bereavement, and political eclipse, remains wondrous. Here is a fascinating biography of this towering literary figure—the first new serious study in forty years—one that profoundly challenges the received wisdom about one of England's leading poets and thinkers.
The Barnes & Noble Review
John Milton is one of the enigmas of English letters; his imprint is deep, and yet its outlines are indistinct. Philip Pullman has done much to renew popular interest in Milton, even as he contests the poet's account of Good and Evil. Like Lyra's Oxford, the parallel universe that is the chief setting of Pullman's His Dark Materials series, Milton's world was topsy-turvy by present-day standards. In his strife-torn England, it was humanists who stood in the camp of monarchy, tradition, and authoritarianism, while religious conservatives were champions of science, representative government, and freedom of speech. John Milton: Life, Work, and Thought finds its force not only as a scholarly study of Milton's life and works but as a wide-ranging introduction to an age that, for all its strangeness, set the stage for modernity. Authors Gordon Campbell and Thomas N. Corns assemble the materials of Milton in all their knotty particulars, tracing the tender complexities of Milton's personal life, comprehending the rigors and rituals of the academic and clerical spheres in which he moved, and cataloging the difficulties (not to mention the mortal dangers) of living as a public intellectual in the time of Cromwell and King Charles. Milton navigated these turbid streams with a combination of flexibility and stubborness, and Campbell and Corns are scrupulousy attentive to the twists and turns of a career that combined profound theology and political engagement with poetic invention at its highest pitch. The lengthy job of work they set for their readers is repaid in rich fare for the historical imagination. "For books are not absolutely dead things," as Milton wrote, "but do contain a potency of life in them to be as active as that soul was whose progeny they are." --Mattew Battles