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Overview
When a correspondent from Missouri wrote to Hugh Kenner and asked that he elaborate on his assertion that "Joyce began Ulysses in naturalism and ended it in parody," Kenner answered with this book. Joyce's Voices is both a helpful guide through Joyce's complexities, and a brief treatise on the concept of objectivity: the idea that the world can be perceived as a series of reports to our senses. Objectivity, Kenner claims, was a modern invention, and one that the modernists—Joyce foremost among them—found problematic. Accessible and enjoyable, Joyce's Voices is what so much criticism is not: an aid to better understanding—and enjoying more fully—the work of one of the world's greatest writers.
Synopsis
When a correspondent from Missouri wrote to Hugh Kenner and asked that he elaborate on his assertion that "Joyce began Ulysses in naturalism and ended it in parody," Kenner answered with this book. Joyce's Voices is both a helpful guide through Joyce's complexities, and a brief treatise on the concept of objectivity: the idea that the world can be perceived as a series of reports to our senses. Objectivity, Kenner claims, was a modern invention, and one that the modernists-Joyce foremost among them-found problematic. Accessible and enjoyable, Joyce's Voices is what so much criticism is not: an aid to better understanding-and enjoying more fully-the work of one of the world's greatest writers.
Choice
Kenner's work is an achievement of a polymath: it ranges from Jonathan Swift to Flaubert, and from Dickens to T. S. Eliot, circling around its two main concerns: Joyce's Ulysses and the death of objectivity as a privileged style in modern literature.
Editorials
Choice
Kenner's work is an achievement of a polymath: it ranges from Jonathan Swift to Flaubert, and from Dickens to T. S. Eliot, circling around its two main concerns: Joyce's Ulysses and the death of objectivity as a privileged style in modern literature.National Review
The volume is easy to handle and a delight to read. And Kenner's leaping wit, his metaphors, his transitions from insight to insight, his lively attention to Joyce's invention-these qualities make it difficult, if you pick it up one evening, not to finish it before turning off the light.&3151;Donald Hall