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Overview
Author Cassandra Fallows has achieved remarkable success by baring her life on the page. Her two widely popular memoirs continue to sell briskly, acclaimed for their brutal, unexpurgated candor about friends, family, lovers—and herself. But now, after a singularly unsuccessful stab at fiction, Cassandra believes she may have found the story that will enable her triumphant return to nonfiction.
When Cassandra was a girl, growing up in a racially diverse middle-class neighborhood in Baltimore, her best friends were all black: elegant, privileged Donna; sharp, shrewd Tisha; wild and worldly Fatima. A fifth girl orbited their world—a shy, quiet, unobtrusive child named Calliope Jenkins—who, years later, would be accused of killing her infant son. Yet the boy's body was never found and Calliope's unrelenting silence on the subject forced a judge to jail her for contempt. For seven years, Calliope refused to speak and the court was finally forced to let her go. Cassandra believes this still unsolved real-life mystery, largely unknown outside Baltimore, could be her next bestseller.
But her homecoming and latest journey into the past will not be welcomed by everyone, especially by her former friends, who are unimpressed with Cassandra's success—and are insistent on their own version of their shared history. And by delving too deeply into Calliope's dark secrets, Cassandra may inadvertently unearth a few of her own—forcing her to reexamine the memories she holds most precious, as the stark light of truth illuminates a mother's pain, a father's betrayal . . . and what really transpired on a terrible day that changed not only a family but an entire country.
Synopsis
Author Cassandra Fallows has achieved remarkable success by baring her life on the page. Her two widely popular memoirs continue to sell briskly, acclaimed for their brutal, unexpurgated candor about friends, family, lovers—and herself. But now, after a singularly unsuccessful stab at fiction, Cassandra believes she may have found the story that will enable her triumphant return to nonfiction. When Cassandra was a girl, growing up in a racially diverse middle-class neighborhood in Baltimore, her best friends were all black: elegant, privileged Donna; sharp, shrewd Tisha; wild and worldly Fatima. A fifth girl orbited their world—a shy, quiet, unobtrusive child named Calliope Jenkins—who, years later, would be accused of killing her infant son. Yet the boy's body was never found and Calliope's unrelenting silence on the subject forced a judge to jail her for contempt. For seven years, Calliope refused to speak and the court was finally forced to let her go. Cassandra believes...
The New York Times - Janet Maslin
Ms. Lippman makes good use of the way memoirists often choose sides in stories of divorce, and of how their idealizing and demonizing respective parents may be deeply wrong. But her greatest sleight of hand is the maneuvering that deftly compromises Cassandra as she reignites old emotions. Not until the end of Life Sentences…will the reader grasp how fully Ms. Lippman has shaped and controlled this narrative. Warts and all, Cassandra becomes a sufficiently sympathetic character to lure readers into making the same mistakes that she makes in excavating old truths.
Editorials
From Barnes & Noble
Baltimore writer Cassandra Fallows has carved out a modest reputation as an author of autobiographical novels, but recently she decided to venture into the more risky waters of nonfiction. As her first project, she researches the story of a former grade-school classmate who was accused and convicted of murdering her own infant son. Fallows's investigation uncovers troubling new facts about the case, but also disturbing realizations about her own mistaken presuppositions.People
“Succeeds brilliantly... Lippman is in total command of her material, weaving strands about race, family myths and self-deception into a mystery so taut the reader is nearly afraid to keep going—and simultaneously powerless to stop.Washington Post
“Theirs is a strong and vivid story, one that will intrigue many readers—especially, I suspect, women who find echoes of their own lives and friendships in this drama.”Chicago Sun-Times
Lippman has enriched literature as a whole.Daily News
“Lippman, a Baltimore native, skillfully brings the racial and economic tensions of her middle-class neighborhood to life in this poignant page-turner.”Seattle Times
“Lippman knows exactly what she’s doing.”Janet Maslin
Ms. Lippman makes good use of the way memoirists often choose sides in stories of divorce, and of how their idealizing and demonizing respective parents may be deeply wrong. But her greatest sleight of hand is the maneuvering that deftly compromises Cassandra as she reignites old emotions. Not until the end of Life Sentences…will the reader grasp how fully Ms. Lippman has shaped and controlled this narrative. Warts and all, Cassandra becomes a sufficiently sympathetic character to lure readers into making the same mistakes that she makes in excavating old truths.—The New York Times
Publishers Weekly
This stunning stand-alone from bestseller Lippman (Baltimore Blues ) examines the extraordinary power and fragility of memories. Writer Cassandra Fallows achieved critical and commercial success with an account of her Baltimore childhood growing up in the 1960s and a follow-up dealing with her adult marriages and affairs. The merely modest success of her debut novel leads her back to nonfiction and the possibility of a book about grade school classmate Calliope Jenkins. Accused of murdering her infant son, Jenkins spent seven years in prison steadfastly declining to answer any questions about the disappearance and presumed death of her son. Fallows (white) tries to reconnect with three former classmate friends (black) to compare memories of Jenkins and research her story. In the process, she discovers the gulf (partially racial) that separates her memories of events from theirs. Fallows's pursuit of Jenkins's story becomes a rich, complex journey from self-deception to self-discovery. 20-city author tour. (Mar.)
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