The New York Times Book Review - Liesl Schillinger
When I finished this novel, I didn't want to review it; I wanted to reread it. Which might seem perverse if you know that for most of the last hundred pages I was dissolved in tears. Jojo Moyes…knows very well that Me Before You…is, as British critical consensus affirms, "a real weepy." And yet, unlike other novels that have achieved their mood-melting powers through calculated infusions of treacle…Moyes's story provokes tears that are redemptive, the opposite of gratuitous. Some situations, she forces the reader to recognize, really are worth crying over…Moyes disarms the reader with the normalcy of her voice. Her language is never lofty…This is a love story that's eloquent not so much in its delivery as in its humanity.
Publishers Weekly
In Moyes’s (The Last Letter from Your Lover) disarmingly moving love story, Louisa Clark leads a routine existence: at 26, she’s dully content with her job at the cafe in her small English town and with Patrick, her boyfriend of six years. But when the cafe closes, a job caring for a recently paralyzed man offers Lou better pay and, despite her lack of experience, she’s hired. Lou’s charge, Will Traynor, suffered a spinal cord injury when hit by a motorcycle and his raw frustration with quadriplegia makes the job almost unbearable for Lou. Will is quick-witted and sardonic, a powerhouse of a man in his former life (motorcycles; sky diving; important career in global business). While the two engage in occasional banter, Lou at first stays on only for the sake of her family, who desperately needs the money. But when she discovers that Will intends to end his own life, Lou makes it her mission to persuade him that life is still worth living. In the process of planning “adventures” like trips to the horse track—some of which illuminate Lou’s own minor failings—Lou begins to understand the extent of Will’s isolation; meanwhile, Will introduces Lou to ideas outside of her small existence. The end result is a lovely novel, both nontraditional and enthralling. Agent: Sheila Crowley, Curtis Brown. (Dec.)
Kirkus Reviews
A young woman finds herself while caring for an embittered quadriplegic in this second novel from British author Moyes (The Last Letter from Your Lover, 2011). Louisa has no apparent ambitions. At 26, she lives with her working-class family (portrayed with rollicking energy) in a small English town, carries on a ho-hum relationship with her dull boyfriend and works at a local cafe. Then, the cafe closes, and she must find a job fast to ease her family's financial stress. Enter Will Traynor, a former world traveler, ladies' man and business tycoon who's been a quadriplegic since a traffic accident two years ago. Will's magistrate mother hires Louisa at a relatively hefty salary to be Will's caregiver and keep him company for the next six months--easygoing Nathan gives him his medical care and physiotherapy--but really Will's mother wants Louisa to watch him so he doesn't try to hurt himself. Will, once handsome and powerful, is not only embittered, but in constant pain. He has some use of one hand but is dependent on others for his basic needs, and recovery is not possible. Louisa, who can't help speaking her mind and dresses thrift-store eccentric, thinks he hates her, but no surprise, Louisa's sprightly, no-nonsense charms win him over. He even cheers her up on occasion. When Louisa overhears Will's mother talking to his sister, she realizes that the Traynors have reluctantly agreed to let Will commit suicide at a facility in six months. Louisa decides to convince him to stay alive with a series of adventures. Meanwhile, Will, who senses something in her past has made Louisa fearful of adventure, is trying to broaden her experience through classical music and books. Their feelings for each other deepen. But Louisa is not Jane Eyre, and Will is not Mr. Rochester in a wheelchair, so don't expect an easy romantic ending. Despite some obviousness in the storyline, this is uplift fiction at its best, with fully drawn characters making difficult choices.
