Books.org participates in affiliate programs including Bookshop.org and the Amazon Services LLC Associates Program. We may earn a commission from qualifying purchases made through links on this page, at no additional cost to you.
Overview
Jack Kerouac. Allen Ginsberg. William S. Burroughs. LeRoi Jones. Theirs are the names primarily associated with the Beat Generation. But what about Joyce Johnson (nee Glassman), Edie Parker, Elise Cowen, Diane Di Prima, and dozens of others? These female friends and lovers of the famous iconoclasts are now beginning to be recognized for their own roles in forging the Beat movement and for their daring attempts to live as freely as did the men in their circle a decade before Women's Liberation. Twenty-one-year-old Joyce Johnson, an aspiring novelist and a secretary at a New York literary agency, fell in love with Jack Kerouac on a blind date arranged by Allen Ginsberg nine months before the publication of On the Road made Kerouac an instant celebrity. While Kerouac traveled to Tangiers, San Francisco, and Mexico City, Johnson roamed the streets of the East Village, where she found herself in the midst of the cultural revolution the Beats had created. Minor Characters portrays the turbulent years of her relationship with Kerouac with extraordinary wit and love and a cool, critical eye, introducing the reader to a lesser known but purely original American voice: her own.
For two years, during the time that On the Road established Jack Kerouac as the spokesman and guiding light of the Beat Generation, Joyce Johnson was his girlfriend. This luminous, lyrical book is the story of that time. "A loving, tender and moving testament."--People.
Synopsis
Minor Characters is a vivid and compelling memoir of one woman's coming-of-age amidst the angels and poets of the Beat Generation. The friend and lover of Jack Kerouac during the two years surrounding the publication of On the Road - the book that made him suddenly and forever famous - Joyce Johnson describes with penetrating insight the circle of rebellious visionaries of which she became a part: Allen Ginsberg, Peter Orlovsky, LeRoi Jones, Gregory Corso. But more than just chronicling the drama of her life with Kerouac, Johnson describes the roles that she and other women in her circle played as companions and acolytes to their male muses, women who set aside their own needs and ambitions, for a time, even as they searched to find their own voices and shape their own lives.
Publishers Weekly
Johnson's 1987 NBCC Award- winning memoir of the 1950s and her relationship with Kerouac and other beats features a new introduction by the author. (Oct.)