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Nancy Culpepper by Bobbie Ann Mason — book cover

Nancy Culpepper

by Bobbie Ann Mason
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Overview

Kentucky native Nancy Culpepper boldly left home to attend school in Massachusetts, married a Yankee, and raised her son in the Northeast. “One day I was feeding chickens and listening to Hank Williams and the next day I was expected to know what wines went with what,” she tells her husband, Jack. Yet no matter where she travels, her rural southern heritage is never far from her thoughts, her habits, and her heart.

Nancy is on a lifelong quest to understand her place in the world. Returning home to the family farm, she searches for photographic evidence of an ancestor bearing her own name. Still in her jeans, she brings home strange ideas and an assertiveness she learned up north.
Always adventurous, Nancy travels far and wide–searching, seeking. The narrative sweep of her life traverses the turbulent sixties, the Vietnam War, the eighties and the foreboding death of John Lennon, and finally the new millennium–when a self-assured Nancy finally emerges. These humorous and often touching stories recount her courtship and marriage to Jack, her relationship with her precocious son, and the deep, loving bond between her parents, Spence and Lila Culpepper. Eventually Nancy’s marriage is threatened by a cultural divide that plagued her and Jack from the start. But when she inherits the Culpepper family farm and discovers more pieces of her ancestral puzzle, she realizes that her life is assuming its proper shape. Later, standing on a lonely mountain in England, she sees the world from a surprising perspective.

Bestselling author Bobbie Ann Mason’s prizewinning Nancy Culpepper chronicles have appeared in The New Yorker, The Boston Globe, The Southern Review, and other distinguished literary anthologies. She has compiled these stories into one definitive collection, which includes the novella Spence + Lila, two new, never-before-published stories, and one Pushcart Prize winner. Heartfelt and thought-provoking, Nancy Culpepper is a poignant depiction of change and growth in a modern-day heroine.

Synopsis

Kentucky native Nancy Culpepper boldly left home to attend school in Massachusetts, married a Yankee, and raised her son in the Northeast. “One day I was feeding chickens and listening to Hank Williams and the next day I was expected to know what wines went with what,” she tells her husband, Jack. Yet no matter where she travels, her rural southern heritage is never far from her thoughts, her habits, and her heart.

Nancy is on a lifelong quest to understand her place in the world. Returning home to the family farm, she searches for photographic evidence of an ancestor bearing her own name. Still in her jeans, she brings home strange ideas and an assertiveness she learned up north.
Always adventurous, Nancy travels far and wide–searching, seeking. The narrative sweep of her life traverses the turbulent sixties, the Vietnam War, the eighties and the foreboding death of John Lennon, and finally the new millennium–when a self-assured Nancy finally emerges. These humorous and often touching stories recount her courtship and marriage to Jack, her relationship with her precocious son, and the deep, loving bond between her parents, Spence and Lila Culpepper. Eventually Nancy’s marriage is threatened by a cultural divide that plagued her and Jack from the start. But when she inherits the Culpepper family farm and discovers more pieces of her ancestral puzzle, she realizes that her life is assuming its proper shape. Later, standing on a lonely mountain in England, she sees the world from a surprising perspective.

Bestselling author Bobbie Ann Mason’s prizewinning Nancy Culpepper chronicles have appeared in The New Yorker, The Boston Globe, The Southern Review, and other distinguished literary anthologies. She has compiled these stories into one definitive collection, which includes the novella Spence + Lila, two new, never-before-published stories, and one Pushcart Prize winner. Heartfelt and thought-provoking, Nancy Culpepper is a poignant depiction of change and growth in a modern-day heroine.


The Washington Post - Carolyn See

Nancy Culpepper, the heroine of this thoughtful, achingly nostalgic collection of short stories that reads like a novel, is a smarter-than-average woman coming of age in the 1960s, when, with unusual vigor, a whole generation became convinced that they were smarter, better, hipper and wiser than their parents.

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Editorials

Carolyn See

Nancy Culpepper, the heroine of this thoughtful, achingly nostalgic collection of short stories that reads like a novel, is a smarter-than-average woman coming of age in the 1960s, when, with unusual vigor, a whole generation became convinced that they were smarter, better, hipper and wiser than their parents.
— The Washington Post

Publishers Weekly

A somber, slow-going drama in stories by award-winning author Mason (An Atomic Romance) follows a Kentucky farm family's quiet changes over the decades. When the first story begins in 1980, Nancy, the elder daughter of the Culpepper family, is in her late 30s, has an eight-year-old son with husband Jack Cleveland (a Yankee) and lives outside Philadelphia. Returning to the family farm to help her parents, Lila and Spence, move Granny into a nursing home, Nancy concerns herself with old photographs buried in Granny's house that feature Nancy's namesake, a long-lost aunt whom no one seems to know anything about. Subsequent stories deal with Granny's death, the decline and death of Jack's dog, the building tension between Nancy and Jack-both yearning for the spontaneity of their swinging '60s courtship-and the fate of the Culpepper farm. In the longest story, Lila is diagnosed with breast cancer, undergoes surgery and is lovingly nursed by Spence, Nancy and her sister, Cat. Though detailed and honest in its depiction of illness and loss and skillful in handling Nancy's lingering discomfort with the North, Mason's novel-in-stories lacks her usual sparkle. (July) Copyright 2006 Reed Business Information.

Library Journal

With the careful detail of a loving native, Mason (An Atomic Romance) reveals Kentucky through the lives of two generations of the Culpepper family in these linked short stories, which first appeared in The New Yorker and other publications. The senior Culpeppers belong to a dying breed of rural country people whose small-farm lifestyle is being swallowed up by New South suburban development. The account of Lila's disorienting hospital experiences, her husband Spence's quiet struggle with his wife's illness, and their grown daughters' view of their aging are all poignant and real. Much of the story focuses on daughter Nancy, who left Kentucky for her education and never really returned. Her more worldly husband gently mocks her rural roots, and Nancy herself never really reconciles herself to a life away. The stories, which read like an episodic novel, span a 25-year period that marks changes in both the family and the home in a well-blended fictional arc. Recommended.-Ann H. Fisher, Radford P.L., VA. Copyright 2006 Reed Business Information.

Kirkus Reviews

Four previously published stories, a novella and two new tales follow the author's semi-autobiographical heroine in an uneasy back-and-forth between her native Kentucky and the wider world. Like her creator, Nancy Culpepper is a farm girl who went to graduate school up north, married a non-Kentuckian and stayed away, without ever being able to much loosen the tenacious bonds that held her to her parents and her country roots. In modest, unassuming prose studded with simple, revelatory details, Mason (An Atomic Romance, 2005, etc.) traces Nancy's odyssey over a quarter-century as her grandmother dies ("Blue Country"), her mother is treated for breast cancer ("Spence Lila") and Nancy separates briefly from her husband ("Proper Gypsies"), sells the family farm ("The Heirs") and learns she is going to be a grandmother ("The Prelude"). Son Robert is only a shadowy presence, and although Nancy's fraught marriage to photographer Jack is subtly delineated, that too never has quite the emotional force as her relationship with her kin and her past. Mason writes with quiet authority about that most unfashionable of American subjects, class differences; we see that Nancy has always been the unusual one in her family, the one with her nose stuck in a book, "meant to use her mind." But she never feels entirely at home among northern intellectuals, and we see that some of the problems in her marriage stem from Jack's frustration with her overriding commitment to her birth family. Yet, as Nancy acknowledges in "The Heirs," "she had gone away and not shared her life with them, except in her imagination." This story and "The Prelude" remind us that such divided loyalties are the lot of every artist, nomatter what her origins. Mason has written some fine novels, in particular In Country (1985) and Feather Crowns (1993), but the short-story form has always seemed especially congenial to her; there's hardly a wasted word or a sloppy sentence in this quiet, gently moving collection.

Book Details

Published
August 1, 2007
Publisher
Random House Publishing Group
Pages
240
Format
Paperback
ISBN
9780812976670

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