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Overview
Excellent in all departments (Kirkus Reviews), Nebula Awards 30 continues a tradition of excellence by offering, alongside works by the winners in all Nebula categories, a generous selection of fiction, poetry, and essays not found in any other best-of-the-year anthologies.
Synopsis
Excellent in all departments (Kirkus Reviews), Nebula Awards 30 continues a tradition of excellence by offering, alongside works by the winners in all Nebula categories, a generous selection of fiction, poetry, and essays not found in any other best-of-the-year anthologies.
Publishers Weekly
The 30th Nebula Award collection, while a respectable "year's best" and report on the genre, somehow fails to strike sparks. Editor Sargent includes a lot: all the short-fiction winners and nominated short stories; a section of the winning novel, Greg Bear's Moving Mars; a story by the Grand Master winner, Damon Knight (founder of the Science Fiction Writers of America, which awards the Nebulas); the Rhysling Award winners for best SF poetry, articles on the state of the genre and SF movies; and a tribute to Robert Bloch. The best pieces are Ursula K. Le Guin's runner-up novelette, "The Matter of Seggri," an insightful sketch of sex roles in an alien culture; Martha Soukup's winning short story, the bitterly memorable "A Defense of the Social Contracts"; and David Gerrold's winning novelette, "The Martian Child," a charming tale of adoption that goes on a bit too long. Mike Resnick's winning novella, "Seven Views of Olduvai Gorge," also a Hugo winner, suffers from fakey aliens and hoodoo science. The other short stories, by Maureen McHugh, Knight, Ben Bova, Barry Malzberg and Kate Wilhelm, are accomplished but flawed. Joe Haldeman's Hugo-winning "None So Blind" is the best of the lot. Perhaps the recent, previous publication of most of these pieces has robbed the collection's thunder; while worthwhile, even impressive at times, it's more commendable than exciting. (Apr.)
Editorials
Publishers Weekly -
The 30th Nebula Award collection, while a respectable "year's best" and report on the genre, somehow fails to strike sparks. Editor Sargent includes a lot: all the short-fiction winners and nominated short stories; a section of the winning novel, Greg Bear's Moving Mars; a story by the Grand Master winner, Damon Knight (founder of the Science Fiction Writers of America, which awards the Nebulas); the Rhysling Award winners for best SF poetry, articles on the state of the genre and SF movies; and a tribute to Robert Bloch. The best pieces are Ursula K. Le Guin's runner-up novelette, "The Matter of Seggri," an insightful sketch of sex roles in an alien culture; Martha Soukup's winning short story, the bitterly memorable "A Defense of the Social Contracts"; and David Gerrold's winning novelette, "The Martian Child," a charming tale of adoption that goes on a bit too long. Mike Resnick's winning novella, "Seven Views of Olduvai Gorge," also a Hugo winner, suffers from fakey aliens and hoodoo science. The other short stories, by Maureen McHugh, Knight, Ben Bova, Barry Malzberg and Kate Wilhelm, are accomplished but flawed. Joe Haldeman's Hugo-winning "None So Blind" is the best of the lot. Perhaps the recent, previous publication of most of these pieces has robbed the collection's thunder; while worthwhile, even impressive at times, it's more commendable than exciting. (Apr.)Kirkus Reviews
Nebula Award winners for 1994, as voted by the Science Fiction and Fantasy Writers of America: eleven stories, three poems, seven essays examining the year's fiction, Frank M. Robinson's tribute to the late Robert Bloch (Psycho, etc.), and Kathi Maio's look at the year's movies. Mike Resnick's African odyssey, "Seven Views of Olduvai Gorge," won Best Novella. "The Martian Child" from David Gerrold (Best Novelette) is about, well, a Martian child. Martha Soukup's Best Short Story, "A Defense of the Social Contracts," debates human nature and social engineering; and the runners-up (from Ben Bova, Joe Haldeman, Maureen McHugh, Barry N. Malzberg, and Kate Wilhelm) also appear. Damon Knight (Grand Master Award) contributes a story, as does Ursula K. LeGuin (Tiptree Award winner). Included as well are an excerpt from Greg Bear's Best Novel, Moving Mars, and essays from John Kessel (novels), Nicola Griffith (aliens), Paul Di Filippo (veteran writers), Jack Dann (Australia), Sheila Finch (style vs. substance), Pat Murphy (social issues), and James Gunn (an overview).Excellent in all departments.