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No Saints or Angels by Ivan Klima — book cover

No Saints or Angels

by Ivan Klima, Gerald Turner
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Overview

Ivan Klima has been acclaimed by The Boston Globe as "a literary gem who is too little appreciated in the West" and a "Czech master at the top of his game." In No Saints or Angels, a Washington Post Best Book of 2001, Klima takes us into the heart of contemporary Prague, where the Communist People's Militia of the Stalinist era marches headlong into the drug culture of the present. Kristyna is in her forties, the divorced mother of a rebellious fifteen-year-old daughter, Jana. She is beginning to love a man fifteen years her junior, but her joy is clouded by worry — Jana has been cutting school, and perhaps using heroin. Meanwhile Kristyna's mother has forced on her a huge box of personal papers left by her dead father, a tyrant whose Stalinist ideals she despised.

Synopsis

Ivan Klima has been acclaimed by The Boston Globe as "a literary gem who is too little appreciated in the West" and a "Czech master at the top of his game." In No Saints or Angels, a Washington Post Best Book of 2001, Klima takes us into the heart of contemporary Prague, where the Communist People's Militia of the Stalinist era marches headlong into the drug culture of the present. Kristyna is in her forties, the divorced mother of a rebellious fifteen-year-old daughter, Jana. She is beginning to love a man fifteen years her junior, but her joy is clouded by worry -- Jana has been cutting school, and perhaps using heroin. Meanwhile Kristyna's mother has forced on her a huge box of personal papers left by her dead father, a tyrant whose Stalinist ideals she despised. No Saints or Angels is a powerful book in which "Mr. Klima's keen sense of history, his deep compassion for the ordinary people caught up in its toils, and his abiding awareness of the fragility and resilience of human life shine through.... Like Anton Chekhov, Mr. Klima is a writer able to show us what's extraordinary about ordinary life." (The Washington Times). "Ultimately, it's Prague, with its centuries of glory and misery, that gives No Saints or Angels its humane power." -- Melvin Jules Bukiet, The Washington Post Book World" A compassionate realist, [Klima] unflinchingly presents the problems facing modern Prague and civilization in general ... [and] fills it with mercy." -- Jennie Yabroff, San Francisco Chronicle "Stirring and valuable." -- Jules Verdone, The Hartford Courant

Publishers Weekly

Klima, internationally acclaimed author of a substantial body of work (Love and Garbage; Lovers for a Day; etc.), deconstructs a contemporary Czech family in his latest effort. Kristina, a divorced mother in her 40s, works as a dentist in Prague. Burdened with responsibilities, she is the sole caregiver for her aging, widowed mother; her terminally ill ex-husband; and her 15-year-old daughter, Jana, who may or may not be using hard drugs. Lonely and starved for affection, Kristina begins dating Jan, a former student of her ex-husband and her junior by 15 years. While she tries to use the romance and morning glasses of wine to erase mounting concerns, Kristina is unable to overcome her own unsentimental perceptions. "I'm no Isadora Duncan," she reflects, thinking of the famous dancer and her much younger paramour, the Russian poet Yesenin. "I'm not famous, I'm simply as old as she was and know how to fix people's teeth. My lover is no poet and I'm sure he won't kill himself; he enjoys life and enjoys playing games." While most of the story is told through Kristina's eyes, Klima periodically shifts the narrative to Jana's and Jan's point of view, channeling common incidents through the eyes of three different generations. Although philosophical musings weigh heavily on the action on occasion, this compelling, bleak story is worthy of Kl!ma's growing acclaim. (Oct.) Copyright 2001 Cahners Business Information.

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Editorials

Publishers Weekly

Klima, internationally acclaimed author of a substantial body of work (Love and Garbage; Lovers for a Day; etc.), deconstructs a contemporary Czech family in his latest effort. Kristina, a divorced mother in her 40s, works as a dentist in Prague. Burdened with responsibilities, she is the sole caregiver for her aging, widowed mother; her terminally ill ex-husband; and her 15-year-old daughter, Jana, who may or may not be using hard drugs. Lonely and starved for affection, Kristina begins dating Jan, a former student of her ex-husband and her junior by 15 years. While she tries to use the romance and morning glasses of wine to erase mounting concerns, Kristina is unable to overcome her own unsentimental perceptions. "I'm no Isadora Duncan," she reflects, thinking of the famous dancer and her much younger paramour, the Russian poet Yesenin. "I'm not famous, I'm simply as old as she was and know how to fix people's teeth. My lover is no poet and I'm sure he won't kill himself; he enjoys life and enjoys playing games." While most of the story is told through Kristina's eyes, Klima periodically shifts the narrative to Jana's and Jan's point of view, channeling common incidents through the eyes of three different generations. Although philosophical musings weigh heavily on the action on occasion, this compelling, bleak story is worthy of Kl!ma's growing acclaim. (Oct.) Copyright 2001 Cahners Business Information.

Library Journal

"I killed my husband last night," Klima's novel begins dramatically. But this is no murder mystery: Kristyna has simply had another bad dream, one that reflects the overwhelming discontent of her life. Sure, the Velvet Revolution has rid her country of communism, but she is divorced, her ex-husband is brutally ill, her teenaged daughter is out of control, and she is bone-wearily nearing 50. What's more, her mother has just handed her what is indeed a Pandora's box containing the papers of her father an officious and unregenerate Communist who brushed aside her birth in March 1953 because Stalin died on the same day. The contents of that box don't exactly help her reconcile with her father, but they do open up a secret past that subtly shifts her perspective even as a much younger lover begins rocking her life. In the end, noted Czech novelist Klima (Judge on Trial) doesn't give his heroine any easy outs, but at least she learns that there are "no saints or angels." An affecting story, affectingly told: Klima believes in idealists, but he is too good a novelist to be rigid with his own characters. For most collections. Barbara Hoffert, "Library Journal" Copyright 2001 Cahners Business Information.

Kirkus Reviews

Czech author Klima (Lovers for a Day, 1999, etc.) returns with a tale about the emotionally lost in contemporary Prague: modern lives haunted by the history of Soviet incursion. Kristýna is a middle-aged dentist in Prague; Jana is her wild daughter, experimenting with sex, drugs, and rock 'n' roll; and Jan is the boyish investigator who splits their ages and becomes Kristýna's lover. Kristýna is haunted by the infidelities of her father, her ex-husband (now convalescing and a spouter of insane but enlightening philosophy when she visits), and eventually also of Jan, who can't resist an old flame and hasn't yet learned to lie about it. Kristýna and he struggle for love, but the country's baggage is too much for them to bear. Jan is too young, Kristýna too old, and Jana too wild-eventually she gets gang-raped while on heroin and needs to be put into recovery programs. The adventures of the three reveal that even the emergence from Soviet repression into something closer to freedom comes with a set of conflicts and difficulties, and whether these characters will find redemption for themselves and forgiveness for each other will be the story's final word on love in modern eastern Europe. Klima's writing here sometimes meanders aimlessly as alternating narrators describe and critique the world about them, but it's hard to know whether the fault lies with the author or the unimaginative translation that comes with a significant UK bent. It's slow-going at first, but eventually these lives come to have meaning and import, and the reader wants them to find what they are looking for. It's never so moving as when Kristýna's ex-husband finallydies: "His dead eyes seem to look straight at me. I really didn't think I'd be the one to close his eyelids." Not quite as deep as it wants to be, but pensively sad in how sheltered it feels, like people crawling from a tomb.

Book Details

Published
September 1, 2002
Publisher
Grove/Atlantic, Inc.
Pages
272
Format
Paperback
ISBN
9780802139238

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