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Pop Rock, Music - Social and Political Aspects, Popular Music - General & Miscellaneous, R&B/Soul, Pop, Rock, & Soul Musicians - Biography, African American Arts & Entertainment Biography, American Music - General & Miscellaneous, Rock & Roll - Dance, Pop
On Michael Jackson by Margo Jefferson — book cover

On Michael Jackson

by Margo Jefferson
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Overview

Margo Jefferson’s On Michael Jackson is a lucid and elegant cultural analysis of the rise and fall of the King of Pop.An award-winning cultural critic, Jefferson brings an unexpected compassion as well as her sharp intellect and incomparable insight to Jackson’s 2005 trial for child molestation, startling us with her erudite illumination of a media-drenched circus that we only thought we understood. As only she can, Jefferson reads between the lines of Jackson’s 1998 autobiography as well as published accounts of his childhood, his family, and Motown—where Michael and his brothers first made the Jackson 5 a household name—leaving us with provocative and perhaps unanswerable questions about Jackson, child stardom, and fame itself.

Synopsis

Michael Jackson was once universally acclaimed as a song-and-dance man of genius; Wacko Jacko is now, more often than not, dismissed for his bizarre race and gender transformations and confounding antics, even as he is commonly reviled for the child molestation charges twice brought against him. Whence the weirdness and alleged criminality? How to account for Michael Jackson s rise and fall? In On Michael Jackson an at once passionate, incisive, and bracing work of cultural analysis Pulitzer Prize winning critic for The New York Times Margo Jefferson brilliantly unravels the complexities of one of the most enigmatic figures of our time. Who is Michael Jackson and what does it mean to call him a What Is It ? What do P. T. Barnum, Peter Pan, and Edgar Allan Poe have to do with our fascination with Jackson? How did his curious Victorian upbringing and his tenure as a child prodigy on the chitlin circuit inform his character and multiplicity of selves? How is Michael Jackson s c...

Publishers Weekly

Pulitzer-winning New York Times critic Jefferson collects her meditations on what may be the oddest show-biz figure of all time. "Freaks" is the title of her first essay, and she notes Jackson's attraction to Barnum as well as the strangely apt imagery of his best-known video, "Thriller." Born in 1958 to a bullying father and a mother who was a Jehovah's Witness convert, the youngest member of the Jackson Five quickly became its VIP. Child stars are never "normal," and Jefferson glances at Buster Keaton, Jackie Coogan, Sammy Davis Jr. and, of course, Shirley Temple, the only one of them even more famous than Jackson, unless you count Elizabeth Taylor, Jackson's "best friend," who supplanted Diana Ross as his apparent role model. Jackson, Jefferson believes, is a "sexual impersonator," imitating, at times, a gay man, a white woman, a "gangsta" and a "pop Count Dracula." His bizarre looks and behavior drew literally thousands of cameras to his 2005 trial for child molestation. Jefferson concludes that Jackson may be a "monstrous child," but that he is, to a degree, a mirror of us all. Her slim, smart volume of cultural analysis may remind readers of Susan Sontag's early, brilliant essays on pop culture. (Jan.) Copyright 2005 Reed Business Information.

About the Author, Margo Jefferson

Margo Jefferson has written for The New York Times since 1993 and received the Pulitzer Prize in 1995. She lives in New York City.

Reviews

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Editorials

Publishers Weekly

Pulitzer-winning New York Times critic Jefferson collects her meditations on what may be the oddest show-biz figure of all time. "Freaks" is the title of her first essay, and she notes Jackson's attraction to Barnum as well as the strangely apt imagery of his best-known video, "Thriller." Born in 1958 to a bullying father and a mother who was a Jehovah's Witness convert, the youngest member of the Jackson Five quickly became its VIP. Child stars are never "normal," and Jefferson glances at Buster Keaton, Jackie Coogan, Sammy Davis Jr. and, of course, Shirley Temple, the only one of them even more famous than Jackson, unless you count Elizabeth Taylor, Jackson's "best friend," who supplanted Diana Ross as his apparent role model. Jackson, Jefferson believes, is a "sexual impersonator," imitating, at times, a gay man, a white woman, a "gangsta" and a "pop Count Dracula." His bizarre looks and behavior drew literally thousands of cameras to his 2005 trial for child molestation. Jefferson concludes that Jackson may be a "monstrous child," but that he is, to a degree, a mirror of us all. Her slim, smart volume of cultural analysis may remind readers of Susan Sontag's early, brilliant essays on pop culture. (Jan.) Copyright 2005 Reed Business Information.

Library Journal

Pulitzer Prize-winning critic Jefferson considers entertainer Jackson from many angles: with regard to his family, within the black and the larger entertainment arena, as an artist, and as an entertainer in postslavery America. Raising the specter of Jackson's possible mental illness, the book loosely tracks his life from childhood through the 2004 child molestation trial; at one point he is "a new kind of mulatto-one created by science, and medicine, and cosmetology." Jefferson examines "Jacko's" relationships with fellow child entertainers, characterizing some as surrogate parents (Liz Taylor, Diana Ross) and others as surrogate children (Macaulay Culkin). Much also is made of Jackson's morphing from entertainer to both "producer and product, the impresario of himself," much like showman P.T. Barnum. Andrea Johnson's mellifluous, soothing narration complements Jefferson's writing perfectly, imbuing it with perfect clarity. The author demurs final damnation or martyrdom of Jackson, portraying him as both tortured artist and pop singer freak show. Though lacking interviews or primary source work, this is recommended for libraries with large popular culture collections.-Douglas C. Lord, Connecticut State Lib., Middletown Copyright 2006 Reed Business Information.

Kirkus Reviews

Pulitzer Prize-winning journalist Jefferson offers her sensible, outraged two cents on the sad plight of the beleaguered pop star. A child star and a freak are often one and the same, Jefferson smartly illustrates in this extended essay-note the plight of Tom Thumb, Jackie Coogan and Shirley Temple. Jefferson delves into the early days of Jackson's career with the Jackson Five, arguing that those performances are evidence of a kind of publicly condoned pedophilia (defined as "sexual desire encouraged in adults for children"). She covers the early Midwest home drama, involving Jehovah's Witness mother Katherine and the philandering, abusive father Joseph, and she emphasizes the early traitorous dealing with adults that later prompted Jackson to entomb himself in Neverland, perpetually in the company of children. Child stars, Jefferson asserts chillingly, never forget they are performers, and "whatever their triumphs, they are going to make sure we see every one of their scars." The last chapters are a journalistic report from Jackson's recent Santa Barbara trial on charges of attempted lewd acts with a child under 14, among other counts. Jefferson gives a look from the sidelines into the motivations of the principal characters, especially the various mothers involved, and offers a scornful consideration of the clamorous media and their collective "portrait of absurdity." Cool and ironic, she ends with a rather touching summation of a damaged, mentally ill character who "compulsively reimagines the violation of his own innocence."A righteous journalist tours the Jackson freak show.

Book Details

Published
January 1, 2007
Publisher
Knopf Doubleday Publishing Group
Pages
160
Format
Paperback
ISBN
9780307277657

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