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Teen Fiction - Girls & Young Women, Teen Fiction - Romance & Friendship
Over You by Emma McLaughlin — book cover

Over You

by Emma McLaughlin, Nicola Kraus
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Overview

The authors of the bestselling novel The Nanny Diaries, Emma McLaughlin and Nicola Kraus, bring you the story of a girl who gets her heart broken…and figures out a foolproof way to get over her ex.
 
Over You’s Max Scott had a hard time getting over Hugo, the boy who dumped her. Now it’s Max’s mission to help NYC girls get over their broken hearts fast, and with dignity. Now Max’s life is better than she ever imagined it could be. Her new business, Ex, Inc., is booming. Better still, her friendship with Ben, a truly sweet guy, could turn romantic. But when Hugo reenters the picture, Max realizes that she isn’t over him. At all.

Funny, touching, and romantic, Over You is the kind of book every girl will fall head over heels for.
 

About the Author, Emma McLaughlin

Emma Mclaughlin and Nicola Kraus work together in New York City and are the authors of the new novel Between You and Me. They are also the authors of The Nanny Diaries, which was made into a major motion picture, the New York Times bestsellers Citizen Girl, Dedication, and Nanny Returns, and their first YA novel, The Real Real.

Emma Mclaughlin and Nicola Kraus work together in New York City and are the authors of the new novel Between You and Me. They are also the authors of The Nanny Diaries, which was made into a major motion picture, the New York Times bestsellers Citizen Girl, Dedication, and Nanny Returns, and their first YA novel, The Real Real.

Biography

When Emma McLaughlin and Nicola Kraus met, they were both students at New York University and both working as part-time nannies for families on the Upper East Side. (Kraus was a native of the city; McLaughlin was from upstate New York.)

They didn't dream then that the shared experience that cemented their friendship would lead to fame and fortune as the authors of The Nanny Diaries, a fictional account of their years working in childcare.

"We wrote it for ourselves, really," McLaughlin told a reporter from The Washington Post. "We wrote it to share with our parents and our close friends. And we wrote it to see if we could."

The result was a scathing portrait of emotionally unavailable parents who obsess over private school admissions but coolly deflect the kids' hands when they come in search of a hug. The New York Times' Janet Maslin called it "perfectly pitched social satire."

And it struck a nerve with readers -- not only in New York City, but across the country and around the world. More than 2 million copies have been printed, and rights to the book were purchased in 32 countries.

"It was unbelievable to us," Kraus said in an interview with Rocky Mountain News. "I don't think we ever wrapped our heads around it."

At the age of 28, the two were celebrity writers, able to devote themselves full-time to the task of co-authoring another novel. First, though, there were some hurdles to clear: their publishers at St. Martin's Press didn't want their second book, so a new agent got them a two-book deal at Random House. But the deal fizzled, and their much-publicized $2 million advance was rescinded.

Finally, they landed at Atria Books, an imprint of Simon & Schuster, which published Citizen Girl, another satirical take on a young New Yorker's travails in the work world -- this time, a woman in her twenties who is fired from her feminist nonprofit and lands a new job at a dot-com.

"We set out to write something we had not come across," McLaughlin told Rocky Mountain News. "And we had not come across a book that takes a young woman through a professional odyssey, where the odyssey is 99 percent of the experience and her sex life is 1 percent of it."

The phenomenally successful Nanny Diaries was a tough act to follow, and some critics found the new book disappointing. USA Today suggested that the authorial duo might be a "one-hit wonder."

But other reviewers were positively buoyant about Citizen Girl and the way its heroine struggles to hang onto her integrity, self-respect and feminism in a world of "Girls Gone Wild."

"Thank God for Citizen Girl," wrote Sacha Zimmerman in The New Republic. "Girl is a self-possessed, moral, intelligent, and open feminist who is not a militant-chic refugee from Lilith Fair or an NPR-tote-bag carrying blue-stater in a hemp dress. She isn't a loveable oaf like Bridget Jones who only obsesses over weight and boys and little else. McLaughlin and Kraus pull it off because they are so wry and so spot on."

McLaughlin and Kraus insist they aren't joined at the hip -- but they are good partners, and fans can expect their partnership to continue. "With any luck," wrote Emily Gordon for Newsday, "even if their next collaboration is a book about the pitfalls of creating a sane but beautiful wedding, the trials of loft buying or the stresses of professional pregnancy, they'll do it with panache."

Good To Know

A few fun outtakes from our interview with McLaughlin and Kraus:

"We love our dogs."

"We can't write something we don't feel passionate about -- we tried, it doesn't work."

"Eddie Izzard's comedy show, Dressed to Kill, is our crack. Whenever the writing gets too stuck, we take a breather and fire him up."

"While we spend an inordinate amount of time together and it may frequently feel like we are, we are actually not a) living together, b) married to each other, or c) otherwise joined at the hip. Luckily, our own homes and lives allow us a few moments of daily rest to restore and revive before we head back into the writing cave."

Reviews

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Editorials

Publishers Weekly

After a lifetime of moving around, 17-year-old boarding school dropout Max Scott roots herself in New York City in this snappy and original romp from the authors of The Nanny Diaries. No stranger to heartbreak, Max creates a regimented program called Ex, Inc., which helps girls get over their exes after being dumped. Max rushes to help a new client, Bridget, after her boyfriend, Taylor, breaks it off. Over the next few weeks, Max encourages Bridget to ignore Taylor, keep her dignity, and create a “Moment” where she can (hopefully) prove she’s over him. Healing isn’t easy, though, as Max knows firsthand: she’s still secretly reeling over Hugo, a rich socialite who threw her heart for a loop. McLaughlin and Kraus offer an appealing yet wildly improbable vision of teenage New York City life: the city is Max’s playground, as she hits up trendy clubs, uses Teen Vogue’s closet like a lending library, and has spontaneous dance parties on the street with her gay BFF. While the authors don’t get points for plausibility, it’s still a sharply written and romantic summer read. Ages 14–up. (Sept.)

VOYA - Ellen Frank

Max Scott is the kind of girl who does not get spurned. When she is dumped, Max gets even. Max is the product of a single mother and is forced to move to a new school every time her mother's job changes. She becomes the most popular girl in each school. Her mom transfers her to a private boarding school so she would be able to get into an "acceptable" college. The school is not Max's choice, but she makes it through by meeting Hugo Tillman, the vortex of her world, until—he rejects her. In true entrepreneur fashion, Max begins a start-up. It is an agency for break up disasters. She teaches her clients how to handle a break up, while keeping their dignity and coming out ahead. The story line is great, but the delivery is subpar. This book reads like "chicklit." It seems as if the authors wanted to go directly to the screen version of the book. The characters are shallow and materialistic. Most of the book is filled with teen speak: for example: "My friend kind of has social ADD right now." The novel will ring true for the New York City upper East side teen female who was dumped by a guy; for everyone else, it would be comic relief of NYC angst, proof of most stereotypes of shallow airheads populating our private schools. Reviewer: Ellen Frank

School Library Journal

Gr 9 Up—Seventeen-year-old Max Scott knows from experience how the dumped and brokenhearted feel. After surviving a breakup, she starts an organization, Ex, Inc., dedicated to helping teens get over their exes. With unbridled optimism and self-help mantras like, "He's entitled not to love me, but he's not entitled to mess with my happy place" and "You are the source," she swoops into clients' lives with an action plan for recovery. Her grateful patrons spread the word and Ex, Inc. is busy enough to keep Max and her friends hopping. Max wants to take it national, so she is applying to NYU with plans to co-major in business and psychology. However, she has a secret that may undermine her ambitions. She is not quite over the rich playboy who dumped her. When he comes to town, Max is confronted with all her past anguish and her polished veneer begins to crack. Over You is filled with vulnerable moments that pull on readers' sympathy while still giving fodder for a chuckle or two. The myriad references to fashion designers and pop culture will date the book, but that will not stop readers from enjoying this chick-lit offering.—Mindy Whipple, West Jordan Library, UT

Kirkus Reviews

Sophisticated chick-lit for the hip consumer of teen fashion magazines, this comedy-drama hits all the in-crowd buttons. Max has crashed badly from an unsuccessful romance with wealthy Hugo. She ran away from school, got her GED and started a business, Ex, Inc., that guides brokenhearted girls who have been dumped through recovery. She does want to go to college, but only to NYU. She's living in New York City, but now that her mom has married and is about to give birth, Max operates almost entirely on her own, with the help of best friend Zach and assistant Phoebe. She takes advantage of her mom's job as a magazine writer, though, to sneak into the offices of Teen Vogue and secretly borrow expensive designer fashions from their closet. As Max guides new client Bridget through a bad breakup, she meets Ben, a possible new love interest, but suddenly runs into Hugo and plunges back into the depths of despair. Now she has to apply her recovery techniques to herself, but all doesn't go as planned, and she stands to lose her friends and Ben as well. McLaughlin and Kraus keep the tone light, with plenty of in-jokes and ultra-hip lingo, lots of passion and romance, and some steamy bits. They allow Max to grow up a bit, to make mistakes and try to correct them, thus hauling the story back from a complete focus on the superficial. Bridget's and Ben's hurt feelings when Max makes her mistakes offer an effective counter to Max's breezy confidence. Nevertheless, the emphasis remains on entertainment for designer readers. The whole chick-lit package, upscale. (Chick lit. 14 & up)

Book Details

Published
July 30, 2013
Publisher
HarperCollins Publishers
Pages
304
Format
Paperback
ISBN
9780061720451

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