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American Poetry
Sinners Welcome by Mary Karr — book cover

Sinners Welcome

by Mary Karr
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Overview

Mary Karr describes herself as a black-belt sinner, and this — her fourth collection of poems —traces her improbable journey from the inferno of a tormented childhood into a resolutely irreverent Catholicism. Not since Saint Augustine wrote "Give me chastity, Lord — but not yet!" has anyone brought such smart-assed hilarity to a conversion story.

Karr's battle is grounded in common loss (a bitter romance, friends' deaths, a teenage son's leaving home) as well as in elegies for a complicated mother. The poems disarm with the arresting humor familiar to readers of her memoirs, The Liars' Club and Cherry. An illuminating cycle of spiritual poems have roots in Karr's eight-month tutelage in Jesuit prayer practice, and as an afterword, her celebrated essay on faith weaves the tale of how the language of poetry, which relieved her suffering so young, eventually became the language of prayer. Those of us who fret that poetry denies consolation will find clear-eyed joy in this collection.

Synopsis

In her fourth collection of poems, self-described black-belt sinner Mary Karr traces her improbable journey from the inferno of a tormented childhood into a resolutely irreverent Catholicism. Not since Saint Augustine wrote “Give me chastity, Lord—but not yet!” has anyone brought such smart-assed hilarity to a conversion story.

The Washington Post - Judith Kitchen

As Karr knows, her endeavor is ages old. It may be that all lyric poetry aspires to prayer. What gives Sinners Welcome its sharp edge is the poet's eloquently passionate struggle at the junction of doubt and devotion.

About the Author, Mary Karr

Mary Karr's three volumes of poetry are Abacus, The Devil's Tour, and Viper Rum. Her memoir, Cherry, published in 2000, was also a New York Times bestseller. She is a Jesse Truesdale Peck Professor of Literature at Syracuse University.

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Editorials

Judith Kitchen

As Karr knows, her endeavor is ages old. It may be that all lyric poetry aspires to prayer. What gives Sinners Welcome its sharp edge is the poet's eloquently passionate struggle at the junction of doubt and devotion.
— The Washington Post

Publishers Weekly

The author of the memoirs The Liar's Club and Cherry began as a poet; this first collection of verse since 1995's Viper Rum alternates between a familiar, unsparing autobiographical vein and a new commitment to Christian belief. Karr, a recovering alcoholic and a temperamental skeptic, entered the Catholic church in 1996, and poems about God, Christ and Christian rituals may draw most readers' attention: "Disgraceland" describes "my first communion at 40," and tries to blend Karr's characteristic acerbity with her interest in religious compassion: "You are loved, someone said. Take that and eat it." Some of the strongest of Karr's clean, direct free-verse efforts have less to do with religion than with her friends, children, parents, vexing early life. When she writes of "the winter Mother's ashes came in a Ziploc bag," fans of her prose will relate. (Mar.) Copyright 2005 Reed Business Information.

Library Journal

Poetry "was most crucially the first source of awe for me, partly because it could ease my sense of isolation," notes Karr (best known for her memoir The Liar's Club) in the essay "Facing Altars: Poetry and Prayer," which acts as an afterword to this collection. Karr converted to Catholicism in 1996, "after a lifetime of undiluted agnosticism," and many of the poems embrace God with an intensity born out of violence that refuses to be masked. The titles of some poems say it all: "Disgraceland," "Waiting for God: Self-Portrait as a Skeleton," or "Overdue Pardon for Mother with Knife." One of the most memorable poems, "Coathanger Bent into Halo," begins: "Gathering up my mother's clothes for the poor/ I find the coathanger that almost aborted me." It continues through a vivid description of the hypothetical abortion, ending with the hope that the same hanger can also be twisted into "a halo to crown my son's head." These poems, even more than the essay, demonstrate poetry as religion's kin. While not for the unquestioning devout, this book should stand beside works by writers like Thomas Merton or William Everson (a.k.a. Brother Antonitus) in both poetry and spiritual collections.-Rochelle Ratner, formerly Poetry Editor, "Soho Weekly News," NY Copyright 2005 Reed Business Information.

Book Details

Published
November 1, 2009
Publisher
HarperCollins Publishers
Pages
93
Format
Paperback
ISBN
9780060776565

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