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The Devil's Footprints by John Burnside — book cover

The Devil's Footprints

by John Burnside
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Overview

Michael Gardiner has lived in Coldhaven all his life yet still feels like an outsider. Married but rather distant from his wife, he reads in the local paper that a school friend, Moira Birnie, has killed herself and her two sons by setting their car on fire; but she has spared her 14-year-old daughter Hazel. Michael uneasily recalls his past connections to Moira. As teenagers, Michael and Moira had a brief romance, yet more troubling to Michael is the fact that he was responsible for the death of Moira’s brother, the town bully. In the wake of the tragedy, Michael becomes obsessed with Hazel, who is just old enough to be his daughter. Aware of his obsession, Hazel convinces Michael to take her away from the village and her father, an abusive and violent man.

Setting his story against the untamed Scottish landscape, John Burnside has written a chilling novel that explores the elemental forces of everyday life: love, fear, grief, and the hope of redemption. In its ability to evoke and exploit our most primal fears, The Devil’s Footprints prompts comparisons to the best of Stephen King. In both language and imagery, it is a novel of mysterious beauty, written with the clarity and power of a folktale.

Synopsis

Michael Gardiner has lived in Coldhaven all his life yet still feels like an outsider. Married but rather distant from his wife, he reads in the local paper that a school friend, Moira Birnie, has killed herself and her two sons by setting their car on fire; but she has spared her 14-year-old daughter Hazel. Michael uneasily recalls his past connections to Moira. As teenagers, Michael and Moira had a brief romance, yet more troubling to Michael is the fact that he was responsible for the death of Moira’s brother, the town bully. In the wake of the tragedy, Michael becomes obsessed with Hazel, who is just old enough to be his daughter. Aware of his obsession, Hazel convinces Michael to take her away from the village and her father, an abusive and violent man.

Setting his story against the untamed Scottish landscape, John Burnside has written a chilling novel that explores the elemental forces of everyday life: love, fear, grief, and the hope of redemption. In its ability to evoke and exploit our most primal fears, The Devil’s Footprints prompts comparisons to the best of Stephen King. In both language and imagery, it is a novel of mysterious beauty, written with the clarity and power of a folktale.

Publishers Weekly

In Burnside's first novel since his acclaimed memoir A Lie About My Father, random acts of cruelty unearth a town's dark secrets. In the charged, superstitious Scottish village of Coldhaven, it's a year after 32-year-old Moira Birnie has killed herself and her two sons-but spared her 14-year-old daughter, Hazel. Like many in town, photographer's son Michael Gardiner, who narrates, has heard the story: a heavily drinking Moira thought her abusive husband was the devil when she drugged her sons and set her car on fire. The deaths remind Michael of his youthful, class-crossed affair with Moira, as well as his encounters with her bullying brother, Malcolm. With his own marriage crumbling and his sanity in doubt, Michael obsesses about Hazel, who he thinks may be his daughter, and the confrontation that ensues between the two changes them both. The plot doesn't hold together, but Burnside creates an intense, Stephen King-like atmosphere around Michael's observations and memories, and the complex cast's secrets and grudges. (Jan.)

Copyright 2007 Reed Business Information

About the Author, John Burnside

JOHN BURNSIDE’s five works of fiction and eleven collections of poetry have been published in the U.K. The Asylum Dance won the Whitbread Poetry Award, and The Light Trap was short-listed for the T. S. Eliot Prize. His acclaimed memoir, A Lie About My Father, was published in the United States in May 2007; The Devil’s Footprints is his first novel to be published in this country.

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Editorials

Publishers Weekly

In Burnside's first novel since his acclaimed memoir A Lie About My Father, random acts of cruelty unearth a town's dark secrets. In the charged, superstitious Scottish village of Coldhaven, it's a year after 32-year-old Moira Birnie has killed herself and her two sons-but spared her 14-year-old daughter, Hazel. Like many in town, photographer's son Michael Gardiner, who narrates, has heard the story: a heavily drinking Moira thought her abusive husband was the devil when she drugged her sons and set her car on fire. The deaths remind Michael of his youthful, class-crossed affair with Moira, as well as his encounters with her bullying brother, Malcolm. With his own marriage crumbling and his sanity in doubt, Michael obsesses about Hazel, who he thinks may be his daughter, and the confrontation that ensues between the two changes them both. The plot doesn't hold together, but Burnside creates an intense, Stephen King-like atmosphere around Michael's observations and memories, and the complex cast's secrets and grudges. (Jan.)

Copyright 2007 Reed Business Information

Kirkus Reviews

A quasi-mystery that spends too much time within the mind of the uninteresting first-person narrator. The Scottish-born Burnside (A Lie About My Father: A Memoir, 2007, etc.) returns to his native land with a plot that suggests the presence of the devil in an isolated seaside village, while leaving the identity of that devil open-ended. Protagonist Michael Gardiner sets the plot in motion when he learns of the suicide of a woman he dated as a teenager. The woman, Moira Birnie, set her car ablaze with her young children inside. Curiously, she left behind her 14-year-old daughter Hazel. Michael suspects that Moira killed her children and herself to escape her devil of a husband, Tom. But why has she spared Hazel? After doing his calendar calculations, Michael suspects that Hazel isn't Tom's daughter, but his own. Since Michael's marriage is all but dead, and most of the marriages in the village seem as troubled as Moira and Tom's apparently was, Michael's obsession with Hazel provides new life (at least in his mind) for the two of them. Yet in the novel's evocation of Lolita, there's something a little creepy in the way that Hazel becomes his life's focus. Within the yo-yo of the novel's chronology (as Michael spends more time living in the past than the present), the reader learns that the Gardiners have long endured an adversary relationship with the rest of the village, that Michael and his parents have kept fatal secrets from each other and that Michael has a history of both sleepwalking and dreaming a parallel reality that he sometimes has trouble distinguishing from his waking one. With Michael's insistence that he's losing his mind as the novel progresses, it becomes harder for thereader to distinguish what's really happening. And whether the fault lies with the novelist or his protagonist, none of the characters that Michael describes seem fully formed. The novel ultimately ties some knots but leaves too many strands loose.

Book Details

Published
February 1, 2009
Publisher
Knopf Doubleday Publishing Group
Pages
240
Format
Paperback
ISBN
9780307385826

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