Publishers Weekly
- Publisher's Weekly
Continuing the saga of the Roman Empire begun with The First Man in Rome , McCullough spins a stupendous tale of love, lust and murderous ambition. This title was cited in PW 's ``red and black'' feature as having failed significantly in hardcover to live up to publishers' sales expectations. July
Kirkus Reviews
Volume two of McCullough's triumphant Roman series. The First in Rome (1990) initiated the chronicle of the edgy partnership of new-man-in-Rome Gaius Marius and aristocrat Lucius Cornelius Sulla during the German wars. Here, the calamitous last hurrah of one and the violent pinnacle acts of the other twist through years of Italian wars, expeditions into Asia Minor, domestic trials and brief happinesses, terrible cruelties, and politics, always politics, in which sectors, families, and the famous fight for power—by diplomacy, manipulation, alliances, or the simple art of murder. By now (roughly 80's and 90's B.C.) Marius is in his 60s and escaping a "dull" Rome to scout Asia Minor and sniff out the purposes of the barbarian king Mithridates of Pontus. The king will be faced down, and, some years later, Sulla, in a spectacular expedition over the Euphrates, will face him down again. Meanwhile, in the Senate there is a movement to enfranchise the sophisticated neighboring Italians, a movement snapped off by an assassination and a polarizing of ruling powers—and, inevitably, there's war. It is the overwhelming victory over one of the Italian tribes that brings Sulla his highest honor (the Grass Crown). Surely he is now equal to the great general Marius, now crippled by a stroke and attended by the boy Gaius Julius Caesar Junior, his wife's nephew. (Yep. The very same.) Marius intends to fulfill an old prophecy—that he will be elected Consul for a seventh time. The inevitable conflict between Marius and Sulla explodes during an ongoing battle to dilute the power of the Senate elite. There will be a march on an unarmed Rome, screaming grabs for ascendance from an unhinged,dying Marius, and a raving Sulla, plus bloody deaths...and deaths...and deaths. Again, magnificent portraits of real beings. And, again, gamey politics, bright talk, great scenery, and gore. With glossary and maps. (Literary Guild Dual Selection for November)
