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What We Keep by Elizabeth Berg — book cover

What We Keep

by Elizabeth Berg
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Overview

Do you ever really know your mother, your daughter, the people in your family? In this rich and rewarding new novel by the beloved bestselling author of Talk Before Sleep and The Pull of the Moon, a reunion between two sisters and their mother reveals how the secrets and complexities of the past have shaped the lives of the women in a family.

Ginny Young is on a plane, en route to see her mother, whom she hasn't seen or spoken to for thirty-five years.   She thinks back to the summer of 1958, when she and her sister, Sharla, were young girls. At that time,a series of dramatic events—beginning with the arrival of a mysterious and sensual next-door neighbor—divided the family, separating the sisters from their mother.  Moving back and forth in time between the girl she once was and the woman she's become, Ginny at last confronts painful choices that occur in almost any woman's life, and learns surprising truths about the people she thought she knew best.

Emotional honesty and a true understanding of people and relationships are combined in this moving and deeply satisfying new book by the novelist who
"writes with humor and a big heart about resilience, love and hope. And the transcendence that redeems" (Andre Dubus).

Synopsis

In this rich new novel by the beloved bestselling author of "Talk Before Sleep" and "The Pull of the Moon," a reunion between two sisters and their mother reveals secrets and complexities in the lives of the women in a family. Ginny Young is on a plane, going to visit the mother she hasn't seen or spoken to for thirty-five years. She thinks back to the summer of 1958, when she was twelve years old and a series of dramatic events divided her family, separating her and her sister from their mother, seemingly forever. Moving back and forth in time between the girl she once was and the woman she's become, Ginny confronts painful choices in a woman's life—even as surprising secrets are revealed about the family she thought she understood.

Publishers Weekly

"I don't like my mother. She's not a good person." So declares Ginny Young on a trip to California to visit her mother, Marion, whom she hasn't seen in 35 years. Ginny is only making the trip as a favor to her sister, Sharla, who has called to say she's awaiting the results of a cancer test. In flashback, Berg (Talk Before Sleep) revisits the events of the girls' childhood and the moments when their mother's problems began to reveal themselves. One night, Ginny and Sharla overhear their mother screaming at their father about her unhappiness and telling him that she never wanted children. Then she walks out with no explanations, returning briefly a few months later to explain that she's not coming back. The following years bring occasional visits that are impossibly painful for all concerned and so full of buried anger that the girls decide to curtail them altogether. When Sharla meets Ginny (now a mother herself) at the airport, and the two see their mother again, there are surprises in store, but not especially shocking ones. The reader, in fact, may feel there is less here than meets the eye: Marion's flight is never made psychologically credible. Berg's customary skill in rendering domestic details is intact, but the story seems stitched together. Crucial scenes feel highlighted rather than fleshed out, and Ginny's bitterness disappears into thin air as she reaches a facile, sentimental conclusion about her mother's needs. BOMC selection; author tour. (May)

About the Author, Elizabeth Berg

A former nurse with a caretaker's eye for the details of needing and being needed, Elizabeth Berg doesn't shy from the "women's writer" association. She writes with humor and sympathy about the small earthquakes upending women's lives and their extraordinary, human ways of setting things right again.

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Editorials

Publishers Weekly - Publisher's Weekly

"I don't like my mother. She's not a good person." So declares Ginny Young on a trip to California to visit her mother, Marion, whom she hasn't seen in 35 years. Ginny is only making the trip as a favor to her sister, Sharla, who has called to say she's awaiting the results of a cancer test. In flashback, Berg (Talk Before Sleep) revisits the events of the girls' childhood and the moments when their mother's problems began to reveal themselves. One night, Ginny and Sharla overhear their mother screaming at their father about her unhappiness and telling him that she never wanted children. Then she walks out with no explanations, returning briefly a few months later to explain that she's not coming back. The following years bring occasional visits that are impossibly painful for all concerned and so full of buried anger that the girls decide to curtail them altogether. When Sharla meets Ginny (now a mother herself) at the airport, and the two see their mother again, there are surprises in store, but not especially shocking ones. The reader, in fact, may feel there is less here than meets the eye: Marion's flight is never made psychologically credible. Berg's customary skill in rendering domestic details is intact, but the story seems stitched together. Crucial scenes feel highlighted rather than fleshed out, and Ginny's bitterness disappears into thin air as she reaches a facile, sentimental conclusion about her mother's needs. BOMC selection; author tour. (May)

Library Journal

After indulging in a spending spree at Tiffany's, Samantha faces up to her divorce and tries to learn how to make her own happiness. Copyright 2000 Cahners Business Information.\

Library Journal

Berg (Joy School, LJ 12/96) excels at writing novels about the close personal relationships between women. As this new work opens, Ginny is flying to California to join her sister in a meeting with their mother, whom neither daughter has seen for 35 years. Ginny uses her travel time to reflect upon her memories of the summer when her mother withdrew from the family and became an outsider in her daughters' lives. Berg's precise, evocative descriptions create vivid images of Ginny's physical world, while Berg's understanding and perception are an eloquent testimony to Ginny's emotional turmoil. Berg cleverly examines the roles and relationships of mothers and daughters and reveals how truth, forgiveness, and understanding are possible in healing intergenerational rifts between women. Highly recommended and sure to be popular. [Previewed in Prepub Alert, LJ 1/98.]Caroline M. Hallsworth, Cambrian Coll., Ontario

Kirkus Reviews

The prolific Berg's fifth novel (Joy School, 1997, etc.) pays an unremarkable visit to that overworked territory where mothers and daughters visit to blame and explain, this time in the story of a daughter on her way to meet the mother she hasnþt seen for 35 years. Berg has an easy style and good ear, which makes for agreeable storytelling, but, here, the story itself is less impressive. The trouble is that the plot fails to seem plausible or compelling, draining the emotion from what a supposedly dramatic meeting, with attendant explanatory revelations, of a mother and her two estranged daughters. The narrative is told in flashbacks younger daughter Ginny as she flies to San Francisco. There, she joins sister Sharla, who has persuaded Ginny to come along only by hinting that sheþs terminally ill and wants to make her peace with their mother. As for Mother, she seems a parody of a 1950s Mom: baking from scratch, dressing immaculately, even hosting a Tupperware party. Dad's also a stereotypeþa well-meaning man who works hard at a boring job, but isnþt sensitive (he doesn't get it, for instance, that his wife wants to go dancing). The two girls are happy, though: They love Mom's cooking and the way she helps them create nifty projects. And yet one summer, when glamorous free spirit Jasmine, allegedly on the run from her rich but abusive husband, moves next door, their lives fall apart. Mom gets restless and decides to leave Dad and the girls to become an artist. Which she does, and isnþt forgiven until they all meet up again, realizing then just how unhappy Mom was. But why Mom had to make so extreme a gesture is never persuasively explained. An easyread, but intellectually and emotionally lite-fare, despite the suggestions of profundity ("I now believe we owe our mothers and our daughters the truth"). (Book-of-the- Month selection; author tour)

Book Details

Published
May 1, 1999
Publisher
Random House Publishing Group
Pages
304
Format
Paperback
ISBN
9780345423290

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