28 Days Later: The Aftermath
Steve Niles, Jimmy Palmiotti (Editor), Dan Nakrosis (Illustrator), Dennis Calero (Illustrator), Dennis CaleroBooks.org participates in affiliate programs including Bookshop.org and the Amazon Services LLC Associates Program. We may earn a commission from qualifying purchases made through links on this page, at no additional cost to you.
Overview
Two idealistic scientists unwittingly developing the deadliest virus the world has ever known...A family making desperate choices as they struggle to survive the Infection's initial outbreak...A lone gunslinging survivor battling the Infected in a decimated London...Four original tales chronicling the greatest horror humanity has ever faced come together in a bloody conclusion as terrifying as the Rage Virus itself.
Written by horror master Steve Niles (creator of the classic 30 Days of Night) and illustrated by three of the most terrifyingly talented illustrators working in comics today, 28 Days Later: The Aftermath begins before the hit movie—and ends with a shocking revelation that leads into the events of the sequel, 28 Weeks Later.
Synopsis
Two idealistic scientists unwittingly developing the deadliest virus the world has ever known...A family making desperate choices as they struggle to survive the Infection's initial outbreak...A lone gunslinging survivor battling the Infected in a decimated London...Four original tales chronicling the greatest horror humanity has ever faced come together in a bloody conclusion as terrifying as the Rage Virus itself.
Written by horror master Steve Niles (creator of the classic 30 Days of Night) and illustrated by three of the most terrifyingly talented illustrators working in comics today, 28 Days Later: The Aftermath begins before the hit movie--and ends with a shocking revelation that leads into the events of the sequel, 28 Weeks Later.
Publishers Weekly
Gruesome rules in this horror collection. Despite the title, the four stories actually are set before or at the same time as the action of the 2002 film about the horrifying consequences of a manmade virus that infects humans with mindless rage, turning them into carnivorous brutes who infect others by spewing virus-laden blood. Niles's scripts (one of which is included as a bonus text feature) show the creation of the virus by ethically challenged researchers, describe its uncontrollable spread as zomboid mobs wipe out most of humanity, and question whether the survivors deserve to survive. Like the movie, the stories also juxtapose the rationalizations that we use to justify violence-idealism, pride, revenge, love, etc.-with the behavior of the infected monsters. The characters aren't especially interesting beyond that: some infected zomboids totter around, puking blood and exclaiming "Ghaaaagh!" while others dither and wait for death. Of the multiple artists at work, Calero's two stories, "Stage 1: Development" and "Stage 4: Quarantine," effectively combine glimpses of light with masses of darkness, and Nat Jones ("Stage 3: Decimation") mixes scratchy agitated line work with a muted wash, especially in a two-page spread of a ruined Piccadilly Circus. Mainly, however, the art is just graphic enough to satisfy readers' cravings for literal blood and guts. (Apr.)
Copyright 2007 Reed Business InformationEditorials
Kevin Carr
"[A] fine bridge between the two movies [28 Days Later and 28 Weeks Later]."DreadCentral.com
"Recommended!"Wisconsin State Journal
"Gotta have it"Comics Alliance.com
"The art...is fantastic...Horror Buffsgive it a once-over. It’ll whet your appetite for the film!"Dreadcentral.com
“Recommended!”Count Gore.com
"This is high-octane horror magnificently illustrated with gory brio."Fangoria.com
"[W]ill evoke excitement and appreciation...with its fine combination of a well-written story and beautifully disturbing artwork."joblo.com
"[A] quick paced, intense ride for the 28 Days Later lover in all of us...slick and intelligent."Atlanta Journal-Constitution
"[Niles] ably weaves together four separate tales that each feature those blood-spewing zombies and the mayhem they create."Ain't It Cool News.com
"As far as zombie comics go, [this] is definitely ahead of the shambling, brain-eating pack."Atlanta Journal-Constitution
“[Niles] ably weaves together four separate tales that each feature those blood-spewing zombies and the mayhem they create.”Fangoria.com
“[W]ill evoke excitement and appreciation...with its fine combination of a well-written story and beautifully disturbing artwork.”Count Gore.com
“This is high-octane horror magnificently illustrated with gory brio.”Ain't It Cool News.com
“As far as zombie comics go, [this] is definitely ahead of the shambling, brain-eating pack.”Comics Alliance.com
“The art...is fantastic...Horror Buffs-give it a once-over. It’ll whet your appetite for the film!”joblo.com
“[A] quick paced, intense ride for the 28 Days Later lover in all of us...slick and intelligent.”Publishers Weekly
Gruesome rules in this horror collection. Despite the title, the four stories actually are set before or at the same time as the action of the 2002 film about the horrifying consequences of a manmade virus that infects humans with mindless rage, turning them into carnivorous brutes who infect others by spewing virus-laden blood. Niles's scripts (one of which is included as a bonus text feature) show the creation of the virus by ethically challenged researchers, describe its uncontrollable spread as zomboid mobs wipe out most of humanity, and question whether the survivors deserve to survive. Like the movie, the stories also juxtapose the rationalizations that we use to justify violence-idealism, pride, revenge, love, etc.-with the behavior of the infected monsters. The characters aren't especially interesting beyond that: some infected zomboids totter around, puking blood and exclaiming "Ghaaaagh!" while others dither and wait for death. Of the multiple artists at work, Calero's two stories, "Stage 1: Development" and "Stage 4: Quarantine," effectively combine glimpses of light with masses of darkness, and Nat Jones ("Stage 3: Decimation") mixes scratchy agitated line work with a muted wash, especially in a two-page spread of a ruined Piccadilly Circus. Mainly, however, the art is just graphic enough to satisfy readers' cravings for literal blood and guts. (Apr.)Copyright 2007 Reed Business Information