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American Fiction, World Literature, Fiction Subjects

A Changed Man

by Francine Prose
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Overview

What is charismatic Holocaust survivor Meyer Maslow to think when a rough-looking young neo-Nazi named Vincent Nolan walks into the Manhattan office of Maslow's human rights foundation and declares that he wants to "save guys like me from becoming guys like me"? As Vincent gradually turns into the sort of person who might actually be able to do this, he also transforms those around him: Meyer Maslow, who fears heroism has become a desk job; the foundation's dedicated fund-raiser, Bonnie Kalen, an appealingly vulnerable divorced single mother; and even Bonnie's teenage son.

Francine Prose's A Changed Man is a darkly comic and masterfully inventive novel that poses essential questions about human nature, morality, and the capacity for personal reinvention.

Synopsis

What is charismatic Holocaust survivor Meyer Maslow to think when a rough-looking young neo-Nazi named Vincent Nolan walks into the Manhattan office of Maslow's human rights foundation and declares that he wants to "save guys like me from becoming guys like me"? As Vincent gradually turns into the sort of person who might actually be able to do this, he also transforms those around him: Meyer Maslow, who fears heroism has become a desk job; the foundation's dedicated fund-raiser, Bonnie Kalen, an appealingly vulnerable divorced single mother; and even Bonnie's teenage son.

Francine Prose's A Changed Man is a darkly comic and masterfully inventive novel that poses essential questions about human nature, morality, and the capacity for personal reinvention.

The New York Times - Liesl Schillinger

Here Prose uses the exaggerated failings of an ideological extremist to expose the wishy-washy but more pervasive moral failures of contemporary America: detached or absent fathers; frantic, overworked mothers; undernurtured children; checkbook philanthropy; media hypocrisy; the shortage of local heroes willing to help the people around them. But for all of that, the novel isn't a sermon or a lecture. Prose doesn't sit in judgment; instead, she holds a mirror up to her characters, reflecting both their imperfections and their charms.

About the Author, Francine Prose

Known as much for her wit as she is for her eclecticism, Francine Prose is a true renaissance woman of the literary set. She has written essays, art and literary reviews, translations, children s books, novellas, and short stories -- not to mention bitingly humorous novels like Bigfoot Dreams and Blue Angel.

Reviews

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Editorials

Carlin Romano

"American literature’s finest satirist of professionals with problems . . . Prose knows the territory and tweaks it deliciously."

Richard Eder

"A novel of ideas, and provocative ones. Class—the dirty American secret—is no secret to Prose."

Miami Herald

"[A] brilliant new comic novel . . . Prose’s sense of humor is as keen as ever."

New York Times Book Review

"Powerful, funny, and exquisitely nuanced . . . This story has a continental sweep."

New York Observer

"Pitch-perfect and nuanced . . . We can’t wait to crawl into bed with this book every night."

Chicago Tribune

"Timely and clever . . . Prose carries us along on the sheer energy of her sentences."

Entertainment Weekly

"[An] artfully structured novel . . . [with] a selection of showstopping literary set pieces."

Harper's Bazaar

"Francine Prose is back with a powerful new novel about the possibility of starting over."

Newsday

"This book has it all: great characters, dark humor, a racing plot and important themes."

San Francisco Chronicle

"Well-crafted and insightful."

Janet Maslin

"Mercilessly funny."

Newsday

“This book has it all: great characters, dark humor, a racing plot and important themes.”

Entertainment Weekly

“[An] artfully structured novel . . . [with] a selection of showstopping literary set pieces.”

Chicago Tribune

“Timely and clever . . . Prose carries us along on the sheer energy of her sentences.”

Miami Herald

“[A] brilliant new comic novel . . . Prose’s sense of humor is as keen as ever.”

San Francisco Chronicle

“Well-crafted and insightful.”

New York Times Book Review

“Powerful, funny, and exquisitely nuanced . . . This story has a continental sweep.”

New York Observer

“Pitch-perfect and nuanced . . . We can’t wait to crawl into bed with this book every night.”

Harper's Bazaar

“Francine Prose is back with a powerful new novel about the possibility of starting over.”

Liesl Schillinger

Here Prose uses the exaggerated failings of an ideological extremist to expose the wishy-washy but more pervasive moral failures of contemporary America: detached or absent fathers; frantic, overworked mothers; undernurtured children; checkbook philanthropy; media hypocrisy; the shortage of local heroes willing to help the people around them. But for all of that, the novel isn't a sermon or a lecture. Prose doesn't sit in judgment; instead, she holds a mirror up to her characters, reflecting both their imperfections and their charms.
— The New York Times

Publishers Weekly

Prose (Blue Angel; The Lives of the Muses) tests assumptions about class, hatred and the possibility of change in her latest novel, a good-natured satire of liberal pieties, the radical right and the fund-raising world. The "changed man" of the title is Vincent Nolan, a 32-year-old tattooed ex-skinhead who appears one morning in the New York offices of World Brotherhood Watch, a foundation headed by Meyer Maslow, a Holocaust survivor. Vincent declares that he has had a personal conversion (never mind that it was triggered by a heavy dose of Ecstasy) and wants to work with the foundation to "save guys like me from becoming guys like me." Meyer takes Vincent on faith-and convinces Bonnie Kalen, the foundation's fund-raiser, to put Vincent up in the suburban home she shares with her two sons, Max, 12, and Danny, 16. Prose tears into this unusual premise with the piercing wit that has become her trademark. Vincent becomes a media darling of sorts, and everyone wants a piece of him: the liberal donors and the television talk shows; Meyer, a figurehead so celebrated that even his close friends kiss up to him; and maybe even divorced Bonnie, who finds herself drawn to Vincent's charms. In more hostile pursuit of Vincent is his cousin Raymond, a member of the Aryan Resistance Movement, from which Vincent stole a truck, drugs and cash. In these circumstances, can a man truly change? And what is change-not only for Vincent but for the other principals as well? Prose doesn't shy away from exposing the vanities and banalities behind the drive to do good. Fortunately, her characters are sturdy enough to bear the weight of the baggage she piles on them. Her lively skewering of a whole cross-section of society ensures that this tale hits comic high notes even as it probes serious issues. Agent, Denise Shannon. (Mar. 3) Forecast: A Changed Man is less didactic than Blue Angel and is set on a broader stage, which should broaden its appeal, too. Six-city author tour. Copyright 2004 Reed Business Information.

Library Journal

Young neo-Nazi Vincent Nolan is on the run from fellow gang members of ARM-the American Rights Movement, a.k.a. the Aryan Resistance Movement. He's also starting to question his beliefs. So he walks into the New York City headquarters of World Brotherhood Watch, an international human rights organization, and volunteers to work with them. Not surprisingly, organization head Meyer Maslow, a Jewish Holocaust survivor, is suspicious-even if Vincent has read all of his books. But he relents, sending Vincent home with assistant Bonnie Kalen, a single mom with teenage sons. One might expect the story to highlight the consequences of Vincent's startling change of heart, and Prose (Household Saints) does show scenes like Vincent's giving a speech that turns out badly-all handled (somewhat inappropriately) with light humor. But the novel is concerned mostly with the challenges that Bonnie faces: raising her sons, working too hard, feeling guilty, and trying to understand Vincent, who has become part of the family. Bonnie is well portrayed and lifelike, but Vincent is not-he's more a construct than a character. As a result, the novel feels sidetracked, and though any new work by the award-winning Prose will attract readers, this one is frankly not all that interesting. [See Prepub Alert, LJ 11/15/04.]-Jim Coan, SUNY at Oneonta Lib. Copyright 2005 Reed Business Information.

Kirkus Reviews

A neo-Nazi abandons his Aryan supremacist buddies and joins a humanitarian relief organization. When 30ish underachiever Vincent Nolan, perversely resplendent in shaved head and swastika tattoos, enters the Manhattan offices of World Brotherhood Watch, declaring himself "changed," visions of unprecedented fund-raising success dance through the head of WBW founder and leader-and Holocaust survivor-Meyer Maslow (part Simon Wiesenthal, part Elie Wiesel). But Vincent's presence-albeit polite, thoughtful, and nonthreatening-worries Meyer's secretary-subordinate, single mom Bonnie Kalen, who impulsively agrees to take the skinhead into the home she shares with her sons, Max and teenaged Danny. Vincent is groomed as poster boy for WBW's global efforts to combat human-rights abuses-as living proof that evil can be turned to good. This is a potent, however presently unfashionable theme, and Prose (Blue Angel, 2000, etc.; the nonfiction Lives of the Muses, 2002) expresses it in tingling dramatic scenes laden with pungent (often very funny) dialogue, as she depicts Vincent's growing attachment to his host family, even as Meyer manipulates his new colleague's conversion, and Vincent's past reaches out for him. Not all the plot twists are credible, and it's all probably too long. But it holds your interest, thanks to Prose's deft use of present-tense narration and artful shifting of viewpoints, among Vincent's honestly conflicted need to reinvent himself; Meyer's posturing mixture of selflessness and vanity; Bonnie's vacillations among competence, timidity, and her hunger for love; Danny's obstructed progress toward maturity; and the anger nursed by Vincent's cousin and neo-Nazi mentor Raymond, whoknows Vincent is no saint and means to make him pay for his treachery. An edgy, riveting tale, one of Prose's most interesting. Author tour

Book Details

Published
February 1, 2006
Publisher
HarperCollins Publishers
Pages
448
Format
Paperback
ISBN
9780060560034

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