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Book cover of Aesop's Fables
Legends, Myths & Fables - General & Miscellaneous, Greek & Roman Mythology, Fiction - General & Miscellaneous

Aesop's Fables

by Brad Sneed
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Overview

Brad Sneed brings his zany and creative talents to the world of Aesop. In his signature style of tricky perspectives, amusing exaggerations, and rich, delicate watercolors, his animal characters are beautifully realistic and yet humorously human, as they mimic a wide range of human feelings . . . and foibles.

The stories of Aesop have been told and retold over the centuries; in his lively adaptation Brad Sneed updates the language and infuses these fifteen stories with a sense of humor that children will enthusiastically enjoy. And once again, as in his popular alphabet book Picture a Letter, Brad has included a wordless bonus for sharp-eyed readers of all ages-a sixteenth tale told only in pictures is hidden somewhere between the covers.

An illustrated collection of traditional moral tales from the Greek slave Aesop.

Synopsis

* Mp3 CD Format *. Aesop, an ancient Greek poet who was sold into slavery in the early sixth century B.C, relied on animal stories to convey his key points to his masters in court. AESOP'S FABLES are now classic, memorable morality plays in which amusing animal characters drive home thought-provoking morals to generations of listeners and modern day readers. They illustrate what was fundamental to Greek culture yet their appeal lies in logic we still understand.

Publishers Weekly

Hague brings his signature nostalgic, intricately detailed style to 13 of Aesop's moral tales. Ages 4-8. (Sept.) Copyright 1999 Cahners Business Information.

About the Author, Brad Sneed

Laura Gibbs completed her M.Phil. in European Literature at St Antony's College, Oxford and her Ph.D. in Comparative Literature at the University of California at Berkeley. She has also studied and taught at the Centre for the Study of Anthropology and the Ancient World at the University of Siena in Italy. She is currently employed as a specialist in academic computing at the University of Oklahoma where she is developing Latin and Greek teaching tools for use on the Internet.

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Editorials

Publishers Weekly - Publisher's Weekly

Hague brings his signature nostalgic, intricately detailed style to 13 of Aesop's moral tales. Ages 4-8. (Sept.) Copyright 1999 Cahners Business Information.

Publishers Weekly - Publisher's Weekly

In her first book, German artist Drr uses pencil and charcoal to illustrate a particularly imaginative selection of 17 classic fables. Although many entries are familiar, Thuswaldner makes room for more unusual choices. In "A Dress for the Moon,'' for example, the moon's mother complains of the moon's ever-changing size, which makes her "the despair of the very best of dressmakers!'' The retellings are graceful and, true to Aesop, do not tack on any aphoristic morals. With its sophisticated design, however, the volume lacks child appeal. Sketchy and airy, the art is more conceptual than purely narrative; the duotone presentation may obscure the visual transitions between many of the spreads. Color remains the province of the type, printed in a distractingly bright, tomato red that seems almost to vibrate against the stark white paper. All ages.

Publishers Weekly

A host of anthologies gather favorites old and new. In Aesop's Fables, Saviour Pirotta retells eight of the fables in the voice of Aesop himself ("My fables are short and simple. They are mostly about animals and simple country folk"). Richard Johnson illustrates most of the tales with one full-page, full-bleed painting and a smattering of spot art. A dramatic image of the lion caught in the net as the mouse attempts to free him is especially effective. Copyright 2005 Reed Business Information.

Children's Literature

Eight fables are expanded and developed into short stories with settings in Ancient Greece. A fictitious Aesop introduces himself in a conversational tone at the beginning of the book. He continues his chat with the reader as he introduces each of the tales with the description of a possible incident that could have inspired the moral of the story. "The Cat's Bell" features disgruntled mice sharing grievances about the farm cat before they devise a solution that none will put into action. The familiar mouse that saves the lion is given a family of eight children to help chew through the net that encases the lion. A wolf wisely chooses freedom over the possible pleasures of being a pet dog. Of course, the farmer kills the goose that lays golden eggs, thus losing his good fortune. The stork evens the score with the fox when invited to dinner. The tortoise reminds the hare (and the reader) that "Slow and steady wins the race." The foolish frogs discover that they had been much better off without a king. And a jay learns that peacock feathers do not transform him into a fine bird. Colorful, whimsical illustrations depict people and animals in Ancient Greece as gracious and joyful. An engaging introduction to these timeless tales. 2005, Kingfisher, Ages 7 to 11.
β€”Phyllis Kennemer, Ph.D.

Children's Literature - Deborah Zink Roffino

Classics like "The Town Mouse and the Country Mouse," "The Fox and the Grapes," "The Hare and the Tortoise," "The Crow and the Pitcher," and "The Lion and the Mouse" are included in this medley of thirteen of famous tales. Soft, detailed watercolors in muted shades are saturated with details that add to each story. The moral is clearly stated after each fable. The simplicity makes this edition perfect for teaching youngsters the tricks to constructing fables.

School Library Journal

A volume that is imbued with a decidedly European sensibility. The 17 selections range from the familiar "The Town Mouse and the Country Mouse" 'to those that rarely find their way into American anthologies, e.g., "The Empty Head'' and "A Dress for the Moon.'' The fables are retold in a matter-of-fact style and are illustrated with large-scale pencil drawings. Drr is adept at depicting animals' forms, but her humans are slightly awkward. Also, in spite of some endearing scenese.g., a full-front closeup of the tortoise heading over the finish lineall of the characters remain objectified and distant. Perhaps the most disturbing quality of the art is that there is no moisture, sparkle, or sign of life within the creatures' eyes. With so many Aesop collections available, the need for this one is limited.

School Library Journal

Gr 1-5-Each of these eight fables is presented in a two-part format. The first part consists of a wordy introduction in which "Aesop" explains the meaning and possible context of the tale and relates it to his own life as a freed Athenian slave. Several of the selections, such as "The Frogs That Wanted a King" and "The Jay and the Peacocks," are not often anthologized. Each telling contains descriptions of the setting, extensive dialogue, and rounded-out motivation. Unfortunately, the resulting long-windedness violates the pithiness of the genre. "The Lion and the Mouse" comes in at over eight pages. The preface makes clear what advice the ensuing selection will impart; the final paragraph of the narrative emphasizes the upcoming lesson, and a neatly framed moral is appended. This triple treatment leaves nothing to chance or children's ability to interpret meaning. However, Johnson's richly toned paintings in a pleasing variety of shapes grace the pages with lively animal and human activity. Three times as many fables in a quarter of the words appear in Ver-nica Uribe's Little Book of Fables (Groundwood, 2004), while Helen Ward's grand retelling of a dozen tales in Unwitting Wisdom (Chronicle, 2004) features more subtly designed illustrations that embellish the stories' content.-Susan Hepler, Burgundy Farm Country Day School, Alexandria, VA Copyright 2005 Reed Business Information.

Kirkus Reviews

A wordless rendition of "The Tortoise and the Hare" on covers, endpapers, and title spread surrounds 15 more retold fables, with morals appended. Sneed mixes such usual suspects as "Town Mouse and the Country Mouse," "Ant and the Grasshopper," and "Belling the Cat" with less-familiar tales of creatures canny or otherwise, such as "The Tortoise and the Eagle" and "The Caged Bird and the Bat." He renders each in a breezy vernacular-"Listen up, everyone, this is Jupiter, Supreme Being, Head Honcho, Ruler of All Things. I have an important announcement for my fine feathered citizens"-that just suits his spread-filling close-ups of dismayed or triumphant-looking crows, foxes, mice, insects, and roosters. Aesops abound, but few present the Lessons with such pervasive lightheartedness-and Sneed keeps any violence in the tales far-offstage. (Folktales. 6-8)

From Barnes & Noble

Touched with passion, humor, & life, here are Aesop's wonderful animals & the messages of their feats & foibles, illustrated in beautiful full-color paintings. Includes "The Fox & the Grapes," "The Hare & the Tortoise," others. 10" x 13". All ages

Book Details

Published
September 1, 2003
Publisher
Penguin Group (USA)
Pages
40
Format
Hardcover
ISBN
9780803727519

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