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Overview
Mel Gibson's The Passion of the Christ topped box office charts and changed the American religious conversation. The controversies it raised remain unsettled. In After The Passion Is Gone: American Religious Consequences, leading scholars of religion and theology ask what Gibson's film and the resulting controversy reveal about Christians, Jews, and the possibilities of interreligious dialogue in the United States. Landres and Berenbaum's collection moves beyond questions of whether or not the film was faithful to the gospels, too violent, or antisemitic and explores why the debate focused on these issues but not others. The public discussion of The Passion shed light on a wide range of American attitudes—evangelical Protestant, mainline Protestant, Roman Catholic, and Jewish—about media and faith, politics and history, Jesus and Judaism, fundamentalism and victimhood. After The Passion Is Gone takes a unique view of vital points in Christian-Jewish relations and contemporary American religion.
Synopsis
Mel Gibson's The Passion of the Christ topped box office charts and changed the American religious conversation. The controversies it raised remain unsettled. In After 'The Passion' Is Gone: American Religious Consequences, leading scholars of religion and theology ask what Gibson's film and the resulting controversy reveal about Christians, Jews, and the possibilities of inter-religious dialogue in the United States.
Editorials
Journal Of Religion & Society
Amid the astonishing abundance of public commentary on Mel Gibson's film, The Passion of the Christ, this collection of essays is noteworthy for presenting a rich and varied selection of religious, historical, cultural, and artistic perspectives, thus expanding the possibilities for fruitful reflection and dialogue.Journal of Religion and Popular Culture
After The Passion is Gone . . . will appeal and prove useful to various audiences. The overall lack of disciplinary jargon, the lucid explanations given to the issues addressed in the individual essays, and the diverse perspectives from which the subject matter is engaged make this book accessible to scholars from various fields and to a more general readership. Students of religion and culture will find this book particularly helpful as an example of how religion and popular culture can engage each other from a variety of perspectives and for showing the complexity of the relationship between the two.— Hollis D. Phelps IV, Claremont Graduate University