Allusion to the Poets

Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers—especially but not exclusively poets—make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.

Christopher Ricks is among the best known living critics. His third collection of essays, several newly written for this book, is strongly focused on the theme of how writers—especially but not exclusively poets—make use of other writers' work: from the subtle courtesies of different kinds of allusion to the extreme discourtesy of plagiarism.

Professor Christopher Ricks is Warren Professor of the Humanities at Boston University and co-director of the Editorial Institute. He has taught at Boston University since 1986; he was formerly King Edward VII Professor of English Literature at the University of Cambridge. He is the general editor of two series, Penguin English Poets and Poets in Translation, and the co-editor of Essays in Criticism. In 2002 he will deliver the Panizzi Lectures in Bibliography at the British Library.
Ricks's books include:
(ed.) The Oxford Book of English Verse (OUP 1999)
Essays in Appreciation (OUP 1996)
(ed.) Inventions of the March Hare : Poems 1909-1917 by T. S. Eliot (Fabers 1996)
Beckett's Dying Words: The Clarendon Lectures, 1990 (OUP 1993)
(ed.) Longman annotated poets: Tennyson (Longman 1989)
T.S. Eliot and Prejudice (Fabers 1988)
(ed.) The New Oxford Book of Victorian Verse (1987),
The Force of Poetry (OUP 1984)
Keats and Embarrassment (OUP 1974)
English Drama to 1710 (OUP 1971)#
Milton's Grand Style (OUP 1963)