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Overview
A remarkable, intense portrait of the robotic subculture and the challenging quest for robot autonomy.
The high bay at the Robotics Institute at Carnegie Mellon University is alive and hyper night and day with the likes of Hyperion, which traversed the Antarctic, and Zoe, the world’s first robot scientist, now back home. Robot Segways learn to play soccer, while other robots go on treasure hunts or are destined for hospitals and museums. Dozens of cavorting mechanical creatures, along with tangles of wire, tools, and computer innards are scattered haphazardly. All of these zipping and zooming gizmos are controlled by disheveled young men sitting on the floor, folding chairs, or tool cases, or huddled over laptops squinting into displays with manic intensity. Award-winning author Lee Gutkind immersed himself in this frenzied subculture, following these young roboticists and their bold conceptual machines from Pittsburgh to NASA and to the most barren and arid desert on earth. He makes intelligible their discoveries and stumbling points in this lively behind-the-scenes work.
Synopsis
“A crazy suspense story about these kids at Carnegie Mellon and their leader making robots . . . fascinating stuff.” —Jon Stewart
Publishers Weekly
Gutkind (In Fact) spent six years as a self-described "fly on the wall" at Carnegie Mellon's Robotics Institute, watching a group of scientists-mostly grad students-try to develop human movement and decision-making capabilities. The machines he encountered came in a variety of shapes and sizes, from dog-shaped toys programmed to play soccer to a Hummer equipped with sensors that enable it to drive itself. As that Hummer indicates, the institute's research isn't confined to the lab: Gutkind follows his roboticists to abandoned mine shafts and the northern edges of Chile, where they use the world's driest desert to test machines developed to find signs of life on the surface of Mars. Gutkind's reporting captures the individual quirks of the scientists-like one researcher who only shaves on Sundays to save time during the week for his research-but his low-key tone can mute the excitement of their successes, especially given the fail-fix-try-again nature of most of their projects. Yet even though his story lacks the drive of books like Soul of a New Machine or Hackers, it gives a solid sense of what's going on in the field. 15 illus. (Mar.) Copyright 2006 Reed Business Information.
Editorials
Pittsburgh Post-Gazette
A compelling account that reveals how far [roboticists] have come, but how far they have yet to travel to create machines with human sensibilities and gumption.— David TemplePublishers Weekly
Gutkind (In Fact) spent six years as a self-described "fly on the wall" at Carnegie Mellon's Robotics Institute, watching a group of scientists-mostly grad students-try to develop human movement and decision-making capabilities. The machines he encountered came in a variety of shapes and sizes, from dog-shaped toys programmed to play soccer to a Hummer equipped with sensors that enable it to drive itself. As that Hummer indicates, the institute's research isn't confined to the lab: Gutkind follows his roboticists to abandoned mine shafts and the northern edges of Chile, where they use the world's driest desert to test machines developed to find signs of life on the surface of Mars. Gutkind's reporting captures the individual quirks of the scientists-like one researcher who only shaves on Sundays to save time during the week for his research-but his low-key tone can mute the excitement of their successes, especially given the fail-fix-try-again nature of most of their projects. Yet even though his story lacks the drive of books like Soul of a New Machine or Hackers, it gives a solid sense of what's going on in the field. 15 illus. (Mar.) Copyright 2006 Reed Business Information.Library Journal
Godfather of creative nonfiction, Gutkind (English, Univ. of Pittsburgh; In Fact: The Best of Creative Nonfiction) narrates a tour deep underground into the creative subculture of robotics research and development. Drawing on years of observational curiosity at Carnegie Mellon's Robotics Institute, both in the lab and in the field, Gutkind explores the people and ideas behind machines developed to do the impossible: operate autonomously. This so-called bleeding-edge robotics is illuminated through stories of success and failure, tension between engineers developing bodies and the coders programming their artificial intelligence, motivational cross-pollination between seasoned veterans and young grad students, and performance tests chock-full of moments of elation and depression. Readers are given a strong sense of the drama inherent in the discipline, whether advancing incrementally or by leaps and bounds. Because the book at times reads either like marketing material for Carnegie Mellon's robotics program or a "blook," i.e., a blog made into a book, interest is not always sustained. Recommended as inspirational reading for robotics practitioners, whether high school students, grad students, faculty, or practicing professionals.
—James A. Buczynski, Seneca Coll. of Applied Arts & Technology, Toronto