Overview
In 2006, comics legend Harvey Pekar brought his unflinching tales of ordinary life to Vertigo with an all-new run of AMERICAN SPLENDOR, the comic that, 30 years earlier, rose "from the streets of Cleveland" and changed how we look at comics. Often imitated but never duplicated, Pekar proved that he still has the power to "make mundane reality seem like the highest drama" (Entertainment Weekly) in his critically acclaimed Vertigo series.Now, Harvey Pekar is back with an all-new volume of AMERICAN SPLENDOR, featuring his funniest, most poignant, somber and uplifting stories from the complex life of an ordinary man.
Once again, AMERICAN SPLENDOR pairs Harvey with some of the most exciting, innovative artists currently in comics, including David Lapham (YOUNG LIARS, Stray Bullets), Darick Robertson (THE BOYS), Chris Weston (THE FILTH, Fantastic Four), Dean Haspiel (THE QUITTER, THE ALCOHOLIC), Warren Pleece (INCOGNEGRO), longtime Pekar collaborators Greg Budgett and Gary Dumm, and other luminaries from both the mainstream and indie worlds.
Synopsis
In 2006, comics legend Harvey Pekar brought his unflinching tales of ordinary life to Vertigo with an all-new run of AMERICAN SPLENDOR, the comic that, 30 years earlier, rose "from the streets of Cleveland" and changed how we look at comics. Often imitated but never duplicated, Pekar proved that he still has the power to "make mundane reality seem like the highest drama" (Entertainment Weekly) in his critically acclaimed Vertigo series.
Now, Harvey Pekar is back with an all-new volume of AMERICAN SPLENDOR, featuring his funniest, most poignant, somber and uplifting stories from the complex life of an ordinary man.
Once again, AMERICAN SPLENDOR pairs Harvey with some of the most exciting, innovative artists currently in comics, including David Lapham (YOUNG LIARS, Stray Bullets), Darick Robertson (THE BOYS), Chris Weston (THE FILTH, Fantastic Four), Dean Haspiel (THE QUITTER, THE ALCOHOLIC), Warren Pleece (INCOGNEGRO), longtime Pekar collaborators Greg Budgett and Gary Dumm, and other luminaries from both the mainstream and indie worlds.
Publishers Weekly
The most recent volume of Pekar's autobiographical anecdotes about the nonevents of his life is so self-reflexive it threatens to swallow its own tail. Pekar has been writing American Splendor comics for well over 30 years, but as they've become a bigger part of his life, they've also become the subject of more of his stories. Many of the several dozen short pieces here at least touch on the process of working on his comics-a few are even variations on the groan-worthy "what am I going to write a story about? I know-I'll write about having to come up with a story!" formula. The book's artists, as usual, are decent to excellent-Pekar's got a fine eye for collaborators. Darwyn Cooke and Rick Geary contribute stylish short strips, and The Boys artist Darick Robertson is a particularly good match with his fine-lined, detailed facial expressions. A few strips are prime Pekar, observant and witty, especially a David Lapham-drawn piece in which he's pleased to discover "a hard-working, humane, knowledgeable barber"; he's also starting to explore the physical difficulties of aging in some stories. Too often, though, this volume simply rambles, with Pekar casting himself as a grouch talking to himself about talking to himself. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.Editorials
Publishers Weekly
The most recent volume of Pekar's autobiographical anecdotes about the nonevents of his life is so self-reflexive it threatens to swallow its own tail. Pekar has been writing American Splendor comics for well over 30 years, but as they've become a bigger part of his life, they've also become the subject of more of his stories. Many of the several dozen short pieces here at least touch on the process of working on his comics-a few are even variations on the groan-worthy "what am I going to write a story about? I know-I'll write about having to come up with a story!" formula. The book's artists, as usual, are decent to excellent-Pekar's got a fine eye for collaborators. Darwyn Cooke and Rick Geary contribute stylish short strips, and The Boys artist Darick Robertson is a particularly good match with his fine-lined, detailed facial expressions. A few strips are prime Pekar, observant and witty, especially a David Lapham-drawn piece in which he's pleased to discover "a hard-working, humane, knowledgeable barber"; he's also starting to explore the physical difficulties of aging in some stories. Too often, though, this volume simply rambles, with Pekar casting himself as a grouch talking to himself about talking to himself. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.