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Overview
Tragic, comic, outrageous—these fifteen tales from international bestselling author Jeffrey Archer showcase his remarkable talent for capturing an unforgettable moment in time…
In India, in “Caste-Off,” a man and woman fall in love while waiting for a traffic light to turn green on the streets of Delhi…
From Germany comes “A Good Eye,” about a priceless oil painting that has remained in the same family for over two hundred years, until...
To the Channel Islands and “Members Only,” where a golf ball falls out of a Christmas cracker, and a young man’s life will never be the same...
To Italy and “No Room at the Inn,” where a young man who is trying to book a hotel room ends up in bed with the receptionist, unaware that she...
To England, where, in “High Heels,” a woman has to explain to her husband why a pair of designer shoes couldn’t have gone up in flames...
Editorials
Publishers Weekly
Bestseller Archer assembles 15 more of the clever stories for which he is known. They are split between tales of trickery, as with "Stuck on You," where an eager young man is played by a diamond thief, and decidedly sentimental stories, such as "Members Only," about a man who wants nothing more than to join a private country club. Archer marks with an asterisk stories that are based on true incidents (10 in this collection), and whether it is the weight of credibility these stories' genesis lends or if the author works better with some starting material, the entirely imagined stories are also the weakest. "Politically Correct" never gets out of the shallows in its attempt to be provocative, and "Better the Devil You Know," with its evil executive making a deal with the devil (aka Mr. De Ath), is silly even for this author, who usually writes with a winningly light touch. Still, Archer's writing exudes a certain charm and is mostly satisfying. His trademark twists--sometimes a surprise to the reader, sometimes not--and genial tone will endear these mostly cozy stories to his many fans. (Sept.)Library Journal
Archer's bibliography contains 18 novels, three plays, and, with this newest title, six short story collections. During his recent travels, Archer, inevitably aware that short stories have their root in oral storytelling, gathered these colorful anecdotes, then spun them into whimsical tales. His refined characterization, penchant for British history, and trademark inclusion of cunning twists typify these 15 tales, three of which he situates outside the British Isles. However, although readers have been drawn to his works for over 30 years, reviewers panned his most recent novel, Paths of Glory, for its excessive fictionalization of history. Likewise, critics of his previous stories anticipated a future Cheever or Fitzgerald; this collection may diminish their optimism. Here, awaiting the upcoming twist upon which hangs each tale also requires absorption of excessive plot developments. Archer is now in his 70s and has written for over 34 years; his noted style seems tedious and worn.Verdict For appreciative short story readers as well as for comprehensive, contemporary short story collections.—Jerry P. Miller, Cambridge, MAKirkus Reviews
A collection of O. Henry–esque stories from British author Archer (Sons of Fortune, 2003, etc.).
The prolific author of novels, plays and screenplays returns to the story format with this book of whimsical, sometimes ironic pieces. Some work, some don't, but even the least of these is entertaining. The title, taken from a line penned by Shakespeare, sets up the premise of the book, which opens with the tale of a young man betrothed to a beautiful woman who is clearly above his station. After he successfully proposes, she in turn proposes an endeavor that tests their relationship, as well as his mettle. This story, like the others, is designed to give the reader a bit of an O. Henry moment and hinges on the idea that nothing is as it seems. "Better the Devil You Know" is a particularly satisfying tale in which an evil, ailing corporate mogul is given a second chance at life, while an innocent pays the price. In the end, though, true to Archer's theme, someone gets an unexpected and unpalatable comeuppance. There is nothing in this collection that will stick with readers once the covers close. It's not great art, but it is great, slightly old-fashioned entertainment, marked by simplicity and unpretentiousness—that's good enough to turn someone who doesn't normally read short stories into a fan of the genre.
This is the ideal book to pop into a bag or keep in the car and carry to pass the time, since the stories are short, easy to read and simple.