Overview
Soup cans! Dollar bills! Movie stars! Paint by numbers! Is it art? Yes! Andy Warhol's art.Following award-winning artist biographies Degas and the Dance, Toulouse-Lautrec, and Cezanne, an exciting new book from Abrams Books for Young Readers looks at Andy Warhol. A leader of the American art movement known as Pop, short for "popular culture," Warhol changed the way we think of art. Assisted by photographs taken of Warhol throughout his life, and examples of his early drawings and best-known works, Susan Goldman Rubin traces his rise from poverty to wealth, and from obscurity to fame.
After attending art school in Pittsburgh, Warhol started a career as a commercial artist in New York, and quickly won acclaim for his creative advertisements. When he turned to "real" painting, he used his background in commercial illustration and blurred the line between high and low art.
Some critics have said that Warhol's pictures of Campbell's soup cans and Coca-Cola bottles represent American life. But Warhol said, "I just paint those objects in my paintings because those are the things I know best. I think of myself as an American artist." Warhol's unique images will appeal to young readers, and inspire them to see the world around them in new ways.
Synopsis
Soup cans! Dollar bills! Movie stars! Paint by numbers! Is it art? Yes! Andy Warhol's art.
Following award-winning artist biographies Degas and the Dance, Toulouse-Lautrec, and Cezanne, an exciting new book from Abrams Books for Young Readers looks at Andy Warhol. A leader of the American art movement known as Pop, short for "popular culture," Warhol changed the way we think of art. Assisted by photographs taken of Warhol throughout his life, and examples of his early drawings and best-known works, Susan Goldman Rubin traces his rise from poverty to wealth, and from obscurity to fame.
After attending art school in Pittsburgh, Warhol started a career as a commercial artist in New York, and quickly won acclaim for his creative advertisements. When he turned to "real" painting, he used his background in commercial illustration and blurred the line between high and low art.
Some critics have said that Warhol's pictures of Campbell's soup cans and Coca-Cola bottles represent American life. But Warhol said, "I just paint those objects in my paintings because those are the things I know best. I think of myself as an American artist." Warhol's unique images will appeal to young readers, and inspire them to see the world around them in new ways.
Publishers Weekly
Rubin (Margaret Bourke-White) emphasizes child-friendly angles on Andy Warhol in this glancing biography. She focuses on Warhol's underappreciated art-school genius, his enthusiasm for drafting fashion spreads of shoes, his prolific Siamese cats and his pop culture fixations. Rubin frequently cites Warhol's Carnegie Tech classmate Leonard Kessler, a children's author and artist who thought Warhol might one day "teach, work with young children." She quotes affectionate childhood memories of Warhol nephew James Warhola, who created the more intimate picture book Uncle Andy's: A Faabbbulous Visit with Andy Warhol; without elaboration, she takes up Interview editor Bob Colacello's remark that "children were drawn to Andy." Brief anecdotes treat Warhol's idiosyncrasies as youthful rather than disturbing: he lugs around an enormous teddy bear, compares the nonstop party of the Factory to "a children's TV program" and creates giant paintings of "his favorite cartoon characters: Dick Tracy, Superman and Popeye. `They were the things I knew,' he said." Warhol's Pop experimentation is attributed to whimsy: "as a reaction to the Abstract Expressionists, [Warhol] created work with a greater sense of fun"; questioned as to why he painted Campbell's soup cans, Warhol remarked, "They're things I had when I was a child." The glossy pages-including a vague timeline-feature blocky layouts, iconic Warhol images, documentary photos and text printed on solid backgrounds of fuchsia, intense yellow, rich lavender and neon green. Like the artist's famous silkscreens (minus the irony), this squeaky-clean biography is all surface. Rubin offers safe, evasive commentary on a complicated person. Ages 8-12. (Nov.) Copyright 2006 Reed Business Information.