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Overview
"Sister Evangeline was just a girl when her father entrusted her to the Franciscan Sisters of Perpetual Adoration in upstate New York. Now, at twenty-three, her discovery of a 1943 letter from the famous philanthropist Abigail Rockefeller to the late mother superior of Saint Rose Convent plunges Evangeline into a secret history that stretches back a thousand years: an ancient conflict between the Society of Angelologists and the monstrously beautiful descendants of angels and humans, the Nephilim." "For the secrets the Rockefeller letters guard are desperately coveted by the once-powerful creatures who aim to perpetuate war, subvert the good in humanity. Almost since human civilization began, these uncommonly tall, fair figures have moved undetected behind the seats of power throughout the world and have been tracked in stealth by generations of angel scholars - the angelologists - who have devoted their lives to stopping them. This mission is steeped in a reality shadowed by the divine supernatural. It haunts every corridor of Evangeline's Hudson River abbey, pierces the innocent world of an art historian's research, and casts architectural treasures in Paris and New York in an astonishing new light. All the while, deep in a Bulgarian mountain cavern, the Nephilim's angelic forefathers illuminate the stalactite bars of their prison with a radiance of an altogether different sort - a perpetual glow that is a deadly as it is irresistible." "As Evangeline learns how these realms connect to the correspondence she's found, she comes into knowledge of the role she herself is destined to play in this ancient clash reignited - and of how her Parisian grandmother, one of the greatangelologists, intends to prevent catastrophic defeat on the eve of the new millennium." Angelology blends biblical lore, the myth of Orpheus and the Miltonic visions of Paradise Lost into a riveting tale of ordinary people engaged in a battle that will determine the fate of the world.
Synopsis
A thrilling epic about an ancient clash reignited in our time- between a hidden society and heaven's darkest creatures There were giants in the earth in those days; and also after that, when the sons of God came in unto the daughters of men, and they bore children to them. Genesis 6:5 Sister Evangeline was just a girl when her father entrusted her to the Franciscan Sisters of Perpetual Adoration in upstate New York. Now, at twenty-three, her discovery of a 1943 letter from the famous philanthropist Abigail Rockefeller to the late mother superior of Saint Rose Convent plunges Evangeline into a secret history that stretches back a thousand years: an ancient conflict between the Society of Angelologists and the monstrously beautiful descendants of angels and humans, the Nephilim. For the secrets these letters guard are desperately coveted by the once-powerful Nephilim, who aim to perpetuate war, subvert the good in humanity, and dominate mankind. Generations of angelologists have devoted their lives to stopping them, and their shared mission, which Evangeline has long been destined to join, reaches from her bucolic abbey on the Hudson to the apex of insular wealth in New York, to the Montparnasse cemetery in Paris and the mountains of Bulgaria. Rich in history, full of mesmerizing characters, and wondrously conceived, Angelology blends biblical lore, the myth of Orpheus and the Miltonic visions of Paradise Lost into a riveting tale of ordinary people engaged in a battle that will determine the fate of the world.
Publishers Weekly
Trussoni's complex and intricately plotted novel about an epic war between mortals and angels is, despite the heroic efforts of Susan Denaker, an unholy mess in the audio version. What readers relished--the labyrinthine plot, the accretion of suspense--becomes a morass of agonizingly slow description, invented mythologies, and a needlessly protracted setup. Sister Evangeline, a secretary at an upstate New York convent, receives a mysterious letter directing her to an artifact that is sought by a Nephilim--the offspring of a mortal and an angel--who is desperate to possess its power. Denaker proves her versatility in creating the diverse cast, but her melodic singsong cannot salvage the audiobook from tedium. Fans of The Da Vinci Code eager to give this one a listen should be directed to the hardcover. A Viking hardcover (Reviews, Jan. 25). (Mar.)
Editorials
Publishers Weekly
A covert age-old war between angels and humans serves as the backdrop for Trussoni’s gripping tale of supernatural thrills and divine destinies. Sister Evangeline, the secretary who handles all inquiries concerning the archives of angel arcana at an upstate New York convent, receives a letter from researcher V.A. Verlaine inquiring about an unknown link between the convent and philanthropist Abigail Rockefeller dating to 1943. It turns out that the Rockefellers were interested in a legendary artifact associated with an order of fallen angels. That priceless artifact is coveted by Verlaine’s employer, Percival Grigori, a Nephilim—offspring of the union between mortal and angel parents—who will stop at nothing to retrieve it for the awesome power it will give his race over humanity. Trussoni (Falling Through the Earth) anchors this fanciful dark fantasy to a solid foundation built from Catholic church history, biblical exegesis, and apocryphal texts. Suspenseful intrigues and apocalyptic battle scenes give this complexly plotted tale a vigor and vitality all the more exciting for its intelligence. 9-city author tour. (Mar.)The New York Times
Sensual and intellectual, Angelology is a terrifically clever thriller—more [Umberto] Eco than [Dan] Brown, without the cloudy sentimentalism of New Age encomiums or Catholic treatises.Susann Cokal
…an elegantly ambitious archival thriller in which knowledge dwells in the secret underground places, labyrinthine libraries and overlooked artifacts that have been hallmarks of the genre from The Name of the Rose and Possession to Angels and Demons and The Historian. Angelology is richly allusive and vividly staged, with widescreen-ready visuals, a dewy but adaptable heroine and a dashingly cruel villain…a terrifically clever thriller—more [Umberto] Eco than [Dan] Brown, without the cloudy sentimentalism of New Age encomiums or Catholic treatises.—The New York Times