Assassination Vacation
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Overview
Sarah Vowell exposes the glorious conundrums of American history and culture with wit, probity, and an irreverent sense of humor. With Assassination Vacation, she takes us on a road trip like no other β a journey to the pit stops of American political murder and through the myriad ways they have been used for fun and profit, for political and cultural advantage.
From Buffalo to Alaska, Washington to the Dry Tortugas, Vowell visits locations immortalized and influenced by the spilling of politically important blood, reporting as she goes with her trademark blend of wisecracking humor, remarkable honesty, and thought-provoking criticism. We learn about the jinx that was Robert Todd Lincoln (present at the assassinations of Presidents Lincoln, Garfield, and McKinley) and witness the politicking that went into the making of the Lincoln Memorial. The resulting narrative is much more than an entertaining and informative travelogue β it is the disturbing and fascinating story of how American death has been manipulated by popular culture, including literature, architecture, sculpture, and β the author's favorite β historical tourism. Though the themes of loss and violence are explored and we make detours to see how the Republican Party became the Republican Party, there are all kinds of lighter diversions along the way into the lives of the three presidents and their assassins, including mummies, show tunes, mean-spirited totem poles, and a nineteenth-century biblical sex cult.
Synopsis
Sarah Vowell exposes the glorious conundrums of American history and culture with wit, probity, and an irreverent sense of humor. With Assassination Vacation, she takes us on a road trip like no other--a journey to the pit stops of American political murder and through the myriad ways they have been used for fun and profit, for political and cultural advantage.
From Buffalo to Alaska, Washington to the Dry Tortugas, Vowell visits locations immortalized and influenced by the spilling of politically important blood, reporting as she goes with her trademark blend of wisecracking humor, remarkable honesty, and thought-provoking criticism. We learn about the jinx that was Robert Todd Lincoln (present at the assassinations of Presidents Lincoln, Garfield, and McKinley) and witness the politicking that went into the making of the Lincoln Memorial. The resulting narrative is much more than an entertaining and informative travelogue--it is the disturbing and fascinating story of how American death has been manipulated by popular culture, including literature, architecture, sculpture, and--the author's favorite--historical tourism.
Though the themes of loss and violence are explored and we make detours to see how the Republican Party became the Republican Party, there are lighter diversions into the lives of the three presidents and their assassins, including mummies, show tunes, mean-spirited totem poles, and a nineteenth-century biblical sex cult.
The New York Times - Bruce Handy
Having made the commercially courageous decision to avoid the catnip that is the Kennedy name, Vowell restricts her gaze to America's first three presidential murders: those of Abraham Lincoln, Garfield and William McKinley. Mixing travelogue, history, personal essay and social criticism, she follows the loose formula perfected in two previous collections of magazine pieces and adapted versions of her appearances on public radio's ''This American Life,'' where she is a regular.
Editorials
From Barnes & Noble
Bestselling essayist and NPR contributor Sarah Vowell applies her charming, contrarian wit to an unlikely subject, as she leads us on a quirky tour of sites across the country associated with the assassinations of Presidents Lincoln, Garfield, and McKinley. Along the way, she examines the landscape of American violence and unearths surprising connections between tourism and political murder.Bruce Handy
Having made the commercially courageous decision to avoid the catnip that is the Kennedy name, Vowell restricts her gaze to America's first three presidential murders: those of Abraham Lincoln, Garfield and William McKinley. Mixing travelogue, history, personal essay and social criticism, she follows the loose formula perfected in two previous collections of magazine pieces and adapted versions of her appearances on public radio's ''This American Life,'' where she is a regular.β The New York Times