Autobiography: The Big Sea (The Collected Works of Langston Hughes), Vol. 13

Langston Hughes was among the Harlem Renaissance authors who traveled widely during the 1920s. In the first volume of his autobiography, The Big Sea, covering the years through 1931, Hughes offers recollections of his childhood in Kansas, his high school years in Cleveland, his sojourn with his father in Mexico, and his initial reactions to New York City and Harlem.

Commentaries on the "Black Renaissance" in Harlem and Washington, D.C., are intertwined with recollections of his student years at Lincoln University in Pennsylvania, his travels through the South, and his association as a "younger generation" poet with the New York and Harlem literary establishment represented by the magazines Crisis and Opportunity. Personal memories of Jessie Fauset, Countee Cullen, Jean Toomer, W. E. B. Du Bois, Wallace Thurman, Alain Locke, Carter G. Woodson, Vachel Lindsay, A'Lelia Walker, and others are augmented by allusions to such celebrities as Duke Ellington, Florence Mills, Eubie Blake, Florence Embry, Josephine Baker, Bert Williams, Theodore Dreiser, Ethel Barrymore, and Bessie Smith.

Hughes addresses such controversial issues as his literary and personal disagreements with Zora Neale Hurston over their play Mule Bone, Carl Van Vechten's problematic novel Nigger Heaven, racial matters at Lincoln University, the Jim Crow laws in the South, and the failures of white patronage. Furthermore, Hughes refers to the sources of a blues poetry aesthetic, his visit to Cuba, and the struggle to complete his first novel, Not without Laughter. A rare autobiographical presentation of the Harlem Renaissance from the perspective of an insider, The Big Sea is a veritable catalog of notables. In addition, it offers a "black perspective" on the expatriate life in Europe during the Jazz Age.

In I Wonder as I Wander, Langston Hughes vividly recalls the most dramatic and intimate moments of his life in the turbulent 1930s.

His wanderlust leads him to Cuba, Haiti, Russia, Soviet Central Asia, Japan, Spain (during its Civil War), through dictatorships, wars, revolutions. He meets and brings to life the famous and the humble, from Arthur Koestler to Emma, the Black Mammy of Moscow. It is the continuously amusing, wise revelation of an American writer journeying around the often strange and always exciting world he loves.

Joseph McLaren is Professor of English at Hofstra University in Hempstead, New York. He is the author of Langston Hughes: Folk Dramatist in the Protest Tradition, 1921-1943.