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Synopsis
A collection of poetry about men, women, jazz, and American life.
Publishers Weekly
Troupe heaves a cold, smacking "rush of objects" down an American mountainside of dreams and injustices. A respected chronicler of the lives of James Baldwin and Miles Davis and the son of a prominent Negro league catcher, Troupe (Snake-Back Solos) is an innovator of form and tone who shifts quickly from a lofty, elegiac mode into burlesque or smoky, jazzed-down pop phraseology. He plays on history, "riffin' on in full of rain & pain/ spacin' on in on a sound/ like coltrane." But Troupe also registers history's price, as in repeated images of an old manboth perpetrator and victim"holding his age tight as two opaque roses/ in cataracted eyes." Troupe is still at his best when he indulges in deep, obsessive curves into music: "caaa-rack// the assonance of sound breaking from ground/ breaking away from itself & found in the bounding syllables of snow/ moving now." He writes with unchecked expression, redundant and inclusive. If it were any more laden, Avalanche would be inchoate. Any less would be our loss. (Apr.)