Ava's Man
Rick BraggBooks.org participates in affiliate programs including Bookshop.org and the Amazon Services LLC Associates Program. We may earn a commission from qualifying purchases made through links on this page, at no additional cost to you.
Overview
With the same emotional generosity and effortlessly compelling storytelling that made All Over But the Shoutin’ a national bestseller, Rick Bragg continues his personal history of the Deep South. This time he’s writing about his grandfather Charlie Bundrum, a man who died before Bragg was born but left an indelible imprint on the people who loved him. Drawing on their memories, Bragg reconstructs the life of an unlettered roofer who kept food on his family’s table through the worst of the Great Depression; a moonshiner who drank exactly one pint for every gallon he sold; an unregenerate brawler, who could sit for hours with a baby in the crook of his arm.
In telling Charlie’s story, Bragg conjures up the backwoods hamlets of Georgia and Alabama in the years when the roads were still dirt and real men never cussed in front of ladies. A masterly family chronicle and a human portrait so vivid you can smell the cornbread and whiskey, Ava’s Man is unforgettable.
Charlie Bundrum was a roofer, a carpenter, a whiskey-maker, a fisherman who knew every inch of the Coosa River, made boats out of car hoods and knew how to pack a wound with brown sugar to stop the blood. He could not read, but he asked his wife, Ava, to read him the paper every day so he would not be ignorant. He was a man who took giant steps in rundown boots, a true hero whom history would otherwise have overlooked.
Synopsis
In the decade of the Great Depression, Charlie moved his family twenty-one times, keeping seven children one step ahead of the poverty and starvation that threatened them from every side. He worked at the steel mill when the steel was rolling, or for a side of bacon or a bushel of peaches when it wasn't. He paid the doctor who delivered his fourth daughter, Margaret Bragg's mother with a jar of whiskey. He understood the finer points of the law as it applied to poor people and drinking men; he was a banjo player and a buck dancer who worked off fines when life got a little sideways, and he sang when he was drunk, where other men fought or cussed. He had a talent for living.
His children revered him. When he died, cars lined the blacktop for more than a mile.
Publishers Weekly
In less capable hands, this biography could have been mawkish and mundane. Instead, Bragg's telling of his maternal grandfather's life is eloquent and touching, and his spare prose is alive with fresh metaphors and memorable sentences. Bragg never knew Charlie Bundrum, who died prematurely at age 51 in 1958; the story of this proud, flawed, loving and much-loved hero of Depression-era Appalachia is derived from family and community oral history. Interestingly, this book emerged because readers of Bragg's bestselling book about his mother, Ava (All Over but the Shoutin'), wanted to understand the force that drove her to be such a strong figure. Few actors could have read this work as well as the author has. Bragg's Appalachian accent, slightly polished by Northern living, adds authenticity to the fine, funny and painful anecdotes that made up his grandfather's life and to the feelings each story encompasses. His smooth reading enhances the rhythms and sounds of his prose, rendering with genuine sincerity his deep admiration for his people and for the vanishing culture they represent. Copyright 2001 Cahners Business Information.
Editorials
From Barnes & Noble
The Barnes & Noble ReviewRick Bragg's Ava's Man is a no-blows-spared slice of life in hardscrabble Alabama and Georgia. Powerful and poignant, it will fire hearts and minds. Bragg's mother, Margaret's, self-sacrifice enabled him to become a prize-winning reporter-writer. Here, chronicling the desperately difficult life of her father (his grandfather), the one-of-a-kind Charlie Bundrum, Bragg also demonstrates what shaped his mother's life.
At 16, Charlie Bundrum faced life in the raw. His father, a moonshiner, was on the run; his mother was dead, her death hastened by a badly knit fractured hip. Beanpole Charlie possessed only the clothes he wore. He couldn't read, but through surviving he learned all he needed to know -- and then some. At 17, he married 16-year-old Ava, the steel-willed daughter of a Bible-bound small-time farmer. The prosperous post-WWI years were too few and their children too many to cushion the Bundrums through the Depression; 21 flits followed, milk cow in tow, landlords in pursuit. Life remained precarious until the 1950s, when rising national prosperity eased the family budget.
Into his searing account of Charlie and Ava's survival, Bragg weaves a history of regional folklore. Asides on cock- and dog-fighting, catfish and cornbread, midwives and birthing, and, not least, moonshine, "likkered" men and brutal sheriffs heighten his tale. Resourcefulness is a powerful subtext. Charlie knew what to do and how to do it. Ironically, drinking cost him his victory. He quit too late, dying at 50 in 1958.
Bragg illuminates the courage and dignity of a man who lived to the full, loved by and loving his own -- tough love though it often was. His full-blooded prose sings through hope, joy, and fear. He confirms that a family deemed dirt-poor can have an enviable wealth of spirit, and their hard-won successes match the gilded prizes of the privileged. (Peter Skinner)
Peter Skinner lives in New York City.
Publishers Weekly
In less capable hands, this biography could have been mawkish and mundane. Instead, Bragg's telling of his maternal grandfather's life is eloquent and touching, and his spare prose is alive with fresh metaphors and memorable sentences. Bragg never knew Charlie Bundrum, who died prematurely at age 51 in 1958; the story of this proud, flawed, loving and much-loved hero of Depression-era Appalachia is derived from family and community oral history. Interestingly, this book emerged because readers of Bragg's bestselling book about his mother, Ava (All Over but the Shoutin'), wanted to understand the force that drove her to be such a strong figure. Few actors could have read this work as well as the author has. Bragg's Appalachian accent, slightly polished by Northern living, adds authenticity to the fine, funny and painful anecdotes that made up his grandfather's life and to the feelings each story encompasses. His smooth reading enhances the rhythms and sounds of his prose, rendering with genuine sincerity his deep admiration for his people and for the vanishing culture they represent. Copyright 2001 Cahners Business Information.VOYA
When Bragg first turned his considerable journalistic talent to his family, he provided an unforgettable portrayal of the rural South in All Over but the Shoutin' (Pantheon, 1997). Here Bragg focuses on the life of his maternal grandfather, Charlie Bundrum, who died just one year before the author was born. Readers return to the Deep South during the years of the Great Depression and the legend of what it took to keep family together. Moving his family from place to place to find work, food, and shelter, Charlie was most proud of being a daddy. A roofer by trade, Charlie played and sang to a white-hot banjo, was no stranger to whiskey, and fought for what he felt was right. He is a backwoods tall-tale character at the very least. Bragg's wondrous style is filled with emotion and affection for his family members, the land they inhabited, and the stories they recalled. Although his memoir is recommended to all who enjoyed Bragg's first journey into his family's history, this volume reaches deeper into the heart of southern folk and might be used in cultural studies assignments. What made Charlie Bundrum act is a piece of Americana that Bragg highlights for all readers. Junior and senior high schoolers would benefit from reading this marvelous wit and social history. One might hope that Hollywood finds Bragg also. Photos. VOYA CODES: 4Q 3P J S A/YA (Better than most, marred only by occasional lapses; Will appeal with pushing; Junior High, defined as grades 7 to 9; Senior High, defined as grades 10 to 12; Adult and Young Adult). 2001, Knopf, 259p,— Nancy Zachary