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Synopsis
This book argues that Dylan's work reveals an affinity with the Zen worldview.
Thomas A. Karel - Library Journal
Bob Dylan has assumed many identities in his long career: folk singer, protest singer, rock poet, filmmaker, born-again Christian, bluesman, and radio show host. Now Heine (Florida International Univ.) makes the case for Dylan as Zen Master. Who knew? In a thorough survey and critical analysis of Dylan's lyrics and other writings, Heine examines the shifting worldviews of the man who once wrote "he not busy being born is busy dying." He contrasts the dogmatic Judeo-Christian premise (good vs. evil) in Dylan's songs with a nondualistic view (represented by an awareness of "multiple relativistic truths") that creeps into other songs-and often within the same song ("Nettie Moore," from Modern Times, is a recent example). The book's bulk expands on this thesis and is rich with lyrical exposition, arguing that Dylan's embrace of both worldviews explains his own ever-changing styles and persona. Heine offers a fresh look at Dylan's spiritual side and clearly demonstrates his mastery of Zen Buddhism as well as Dylanology. His book deserves to stand next to other studies of Dylan and religion, such as Stephen Webb's Dylan Redeemed: From Highway 61 to Saved and Scott Marshall's Restless Pilgrim: The Spiritual Journey of Bob Dylan. Recommended for academic libraries.
Editorials
Library Journal
Bob Dylan has assumed many identities in his long career: folk singer, protest singer, rock poet, filmmaker, born-again Christian, bluesman, and radio show host. Now Heine (Florida International Univ.) makes the case for Dylan as Zen Master. Who knew? In a thorough survey and critical analysis of Dylan's lyrics and other writings, Heine examines the shifting worldviews of the man who once wrote "he not busy being born is busy dying." He contrasts the dogmatic Judeo-Christian premise (good vs. evil) in Dylan's songs with a nondualistic view (represented by an awareness of "multiple relativistic truths") that creeps into other songs-and often within the same song ("Nettie Moore," from Modern Times, is a recent example). The book's bulk expands on this thesis and is rich with lyrical exposition, arguing that Dylan's embrace of both worldviews explains his own ever-changing styles and persona. Heine offers a fresh look at Dylan's spiritual side and clearly demonstrates his mastery of Zen Buddhism as well as Dylanology. His book deserves to stand next to other studies of Dylan and religion, such as Stephen Webb's Dylan Redeemed: From Highway 61 to Saved and Scott Marshall's Restless Pilgrim: The Spiritual Journey of Bob Dylan. Recommended for academic libraries.
βThomas A. Karel