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General & Miscellaneous European Art, Baroque Art - General & Miscellaneous
Baroque Art : A Topical Dictionary by Irene Earls β€” book cover

Baroque Art : A Topical Dictionary

by Irene Earls
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Overview

The major topics painted and sculpted during the 17th century are featured here. Baroque artists chose stories not only from the Bible but also from mythology; these are not included in art history texts. In this volume, one finds the primary sources: The Golden Legend, the Bible, Ovid, and Plutarch, to name a few. Each entry concludes with an example of a work depicting the topic under examination (Diana Hunting, Lot and His Daughters, for instance) along with a readily available source where the work is pictured. The only reference of its type for art students, this is a companion piece for the author's earlier work (Greenwood, 1987).

The turbulent 17th century resulted in two main artistic styles: an expressionistic, sensual kind of emotional outpouring and a silent, classical mode of the highest possible decorum. These styles focused on topics that were mostly mythological or religious: maenads, satyrs, and nymphs pouring wine, carrying baskets of flowers, and lounging at a mythological event; angels shown in the heavens or with the characters on earth. Art students until now have not had a single source that attempts to describe the topics of this intensely artistic age with artists as different in approach as Bernini and Rembrandt. Direct quotes from primary sources including the Bible and Ovid enrich the descriptive material. Extensive cross-referencing adds to the user-friendly aspect of the dictionary.

About the Author, Irene Earls

IRENE EARLS, a Professor at the University of Florida, teaches advanced placement Art History to academically gifted high school students.

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Editorials

Library Journal

Very similar in size and format, these dictionaries contain well-written alphabetical entries with a helpful system of cross references. Although no illustrations are included, most entries provide a citation to a randomly chosen pictorial example. Ross (art history, Dominican Coll.) covers early Christian and Byzantine topics under the rubric of medieval art. Following up on her Renaissance Art: A Topical Dictionary (Greenwood, 1987), Earls (art history, Univ. of Florida) tackles the 17th-century European style known as baroque. Both authors aim to help readers quickly comprehend the stories depicted and symbols used within the periods treated, not simply to identify artists and place names. Lists of artists and well-researched bibliographies add to the value of these works. Both would be excellent additions to any public, academic, or special art library's reference collection.Jennifer L.S. Moldwin, Detroit Inst. of Arts Lib.

Booknews

A reference source for identifying and understanding the art of Italy and northern Europe during the 1600s, with basic information about popular subjects of painting, sculpture, and the popular arts during this time. Some common themes include religion, mythology, politics, and literature. Also included are a limited number of entries on characteristic schools, media, techniques, and other terminology one might find in the art history volumes covering this period. Includes ample cross- referencing and several appendices listing popes and artists of the Baroque era. Annotation c. by Book News, Inc., Portland, Or.

Book Details

Published
September 30, 1996
Publisher
Greenwood Publishing Group, Incorporated
Pages
352
Format
Hardcover
ISBN
9780313294068

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