Overview
Eleanor Driscoll, a seventeen-year-old girl, has been horribly burned in a restaurant fire that took the lives of more than four hundred people, including her father. Many people turn away from her face; others make cruel comments. But there are a few special people who look beyond the scars and see the real Eleanor. She has a hard time accepting their friendship. The only person in the world she feels comfortable with is someone she has never met, someone who knows nothing about the scars on her face: Robert Bettencourt. Writing to Robert began as an assignment from her English teacher. "Write to a soldier," Sister Agnes said. It is World War II. Fate assigns her to Robert, who thinks she is warm and bright and funny. But she is afraid to trust him with the truth. Eleanor eventually discovers that the fire may have destroyed her face and body, but it can not destroy the person she is inside.
Editorials
Publishers Weekly
Although this novel is set nearly 60 years ago in the WWII era, readers will have no trouble relating to 17-year-old Eleanor, a girl longing for love and acceptance. Eleanor believes that her life will never be normal again after a tragic fire kills her father and leaves her face permanently scarred. Confronted with mounting bills, her family must sell their house and move to a beachside community where strangers' averted glances are a constant reminder to Eleanor that she is different. The teen finds solace in her correspondence with a soldier who knows nothing of her disfigurement. As the letters become more intimate, however, Eleanor grows uneasy, knowing that the relationship she has built with Cpl. Robert Bettencourt is based on deception. In this compassionately rendered story, Twomey (Charlotte's Choice) eloquently expresses the fluctuating moods of her heroine. Eleanor's despair over her marred skin ("Melted wax, that's what her scars felt like") is as vividly portrayed as her displaced anger at her father for sacrificing his life to save hers. When financial concerns force her to take a job in a pharmacy, Eleanor's willingness to accept herself and trust others grows, slowly and convincingly. Even as readers follow Eleanor's painful trials, they will be inspired by her courage and her unflagging loyalty to newfound friends. Ages 9-12. (Mar.) Copyright 2003 Reed Business Information.Children's Literature
Eleanor Driscoll's once happy life is totally changed. In a terrible fire, Eleanor lost both her father and her pretty face. She is now scarred in body and heart, missing her father and their old life. Mrs. Driscoll, a widow with two children to support, struggles to make ends meet. Eleanor begins to take small and sometimes stumbling steps to regain her life. Overcoming her fear of being stared and talked about, Eleanor gets a job, determined to help her mother out by bringing in some much needed money. Bit by bit she comes of out her shell, making a few friends, gaining confidence. One of Eleanor's biggest joys is to read letters from and write letters to a young man, a soldier about to go to war. Robert becomes more and more important to her and it isn't long before Eleanor has fallen a little in love with the stranger. Eleanor tells Robert everything about her life—the people she meets, her family and what happened to her beloved father. Robert becomes Eleanor's confidant and friend, the one person she can 'talk' to about everything—except about her poor 'melted' face. Only when it's too late does she have the courage to tell Robert about her scars. The author has created a moving and heart-wrenching tale about a young woman trying to reconcile herself with loss and grief. Eleanor has to learn to live with her disfigurement and accept that people will always stare and make comments. She also has to learn how to trust, and to open up to the kind and loving people who see past the scars and love the Eleanor underneath. 'Watching' this brave and lovable girl struggle with life is enriching, and we celebrate with her when she takes the small steps towards recovery and hopefully,happiness. 2003, Boyds Mills Press,— Marya Jansen-Gruber