Beautiful Blackbird

Long ago, Blackbird was voted the most beautiful bird in the forest. The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Black-bird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings -- markings that detail birds to this very day.

Coretta Scott King Award-winner Ashley Bryan's adaptation of a tale from the Ila-speaking people of Zambia reso-nates both with rhythm and the tale's universal meanings -- appreciating one's heritage and discovering the beauty within. His cut-paper artwork is a joy.

In a story of the Ila people, the colorful birds of Africa ask Blackbird, whom they think is the most beautiful of birds, to decorate them with some of his "blackening brew."

Long ago, Blackbird was voted the most beautiful bird in the forest. The other birds, who were colored red, yellow, blue, and green, were so envious that they begged Blackbird to paint their feathers with a touch of black so they could be beautiful too. Although Black-bird warns them that true beauty comes from within, the other birds persist and soon each is given a ring of black around their neck or a dot of black on their wings -- markings that detail birds to this very day.

Coretta Scott King Award-winner Ashley Bryan's adaptation of a tale from the Ila-speaking people of Zambia reso-nates both with rhythm and the tale's universal meanings -- appreciating one's heritage and discovering the beauty within. His cut-paper artwork is a joy.

Publishers Weekly

Storyteller Bryan's (What a Wonderful World) singular voice provides rhythm and sound effects throughout this musical adaptation of a Zambian tale. When gray Ringdove calls the other monotone birds together and asks, "Who of all is the most beautiful?" they all reply, "Blackbird." They then encircle Blackbird, dancing and singing, "Beak to beak, peck, peck, peck,/ Spread your wings, stretch your neck./ Black is beautiful, uh-huh!/ Black is beautiful, uh-huh!" At the birds' request, Blackbird agrees to paint black markings on them (with the blackening brew in his medicine gourd), but he warns Ringdove that it's not the color black that will make them beautiful. "Color on the outside is not what's on the inside..... Whatever I do/ I'll be me and you'll be you." The message about inner beauty and identity becomes somewhat diluted by the closing song, in which the birds triumphantly sing, "Our colors sport a brand-new look,/ A touch of black was all it took./ Oh beautiful black, uh-huh, uh-huh/ Black is beautiful, UH-HUH!" But if the ending creates a bit of confusion, Bryan's collages make up for it with their exhibition of colorful splendor and composition. Scenes of the rainbow of wings are outdone only by a lakeside view of their colors intricately "mirrored in the waters." And Bryan's lilting and magical language is infectious. Ages 3-7. (Jan.) Copyright 2002 Cahners Business Information.

Ashley Bryan grew up to the sound of his mother singing from morning to night, and has shared the joy of song with children ever since. One of our most beloved illustrators, he is this year's Laura Ingalls Wilder Award winner and has been a May Hill Arbuthnot lecturer, a Coretta Scott King Award winner (most recently for Beautiful Blackbird), and the recipient of countless other awards and recognitions. He lives in Islesford, one of the Cranberry Isles off the coast of Maine, where he can often be found with a cluster of children, all singing.