Becoming a Poet: Elizabeth Bishop with Marianne Moore and Robert Lowell
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Overview
Becoming a Poet traces the evolution of Elizabeth Bishop's poetic career through her friendships with other poets, notably Marianne Moore and Robert Lowell. Published in 1989 following critic David Kalstone's death, with the help of a number of his friends and colleagues, it was greeted with uniformly enthusiastic praise. Hailed at that time as "one of the most sensitive appreciations of Elizabeth Bishop's genius ever composed" and "a first-rate piece of criticism" and "a masterpiece of understanding about friendship and about poetry," it has been largely unavailable in recent years.The first full-scale critical/biographical consideratrion of Elizabeth Bishop, a writer who is coming more and more to be seen as a major mid-century American figure.
Synopsis
A celebrated study of Elizabeth Bishop's genius, as revealed through her literary friendships
Publishers Weekly
When Elizabeth Bishop, a senior at Vassar in 1934, met Marianne Moore, she clutched the older poet's ``very generous and protective apron.'' Moore's serene ability to enter into the life of things sharpened Bishop's own observational powers. In their friendship, Bishop played the role of wayward niece to Moore's posture as wise, eccentric aunt, in a dynamic of support and disobedience that lasted until Moore's death in 1947. In that year, Bishop met Robert Lowell, embarking on a complex, sustaining friendship that began as a flirtation and survived her alcoholism and 15-year stay in Brazil and his mental breakdowns. Although an abyss might seem to separate Bishop's open-air naturalism from Lowell's narrative lyrics laden with myth and history, Kalstone (who died after completing the draft of this sensitive study) demonstrates how the two established poets opened each other to new modes of expression. (Aug.)