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Book cover of Before John Was a Jazz Giant: A Song of John Coltrane
Music, Musicians & Composers - Biography

Before John Was a Jazz Giant: A Song of John Coltrane

by Carole Boston Weatherford, Sean Qualls
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Overview

Young John Coltrane was all ears. And there was a lot to hear growing up in the South in the 1930s: preachers praying, music on the radio, the bustling of the household. These vivid noises shaped John’s own sound as a musician. Carole Boston Weatherford and Sean Qualls have composed an amazingly  rich hymn to the childhood of jazz legend John Coltrane. Before John Was a Jazz Giant is a 2009 Coretta Scott King Illustrator Honor Book and a 2009 Bank Street - Best Children's Book of the Year.

Synopsis

Young John Coltrane was all ears. And there was a lot to hear growing up in the South in the 1930s: preachers praying, music on the radio, the bustling of the household. These vivid noises shaped John’s own sound as a musician. Carole Boston Weatherford and Sean Qualls have composed an amazingly rich hymn to the childhood of jazz legend John Coltrane.

Children's Literature

Yes, I still have some of my John Coltrane vinyl records—it is hard to part with your favorites even if the medium is no longer in favor. Much as I loved his music, I really knew very little about the musician. Weatherford has taken an approach that should resonate with young readers. She looks at John's life before he became an adult. What were the sights and sounds that influenced him, and how did he become one of the great jazz musicians? His home was filled with music and sounds. He heard the rhythm of his grandfather's Sunday sermons, his mother playing hymns for the choir, and he played a clarinet in a band. He also knew great sadness due to the loss of family members and separation from his mother and aunt. He was drawn to the saxophone, and it became his solace. He listened and developed his own rich and unusual sound. What is really amazing is how much information Weatherford conveys in her concise poetic text—her song of John Coltrane. The artist has amplified her words to show an appealing young boy absorbing all the sounds around him and finally producing his own signature sound. The author's note recaps John's brief life and his contribution to jazz. There is also a discography, several books and a reference to a web site where readers can learn more about this artist's life. Consider pairing it with Chris Raschka's John Coltrane's Giant Steps. Reviewer: Marilyn Courtot

About the Author, Carole Boston Weatherford

CAROLE BOSTON WEATHERFORD wrote the Caldecott Honor book Moses: When Harriet Tubman Lead Her People to Freedom. She lives in North Carolina.

SEAN QUALLS illustrated the widely acclaimed biographies The Poet Slave of Cuba and Dizzy. He lives with his family in Brooklyn, New York.

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Editorials

From the Publisher

“Weatherford’s evocative poem traces Coltrane’s influences simply and stunningly. Qualls’s muted palette of rich hues suggests the smoky jazz moods he would create.”

—School Library Journal

“Even children who are unfamiliar with jazz in general and John Coltrane in particular may find their interest piqued.”

—Horn Book

“Will echo with contemporary children, who will recognize the music in their daily lives.”

—Booklist

“This is as much a subtle invitation for children to listen to their own worlds as it is a Coltrane biography.”

—Bulletin of the Center for Children’s Books

Children's Literature - Marilyn Courtot

Yes, I still have some of my John Coltrane vinyl records—it is hard to part with your favorites even if the medium is no longer in favor. Much as I loved his music, I really knew very little about the musician. Weatherford has taken an approach that should resonate with young readers. She looks at John's life before he became an adult. What were the sights and sounds that influenced him, and how did he become one of the great jazz musicians? His home was filled with music and sounds. He heard the rhythm of his grandfather's Sunday sermons, his mother playing hymns for the choir, and he played a clarinet in a band. He also knew great sadness due to the loss of family members and separation from his mother and aunt. He was drawn to the saxophone, and it became his solace. He listened and developed his own rich and unusual sound. What is really amazing is how much information Weatherford conveys in her concise poetic text—her song of John Coltrane. The artist has amplified her words to show an appealing young boy absorbing all the sounds around him and finally producing his own signature sound. The author's note recaps John's brief life and his contribution to jazz. There is also a discography, several books and a reference to a web site where readers can learn more about this artist's life. Consider pairing it with Chris Raschka's John Coltrane's Giant Steps. Reviewer: Marilyn Courtot

School Library Journal

Gr 3-6- "Before John was a jazz giant,/he/was/all/ears." He heard "hambones knocking" in a pot on the stove, steam engines, tap dancers, preachers, sobs, cheers, and birdsongs. And he heard music-his father's ukelele, the family Victrola, church hymns, the community band, jitterbug music, and big bands playing on the radio, "blue notes crooning his name." So he picked up the saxophone and poured all the sounds he'd heard into music all his own. Weatherford's evocative poem traces Coltrane's influences simply and stunningly, her redolent voice as smooth and vivid as jazz itself. Qualls's double-page, full-bleed illustrations combine acrylic, collage, and pencil in surrealist renderings of young Coltrane soaking up the sounds surrounding him. A muted palette of rich hues suggests the smoky jazz moods he would create, the sounds dreamily dancing through the air amid streaming ribbons of music. A full-page biography of Coltrane concludes the volume, along with a list of recommended listening and further reading, making this picture book appealing to all ages studying jazz or African American history. Pair it with recordings of Coltrane for added appeal to a wide audience.-Joyce Adams Burner, Hillcrest Library, Prairie Village, KS

Kirkus Reviews

Weatherford's compressed poetic homage to Coltrane's early influences relays biographical details through metaphors evoking sound: "Before John was a jazz giant, / he heard Grandpa's Sunday sermons, / Mama playing hymns for the senior choir, / and the scoutmaster's call to join a band." Five other stanzas, each beginning with the titular phrase, both convey 1930s references (Bojangles, big bands) and presage Coltrane's musical arc to come ("he heard . . . a saxophone's soulful solo, / blue notes crooning his name." Qualls's mixed-media full-bleed spreads employ a color palette (blue, sienna, ochre, white) and sonic iconography similar to (and not exceeding) his much-praised work in Dizzy. Circles and bubbles populate each spread, standing in for the emanations of Grandma's cooking pots, the setting-sun sadness of a family funeral and sweet possibility, as John "picked up that horn." Layout conspires nicely to deliver Weatherford's final couplet over two full spreads: "Before John was a jazz giant, / he was all ears." (author's note, selected recordings, reading list) (Picture book/biography. 5-8)

Book Details

Published
April 1, 2008
Publisher
Henry Holt and Co. (BYR)
Pages
32
Format
Hardcover
ISBN
9780805079944

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