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Begin Again: A Biography of John Cage by Kenneth Silverman — book cover

Begin Again: A Biography of John Cage

by Kenneth Silverman
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Overview

A man of extraordinary and seemingly limitless talents—musician, inventor, composer, poet, and even amateur mycologist—John Cage became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. Silverman begins with Cage’s childhood in interwar Los Angeles and his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of his creativity. Cage continued his studies in the United States with the seminal modern composer Arnold Schoenberg, and he soon began the experiments with sound and percussion instruments that would develop into his signature work with prepared piano, radio static, random noise, and silence. Cage’s unorthodox methods still influence artists in a wide range of genres and media. Silverman concurrently follows Cage’s rich personal life, from his early marriage to his lifelong personal and professional partnership with choreographer Merce Cunningham, as well as his friendships over the years with other composers, artists, philosophers, and writers. 

Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century.

 

Synopsis

John Cage was a man of extraordinary and seemingly limitless talents: musician, inventor, composer, poet. He became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Now award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. We follow Cage from his Los Angeles childhood—his father was a successful inventor—through his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of creativity in him and, after his return to the States, into his studies with the seminal modern composer Arnold Schoenberg. We see Cage’s early experiments with sound and percussion instruments, and watch as he develops his signature work with prepared piano, radio static, random noise, and silence. We learn of his many friendships over the years with other composers, artists, philosophers, and writers; of his early marriage and several lovers, both female and male; and of his long relationship with choreographer Merce Cunningham, with whom he would collaborate on radically unusual dances that continue to influence the worlds of both music and dance.

Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century.

Library Journal

In anticipation of the centenary in 2012 of John Cage's birth, award-winning biographer Silverman (Lightning Man: The Accursed Life of Samuel F.B. Morse) has produced the first in-depth, detailed account of Cage's rich and colorful life. His numerous, passionate, and complex relationships with the leading minds of the American and European avant-garde artistic movements are carefully chronicled and, in toto, would convince any doubters that Cage should rightly be regarded as one of the most original and influential thinkers of the 20th century. Silverman's prose is lively and occasionally mirrors Cage's own wit. There are a few small illustrations of Cage's scores, including a page of his famous aria, and several textcentric, mesostic pieces. Compared with Kyle Gann's recent No Such Thing As Silence: John Cage's 4'33", this book contains a much more complete view of Cage's entire life and works, though it doesn't delve as deeply into the philosophical underpinnings of his signature work. VERDICT This excellent, thoroughly researched biography is an essential purchase. Highly recommended. [See Q&A with Silverman, p. 110.]—Larry Lipkis, Moravian Coll., Bethlehem, PA

About the Author, Kenneth Silverman

Kenneth Silverman’s previous books include A Cultural History of the American Revolution; The Life and Times of Cotton Mather; Edgar A. Poe: Mournful and Never-ending Remembrance; Houdini!!!; and Lightning Man: The Accursed Life of Samuel F. B. Morse. A fellow of the American Academy of Arts and Sciences, he has received the Bancroft Prize in American History, the Pulitzer Prize for Biography, the Edgar Award of the Mystery Writers of America, and the Christopher Literary Award of the Society of American Magicians. A professor emeritus of English at New York University, he lives in New York City.

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Editorials

Library Journal

In anticipation of the centenary in 2012 of John Cage's birth, award-winning biographer Silverman (Lightning Man: The Accursed Life of Samuel F.B. Morse) has produced the first in-depth, detailed account of Cage's rich and colorful life. His numerous, passionate, and complex relationships with the leading minds of the American and European avant-garde artistic movements are carefully chronicled and, in toto, would convince any doubters that Cage should rightly be regarded as one of the most original and influential thinkers of the 20th century. Silverman's prose is lively and occasionally mirrors Cage's own wit. There are a few small illustrations of Cage's scores, including a page of his famous aria, and several textcentric, mesostic pieces. Compared with Kyle Gann's recent No Such Thing As Silence: John Cage's 4'33", this book contains a much more complete view of Cage's entire life and works, though it doesn't delve as deeply into the philosophical underpinnings of his signature work. VERDICT This excellent, thoroughly researched biography is an essential purchase. Highly recommended. [See Q&A with Silverman, p. 110.]—Larry Lipkis, Moravian Coll., Bethlehem, PA

Kirkus Reviews

A Bancroft and Pulitzer Prize winner takes on one of the most influential composers of the 20th century.

John Cage (1912–1992) redefined what music could be by expanding nearly every element of the art. Silverman (Lightning Man: The Accursed Life of Samuel F.B. Morse, 2003, etc.) traces his innovations chronologically—his breakthrough years as a composer of experimental dance and percussion music, his definitive decade inventing chance-derived music as a member of the New York School of artists and musicians in the '50s, and his later development of indeterminate music, the content of which could be created by the performer. Cage's originality and his subsequent influence spread far beyond music into the visual arts and poetry, playing a central role in the creation of the Fluxus movement as well as the Language school of poetry. Silverman's prose gracefully captures the seamlessness of Cage's effect on 20th-century creative art, and he provides a careful, but not uncritical, exploration of the composer's personal relationships, many of which involved men and women who would become monumental artists, scientists and thinkers. The author also explores other parts of Cage's life, including his interest in chess, which he learned to play from Marcel Duchamp, and his work as a mycologist.Silverman also provides a much-needed corrective to a generation of artists and musicians who have idolized, even mythologized Cage, yet grossly misunderstand or remain ignorant of what Cage actually accomplished as a composer. As someone who experimented quite dramatically with musical notation, instrumentation and the very nature of what sound could be—think of his famous "silent" piece,4'33"—Cage occasionally mystified the very music he sought to simplify. Yet Silverman's artful narrative lays bare Cage's compositional processes, aesthetic posturing and the cross-cultural philosophical underpinnings to his work with a clarity that musicologists and art historians have yet to achieve.

Not just an exemplary biography, but a significant contribution to the cultural history of American music.

Book Details

Published
October 1, 2010
Publisher
Knopf Doubleday Publishing Group
Pages
496
Format
Hardcover
ISBN
9781400044375

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