Overview
Lenie Clarke-amphibious cyborg, Meltdown Madonna, agent of the Apocalypse-has grown sick to death of her own cowardice.
For five years (since the events recounted in Maelstrom0, she and her bionic brethren (modified to work in the rift valleys of the ocean floor) have hidden in the mountains of the deep Atlantic. The facility they commandeered was more than a secret station on the ocean floor. Atlantis was an exit strategy for the corporate elite, a place where the world's Movers and Shakers had hidden from the doomsday microbe ßehemoth-and from the hordes of the moved and the shaken left behind. For five years "rifters" and "corpses" have lived in a state of uneasy truce, united by fear of the outside world.
But now that world closes in. An unknown enemy hunts them through the crushing darkness of the Mid-Atlantic Ridge. ßehemoth- twisted, mutated, more virulent than ever-has found them already. The fragile armistice between the rifters and their one-time masters has exploded into all-out war, and not even the legendary Lenie Clarke can take back the body count.
Billions have died since she loosed ßehemoth upon the world. Billions more are bound to. The whole biosphere came apart at the seams while Lenie Clarke hid at the bottom of the sea and did nothing. But now there is no place left to hide. The consequences of past acts reach inexorably to the very floor of the world, and Lenie Clarke must return to confront the mess she made.
Redemption doesn't come easy with the blood of a world on your hands. But even after five years in pitch-black purgatory, Lenie Clarke is still Lenie Clarke. There will be consequences for anyone who gets in her way-and worse ones, perhaps, if she succeeds...
ßehemoth: Seppuku concludes the final act (begun in ßehemoth: ß-Max) of Peter Watts's chilling and powerful Rifters series.
Editorials
From the Publisher
Praise for Starfish and Maelstrom:"I have no hesitation in recommending both books to readers interested in up-to-date science fiction with a seriously paranoid edge."—The New York Times
"Watts moves from the relentless pressure of Starfish to the frantic speed of chaos in action, never losing the tight focus on his fascinating characters in this excellent sequel to his debut novel."--Booklist [Starred Review]
"Watts has grown into a powerful hard-SF voice in the space of only two books. . . .With its worst-case-scenario setting and thoroughly compelling characters, Maelstrom delivers on all the promises hard SF has ever thought to make, bundling future science and a suspenseful story into a single thrilling package." -Locus
Praise for ßehemoth: ß-Max:
"One of the novel's most fascinating aspects is its extremely inhospitable setting, under 300 atmospheres pressure at the ocean's sunless floor. Readers will also find themselves unwillingly gripped by the simultaneously flawed and ferocious characters, shaped by a social situation bleaker than anything outside John Shirley's early novels. . . .They're uncomfortably believable, like us at our least generous moments. Finally, the writing is compelling, jittery, full of dark irony."-Publishers Weekly
Gerald Jonas
This bare-bones synopsis cannot convey the complex moral calculus that Watts embodies in his ambitious tale of conscience deferred. Everyone involved in the harrowing denouement is both wounded and culpable. And, very much to the point, even readers may feel complicit when they find themselves sympathizing with characters who have been responsible for as many as a billion deaths.— The New York Times