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Ben Shahn: An Artist's Life by Howard Greenfeld — book cover

Ben Shahn: An Artist's Life

by Howard Greenfeld
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Overview

   Beginning in the thirties, he created bold and powerful paintings of often controversial subjects, and in particular his portraits of Sacco and Vanzetti caused a storm whenever they were exhibited. After working as an assistant to Diego Rivera on the ill-fated Rockefeller Center mural, he began creating his own arresting murals—in Washington, New York, and New Jersey—which are among the finest such works ever painted in this country. He also excelled as a photographer as one of the distinguished group known as the FSA photographers, which included Dorothea Lange and his close friend Walker Evans. His life  crossed the paths of many others, too, including Albert Einstein, Alexander Calder, William Carlos Williams, Archibald MacLeish, and S. J. Perelman.

During World War II, he produced some of the most striking and effective propaganda posters, before returning again to painting, always choosing subjects that touched a nerve and were just as often politically powerful.
  
Shahn also entered the world of advertising, but completely on his own terms, and was respected for it. His life was always involved directly with his times, and he was a member of the intellectual community throughout his career, as well as a courageous political activist. His unique, unforgettable work won him shows in museums all over America, including the Museum of Modern  Art.
  
Ben Shahn is the first complete life of the artist, and it is illustrated throughout with his photographs, pictures, and paintings.

Synopsis

   Beginning in the thirties, he created bold and powerful paintings of often controversial subjects, and in particular his portraits of Sacco and Vanzetti caused a storm whenever they were exhibited. After working as an assistant to Diego Rivera on the ill-fated Rockefeller Center mural, he began creating his own arresting murals—in Washington, New York, and New Jersey—which are among the finest such works ever painted in this country. He also excelled as a photographer as one of the distinguished group known as the FSA photographers, which included Dorothea Lange and his close friend Walker Evans. His life  crossed the paths of many others, too, including Albert Einstein, Alexander Calder, William Carlos Williams, Archibald MacLeish, and S. J. Perelman.

During World War II, he produced some of the most striking and effective propaganda posters, before returning again to painting, always choosing subjects that touched a nerve and were just as often politically powerful.
  
Shahn also entered the world of advertising, but completely on his own terms, and was respected for it. His life was always involved directly with his times, and he was a member of the intellectual community throughout his career, as well as a courageous political activist. His unique, unforgettable work won him shows in museums all over America, including the Museum of Modern  Art.
  
Ben Shahn is the first complete life of the artist, and it is illustrated throughout with his photographs, pictures, and paintings.


David Cohen

...Greenfeld's approach scrupulously balances the personal and the political to provide a rounded portrait....[The] book gives a convincing sense of a determined individual making his mark....Readers are left to infer for themselves a connection between his personal angst and his affinity with the oppressed. —The New York Times Book Review

About the Author, Howard Greenfeld

Howard Greenfeld is the author of three acclaimed biographies—of Puccini, Caruso, and the art collector Albert C. Barnes. Greenfeld was also the founder of Orion Press. He lived in France and Italy for many years, where he published English-language translations of such writers as Italo Calvino, Primo Levi, and Jean Piaget. There, he became friendly with Shahn in the last years of the artist's life. As a result of this friendship, Shahn's wife, Bernarda, herself an artist, agreed to allow Greenfeld access to her memories and mementos of Shahn.   Howard Greenfeld lives in New York City.


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Editorials

David Cohen

...Greenfeld's approach scrupulously balances the personal and the political to provide a rounded portrait....[The] book gives a convincing sense of a determined individual making his mark....Readers are left to infer for themselves a connection between his personal angst and his affinity with the oppressed. —The New York Times Book Review

Publishers Weekly - Publisher's Weekly

The centenary of socially conscious artist Ben Shahn's birth brings at least two salutes: an upcoming exhibition at New York's Jewish Museum and Greenfeld's (The Devil and Dr. Barnes) competent if workmanlike biography. "I hate injustice," Shahn (1898-1968) told an interviewer in 1944. "I've hated it ever since I read a story in school." That troubling biblical story of an unjust God is not the only influence that Greenfeld, the founder of Orion Press and a friend of Shahn's in the artist's later years, traces to his subject's youth. Explaining Shahn's graphic style of blending art and words, Greenfeld recalls the artist's childhood in Lithuania when, too poor to buy paper, he sketched in the margins of books. Once in the U.S., Shahn parlayed this skill into work as a commercial lithographer. His first steps as an independent artist coincided with the Depression, so Shahn's early career relied heavily on the Roosevelt administration's visionary schemes, described admirably by Greenfeld. In 1931, Shahn mixed social protest and art in a series that would set his course and make his reputation--The Passion of Sacco and Vanzetti. Although Greenfeld includes stories of Shahn's failed first marriage and his troubles during the Red Scare, the real human touches are rare (as in the description of Shahn's second wife baking a great many angel food cakes while helping her husband complete an egg tempera mural for a Bronx post office). Also, while Greenfeld repeats Clement Greenberg's charge that Shahn's work was "rarely effective beyond a surface facility," he offers little other critical analysis. For the biography of an artist usually associated with fiery commitment, this has a wooden, even perfunctory tone. Illustrations not seen by PW. (Nov.) FYI: In December, Princeton Unversity Press will publish Common Man, Mythic Vision: The Paintings of Ben Shahn, a companion to the exhibition at the Jewish Museum. ($45 197p ISBN 0-691-00406-4)

Library Journal

Ben Shahn (1898-1969) is among the most important American artists of this century. In this first illustrated biography of Shahn's full career, Greenfeld, founder of Orion Press and a friend of Shahn in his later years, traces the artist's life from his birth in Lithuania through his emigration to the United States at age eight, his early apprenticeship as a commercial lithographer, and his involvement with social causes in the 1920s and 1930s. Shahn's important work for various New Deal art projects (as an administrator, painter, muralist, and photographer) is explored in great detail. Making extensive use of archival sources and with the cooperation of Shahn's widow, the artist Bernarda Bryson Shahn, Greenfeld illuminates diverse aspects of Shahn's life. While placing Shahn's work in the context of contemporary American art (Shahn eschewed the abstract trends that periodically swept over his compatriots), Greenfeld also explores the often unpleasant but revealing circumstances of his personal life. Highly recommended for collections with an interest in American art or 20th-century biography.--Martin R. Kalfatovic, Smithsonian Institution Libs., Washington, DC

David Cohen

...Greenfeld's approach scrupulously balances the personal and the political to provide a rounded portrait....[The] book gives a convincing sense of a determined individual making his mark....Readers are left to infer for themselves a connection between his personal angst and his affinity with the oppressed. -- The New York Times Book Review

Kirkus Reviews

Although he knew Ben Shahn, had access to his papers, and spent many hours interviewing his widow and adult children, Greenfeld's biography remains curiously dispassionate.

Book Details

Published
October 1, 1998
Publisher
Random House Publishing Group
Pages
384
Format
Paperback
ISBN
9780679783121

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