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Bitter Fruit by Achmat Dangor β€” book cover

Bitter Fruit

by Achmat Dangor
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Overview

"The last time Silas Ali encountered the Lieutenant, Silas was locked in the back of a police van and the Lieutenant was conducting a vicious assault on Lydia, his wife. When Silas sees him again, by chance, crimes from the past erupt into the present, splintering the Ali's fragile family life." Bitter Fruit is the story of Silas, Mikey, and Lydia, a brittle family in a dysfunctional society. By turns harrowing, erotic and fearlessly satirical, it is a portrait of modern South Africa that also address questions of universal significance.

Synopsis

With the publication of Kafka's Curse, Achmat Dangor established himself as an utterly singular voice in South African fiction. His new novel, a finalist for the Man Booker Prize and the IMPAC-Dublin Literary Award, is a clear-eyed, witty, yet deeply serious look at South Africa's political history and its damaging legacy in the lives of those who live there.
The last time Silas Ali encountered Lieutenant Du Boise, Silas was locked in the back of a police van and the lieutenant was conducting a vicious assault on Silas's wife, Lydia, in revenge for her husband's participation in Nelson Mandela's African National Congress. When Silas sees Du Boise by chance twenty years later, as the Truth and Reconciliation Commission is about to deliver its report, crimes from the past erupt into the present, splintering the Alis' fragile peace. Meanwhile Silas and Lydia's son, Mikey, a thoroughly contemporary young hip-hop lothario, contends in unforeseen ways with his parents' pasts.
A harrowing story of a brittle family on the crossroads of history and a fearless skewering of the pieties of revolutionary movements, Bitter Fruit is a cautionary tale of how we do, or do not, address the past's deepest wounds.

Library Journal

Dangor (Kafka's Curse), an antiapartheid activist in South Africa and now a UN official, sets his latest novel in the South Africa of the Mandela government. Silas Ali was a member of the ANC underground and is now a ministerial liaison to the Truth and Reconciliation Commission (TRC). As the novel begins, Silas sees Du Boise, the policeman who raped Silas's wife, Lydia, 20 years earlier. When Silas tells Lydia about seeing Du Boise, it triggers a family crisis. Caught between the two worlds of pre- and postapartheid South Africa, the Alis are, like many of their friends, part of the establishment but with deep wounds from the apartheid system not likely to be healed by the TRC. For the Alis and for South Africa, reality has not lived up to the dream. While the dialog is a bit clich d and the characters are not well developed, readers will learn some history and gain a glimpse into the transformation taking place in South Africa. Short-listed for the 2004 Man Booker Prize, this title is recommended for all collections.-Rebecca Stuhr, Grinnell Coll. Libs., IA Copyright 2005 Reed Business Information.

About the Author, Achmat Dangor

Achmat Dangor was born in Johannesburg and has headed the Kagiso Trust, which aided political prisoners and their families, and the Nelson Mandela Children's fund. He is currently director of advocacy and communications at UNAIDS. He is also the author of Kafka's Curse.

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Editorials

Library Journal

Dangor (Kafka's Curse), an antiapartheid activist in South Africa and now a UN official, sets his latest novel in the South Africa of the Mandela government. Silas Ali was a member of the ANC underground and is now a ministerial liaison to the Truth and Reconciliation Commission (TRC). As the novel begins, Silas sees Du Boise, the policeman who raped Silas's wife, Lydia, 20 years earlier. When Silas tells Lydia about seeing Du Boise, it triggers a family crisis. Caught between the two worlds of pre- and postapartheid South Africa, the Alis are, like many of their friends, part of the establishment but with deep wounds from the apartheid system not likely to be healed by the TRC. For the Alis and for South Africa, reality has not lived up to the dream. While the dialog is a bit clich d and the characters are not well developed, readers will learn some history and gain a glimpse into the transformation taking place in South Africa. Short-listed for the 2004 Man Booker Prize, this title is recommended for all collections.-Rebecca Stuhr, Grinnell Coll. Libs., IA Copyright 2005 Reed Business Information.

Kirkus Reviews

In post-apartheid South Africa, a family is bedeviled by an apartheid-era rape. Dangor's latest (after Kafka's Curse, 1999) was a finalist for this year's Man Booker. President Mandela is stepping down, and the Truth and Reconciliation Commission is issuing its report. This is a big deal, especially for Silas Ali, a lawyer and civil servant charged with fixing last-minute problems. Silas is a veteran of the anti-apartheid struggle and is also Colored (i.e., "of mixed-race"). Nineteen years earlier, his wife, Lydia, had been raped by a white cop, Du Boise, as Silas, chained, had been powerless to intervene. Lydia bore a son, Mikey, with Du Boise the father. Her marriage to Silas has endured, but the love has gone, and she cannot speak about her ordeal. As the story opens in suburban Johannesburg, Silas tells Lydia of his recent chance meeting with the rapist, and the old wound is made even more painful when she learns that Du Boise is seeking amnesty. Silas tries to comfort her, but she rejects him, turning instead to her beautiful, sensual son, and a wet kiss almost becomes something more. Mikey, who has started bedding older women, is in turmoil too. He has read his mother's old diary and knows about the rape and his paternity, and he is about to discover further that his grandfather, a Muslim in India, executed the British officer who had raped the old man's sister. What more motivation does a hot-blooded teenager need? Mikey steals a gun, offs the father of a girlfriend for sexually abusing her, then mows down Du Boise. His Muslim uncle will spirit him off to India. Dangor's ragged storyline embodies also a sober, measured account of former revolutionaries adjusting to their new rolesas pragmatic administrators, but it's no match for the churning melodrama. Even more problematic than the melodrama is the sheer dullness of Silas and Lydia, a flaw that sinks what might have been a savvy insider's view of the new South Africa.

Book Details

Published
November 1, 2004
Publisher
Grove/Atlantic, Inc.
Pages
288
Format
Paperback
ISBN
9780802170064

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